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  • Wickerman
    replied
    Originally posted by Elamarna View Post
    Wickerman,,

    yes that makes more sense if the rooms from 27 extend into the passageway, then the possible problem of lack of light, as no window at front of the building goes away.
    Think you are right with the interpretation,
    With regards to the entry point while of course it is possible that this was from 26; I still see no support or need for such entry point.

    what do you think?

    steve
    Hi Steve.

    I must confess to not being too clear about the arguments over that upstairs window above the passage near room 13.

    In the Goads Plan we see a room at the back of No.27, parallel with Kelly's room. The dashed line also passes under this 2-storey construction, but the solid line is not broken so it suggests the same, that this rear window above Millers court passage belongs to No.27 totally, meaning it is not an access passage to No.26 at all.

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  • Wickerman
    replied
    Originally posted by richardh View Post
    That's what I said
    My apologies Richard, I only noticed your comment after I posted that piece.

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  • richardh
    replied
    Here's a very rough and dirty fly-thru so people can decide if this is the layout we should settle on.
    Please take note of the partition and also decide if 'Prater's stairs' 'Prater's door' position and the walls/partition to the shed are viable.

    YouTube:

    There's no shadow or texture contrasts so details are sometimes hard to see.


    Leave a comment:


  • richardh
    replied
    That's what I said

    Originally posted by Wickerman View Post

    The property line is where the downspout (drainpipe) is.

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  • Elamarna
    replied
    Wickerman,,

    yes that makes more sense if the rooms from 27 extend into the passageway, then the possible problem of lack of light, as no window at front of the building goes away.
    Think you are right with the interpretation,
    With regards to the entry point while of course it is possible that this was from 26; I still see no support or need for such entry point.

    what do you think?

    steve

    Leave a comment:


  • Wickerman
    replied
    Originally posted by Robert St Devil View Post
    You are missing the other part of the legend explanation for dashed lines - WOODEN OR PLASTER PARTITION, SOME FLOORS ONLY.
    Hi Robert.
    Are you sure you have not missed a word or two?

    This is part of the legend on those Goad dwg's we keep posting.



    "WOODEN OR PLASTER PARTITION, OR WALL SOME FLOORS ONLY"

    The dashed line portion of Millers Court passage only indicates that the rooms above (No.27) go over the passage. The property line is the right side wall, the solid line, solid except for that opening/door that we keep debating.
    In the photograph below...



    The property line is where the downspout (drainpipe) is.

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  • MBDecre
    replied
    Originally posted by Michael W Richards View Post
    Hello back at you, and thanks for the support, it can be hard to find sometimes. On your point above about the perception of what that archway window indicates, I believe its the window that Elizabeth heard the cries from that night, and it was either in a back alcove area within her room, or that it was air flow for the upstairs hallway in 26.
    I do see your points Michael. But if this window was for a room i think one side of it might be too close to the upstairs wall/partition of 26/27; although your idea is not impossible, likewise for air/light for the upstairs hall of 26. But as Richardh says, maybe Prater was talking about a window of her own room (can't recal if she had one).

    On balance, I think David Osram's 429 post is right, and Richardh in 426 looks like he has it now (very nicely). All that said, we could all still be wrong!!

    Ps: Support's a pleasure, but like you say, it can be rare! I liked your posts re the thread on Stride via Schwartz's testimony, especially. That was a tangle of a thread!
    Last edited by MBDecre; 12-18-2015, 12:51 PM.

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  • MysterySinger
    replied
    richardh - that does look good.

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  • MBDecre
    replied
    Originally posted by Elamarna View Post
    Dear MBDecre,

    Looking at the Goad plan, the area of the archway in which the window is, was a separate area, it is certainly linked to 27, there is an opening in the wall. Maybe it is an extension to a room in 27, therefore a window makes perfect sense.

    There is no way that a single window would provide light for the whole of the area from the street to the back of the archway in the assumed corridor. if it was used as a corridor surely one would expect a window onto the street as well.

    However as I always say, the map is not 100% accurate in what it shows, so we cannot know for sure

    Elamarna
    Hi there Elamarna, understood and agree likelihood re 27 and the window above the Court passage at the rear, but see my comment re Michael's alternative to yours.

    But re that window's ability to light the upstairs of 26 and/or 27... I had an aunt with a large town house in England built in the 1800s. It was quite costly, stained glass windows around the front door, considerable hall and wide staircase to a landing, then narrower stairs to the bedrooms. By the landing between the 2 staircases was a window, about the same size as the millers court passage arch window. My aunt's window, during the day, had to light the whole upper/wider landing by the bedrooms, the upper staircase, the smaller landing between the staircases and down the wide stairs to the ground floor; also, the space from bottom of the wide stairs to the upstairs ceiling was over 25 feet high (probably a couple of hundred square feet). This is conceivably a much larger area than for the space we're thinking about between Nos. 26/27. And most significantly, this was in a far higher class building than dorset street.

    Electric light came some time after my aunt's house was built, so oil lamps would have been used after dark. During daylight the window was essential, but suprisinigly small for the role.

    Any thoughts?
    Last edited by MBDecre; 12-18-2015, 12:54 PM.

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  • David Orsam
    replied
    Originally posted by Michael W Richards View Post
    We have a quote from Elizabeth Prater which seems to support what Ive been saying about the archway window, she comments on hearing the cry;

    "...as I frequently hear such cries from the back of the lodging house where the windows look into Millers Court"
    Doesn't Prater just mean the windows at the back of number 26?

    And, with respect to the archway window, hasn't Richard nailed it in #426?

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  • Michael W Richards
    replied
    From the Morning Advertiser, November 10th;

    "The house in which the murder was committed is entered by two doors situate on the right hand side of the passage, and has several rooms. The first door up the court from the street leads to the upper rooms, but the second door opens only into one room, which is situated on the ground floor."

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  • Michael W Richards
    replied
    Originally posted by David Orsam View Post
    He supposedly doesn't read my posts so he won't have seen my sketch in #363 but it doesn't matter because he reproduced the same sketch in his posts #399 and #410.

    He is aware of the door into number 27 but, for some reason, has labelled it as the door to 1 Miller's Court (Julia Venturney's room).
    We have a quote from Elizabeth Prater which seems to support what Ive been saying about the archway window, she comments on hearing the cry;

    "...as I frequently hear such cries from the back of the lodging house where the windows look into Millers Court"

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  • richardh
    replied
    Like this Pierre:




    Originally posted by Pierre View Post

    Why do you think so?

    What do you think the archway contained?

    Regards Pierre

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  • David Orsam
    replied
    Originally posted by Elamarna View Post
    Sorry Pierre,,

    They could have reached their rooms from the door in the sketch 363, which we have some evidence for.

    The map as it stands does not suggest that the archway was a passage.
    There is no entrance or exit in the long corridor as you see it.

    Why do you need to invent this has an entrance way, when there is some evidence( post 363) of another means of entrance? (if there wasn’t i could understand)
    He supposedly doesn't read my posts so he won't have seen my sketch in #363 but it doesn't matter because he reproduced the same sketch in his posts #399 and #410.

    He is aware of the door into number 27 but, for some reason, has labelled it as the door to 1 Miller's Court (Julia Venturney's room).

    Leave a comment:


  • David Orsam
    replied
    Originally posted by Elamarna View Post

    Thank you for making my point for me, the doors are not shown on the goad map.
    You say there are no openings in the passage way on the map and therefore no doors are possible.
    Originally posted by Pierre View Post
    I am not saying the are not possible. I say we can not know.
    Now that is weird because a person posting under the name "Pierre" said in #359 in this thread:

    "There must have been a corridor above the passage. It is the only possibility."

    So from "the only possibility" he is now - after being shown the error of his ways - saying there are other possibilities and we cannot know for sure.

    I would never accuse Pierre of lying so he must have just had a serious memory lapse in respect of his #359 when he posted his #394.

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