Sorry Monty
The Ultimate Sourcebook, presumably quoting the Inquest testimony, states that "At about 20 minutes after 2 he passed over the spot where the piece of apron was found. If it was there then he would not necessarily have seen it, for it was in the building"
All the best
Dave
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Since it was the opinion of Warren that the writing posed a "riot threat" because he felt it it could be seen as people came and went if left unwashed...it seems clear that the location of both the writing and the apron were not back in some dark recess.
So when the PC states that "It was not there", referring to the apron section at 2:20 when he passed, I think that means he could see that specific place.
Best regards
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No,
Halse states he wouldn't have seen it, he gave no reason and didn't declared because the apron was in the building.
The most likely one is he wasn't looking for it.
The dwellings actually had recesses at the front, with what could be described as a short footbridge leading to the stairwell.
Monty
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Hello Wickerman ,
Seeing as there is no actual 'passage' involved, we must determine whether Long meant the archway as you enter, or the vestibule inside.
??? Passage = (1) channel or opening providing a way through (2) hall or corridor . Sounds perfectly applicable to me .
P.C. Long said he found the piece of apron "lying in a passage leading to the staircases of 108 to 119 Model Dwelling House" and Detective Halse of the City Police also said the writing was inside the passage, explaining that if the apron had been there at 2.20 a.m. "he would not necessarily have seen it, for it was in the building"
Are we to therefore assume that two of London's finest had no idea what the word passage meant or how to describe one ?
I'm suggesting we take all the accounts together and not single one out as sufficient to determine the location.
in a location that could be easily seen by anyone passing on the street.
Also The only contemporary illustration is from 'The Illustrated Police News' which implies the writing was indeed inside the building on a large wall .
Who is in a better position to judge, them or us?
Do you think a consensus is necessary among a group who were not there at the time, when we have the definitive statements given by those who were actually present?
Cheers
moonbegger.
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Hello Dave.
Originally posted by Cogidubnus View PostWith respect Jon, if you're going to rely solely on Warren's report to Matthews you're at odds with PC Long who found the apron piece "lying in the passage of the doorway"
...and Arnold who recorded the message as being "in such a position that it would have been rubbed by the shoulders of persons passing in & out".
I think that is consistent with Warren's words.
Also, the chalk was in a location that could be easily seen by anyone passing on the street. This is not the case if it was inside the vestibule.
I'm suggesting we take all the accounts together and not single one out as sufficient to determine the location.
.
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With respect Jon, if you're going to rely solely on Warren's report to Matthews you're at odds with PC Long who found the apron piece "lying in the passage of the doorway" and Arnold who recorded the message as being "in such a position that it would have been rubbed by the shoulders of persons passing in & out".
Again Long, at the inquest: "lying in a passage leading to the staircases of 108 to 119 Model Dwelling House. Above it on the wall was written in chalk..."
If anyone's rewriting history I'd suggest it was Warren, who after all, had to justify his decision.
All the best
Dave
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Originally posted by moonbegger View PostHello Wickerman,
Is there really a general consensus amongst all in ripperolegy of the exact whereabouts of the writing ? To my mind , the various reports are all in conflict of each other ! So if anyone is attempting to rewrite history , I would be more inclined to start with the folk on the scene, at the time
cheers
moonbegger
Do you think a consensus is necessary among a group who were not there at the time, when we have the definitive statements given by those who were actually present?
PC Long told us the graffiti was above the apron, and Warren located the graffiti quite clearly, on the jamb of the open arch.
Who is in a better position to judge, them or us?
.
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Hello Wickerman,
If we had no statements to identify just where the apron was found we all might join in with various opinions. As it is though, we all know where the police placed the apron so suggesting it may have lay somewhere else is tantamount to rewriting history
cheers
moonbegger
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Originally posted by Cogidubnus View PostThanks Chris
Not to mention a good reason for not noticing either the apron piece or the graffito first time round...They were off the pavement, well into the doorway, and laying deep in natural shadow...particularly bearing in mind the very obvious limitations of the PC's bullseye lamp!
Cheers
Dave
If we had no statements to identify just where the apron was found we all might join in with various opinions. As it is though, we all know where the police placed the apron so suggesting it may have lay somewhere else is tantamount to rewriting history
Not that attempting to rewrite history is all that uncommon on Casebook...
.
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Thanks Chris
Not to mention a good reason for not noticing either the apron piece or the graffito first time round...They were off the pavement, well into the doorway, and laying deep in natural shadow...particularly bearing in mind the very obvious limitations of the PC's bullseye lamp!
Cheers
Dave
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Originally posted by Cogidubnus View PostI'm not that convinced it was THAT visible from the street - sure Warren said it was on the door jamb and highly visible...but bear in mind this is in his (only partly convincing) justification to the Home Secretary for erasing it...so he would say that wouldn't he...
Even bearing in mind the relatively small size of the lettering as noted by the witnesses, you'd be hard pushed to physically fit it on the door jambs illustrated in the well-known photos of the doorway, (unless of course it were so tiny as to be invisible from the street anyway!).
So I reckon it was actually on the side wall within the porch/hallway itself (just above where the apron piece was alleged to have been discovered), where folk coming down the stairs might well have rubbed it with their shoulders en passant giving it a worn appearance...which according to most accounts, clearly hasn't happened, making it perhaps of recent origin...
Yet I somehow can't see Jack calmly stopping off to write a graffito...puzzling isn't it?
All the best
Dave
Perfect cover for a Policeman , his police chalk , his lantern , not to mention a piece of exhibit (A)
Cheers
moonbegger
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Originally posted by caz View PostFine Chava, but that isn't evidence that it was there, which is my only point. However, didn't someone describe it as being visible from the street?
Excuse me for being a but-in-ski, but as we've debated the same, can I ask you straight and to the point?
What would you call 'evidence' that would convince you the graffiti was there before that night?
Thanks..
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Originally posted by RivkahChaya View PostThe police had to balance riot prevention against catching the killer of a few women. I wasn't there, so I have no right to question their decision. Besides, the evidentiary value of the graffito, or anything the writer might know was theoretical.
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I'm not that convinced it was THAT visible from the street - sure Warren said it was on the door jamb and highly visible...but bear in mind this is in his (only partly convincing) justification to the Home Secretary for erasing it...so he would say that wouldn't he...
Even bearing in mind the relatively small size of the lettering as noted by the witnesses, you'd be hard pushed to physically fit it on the door jambs illustrated in the well-known photos of the doorway, (unless of course it were so tiny as to be invisible from the street anyway!).
So I reckon it was actually on the side wall within the porch/hallway itself (just above where the apron piece was alleged to have been discovered), where folk coming down the stairs might well have rubbed it with their shoulders en passant giving it a worn appearance...which according to most accounts, clearly hasn't happened, making it perhaps of recent origin...
Yet I somehow can't see Jack calmly stopping off to write a graffito...puzzling isn't it?
All the best
Dave
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In my opinion, the only possible importance of the graffito would be to track down the writer on the chance that he saw someone come down Goulston St., and drop a piece of fabric, while he was busy writing. If so, then it would be pretty likely he saw the Ripper. If the police had photographed the graffito, they might have been able to post it, and see if anyone recognized the writing, or ask for the writer to come forward, but they probably have to redact it, and somehow make it very clear they wanted the writer only as a potential witness, not to arrest him for vandalism, libel, or attempting to incite a riot.
The police had to balance riot prevention against catching the killer of a few women. I wasn't there, so I have no right to question their decision. Besides, the evidentiary value of the graffito, or anything the writer might know was theoretical.
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