Originally posted by rjpalmer
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In my opinion, Mike had one: Anne Graham. I can see no other rational explanation for Anne's extraordinary behavior in 1994-2001 other than she had been involved in the hoax. If she hadn't been involved, she would have gladly thrown Barrett under the bus. Barrett, by contrast, had no job and little or no income and was divorcing the family's breadwinner. That complicates your idea that Barrett would have destroyed Feldman if he could: the diary was Mike's income, his lifeline.
If Anne had been involved in the diary's creation, she'd have been asking to be thrown under the bus as a direct result of coming out with her 'in the family' story. All Mike would have needed to do was to come up with proof of where the raw materials for their hoax came from and when, and it would have been all over, with Anne's toes peeping out from under the bus. Conversely, only if she wasn't involved and knew Mike wasn't either, did she have nothing to fear from anything he might have tried to claim about faking the diary. That's cause and effect for you.
I suspect Mike had more than one reason for making his initial forgery claim, and his reasons only increased as 1994 turned into 1995. So I'm not sure it matters if one of his reasons was or wasn't to get back at Feldman. It makes little difference to the overall story and we can't in any case take Mike's word for who or what motivated him to act. If Palmer is willing to take Mike's own words into account, he need look no further than the start of the affidavit, where it is made abundantly clear that Feldman is a primary target:
'Since December 1993 I have been trying, through the press, the Publishers, the Author of the Book, Mrs Harrison, and my Agent Doreen Montgomery to expose the fraud of ' The Diary of Jack the Ripper ' ("the diary").
Nobody will believe me and in fact some very influential people in the Publishing and Film world have been doing everything to discredit me and in fact they have gone so far as to introduce a new and complete story of the original facts of the Diary and how it came to light.'
This can only be a reference to Anne's 'new and complete story', as told to Feldman and described in Shirley's 1994 paperback.
I really don't understand why anyone feels the need to look elsewhere.
Several people are genuinely at a loss to understand why anyone would look beyond Charles Allen Lechmere for Jack the Ripper. After all, he claimed he had 'discovered' the murder in Buck's Row and he was the first person at the crime scene, so why not the last person to see Nichols alive? Nobody else can be placed so close to the event, and he even used an 'alias' when telling his story to the Inquest, which is supposedly a sure sign of deliberate deception. That makes him in many eyes the prime suspect - eyes that don't feel the need to look any further. It's the same phenomenon. No matter that there is nothing known about the suspect's past to indicate a capacity for the crime, whether it's "Charles Cross" who was secretly cut out to be a serial mutilator, or "Mike Williams" and his wife, who had no previous, but had a secret penchant and aptitude for faking the diary of one.
Has anyone ever taken their own fake Monet or Picasso to the Antiques Roadshow for a valuation, or to Fake Or Fortune? to try and get it authenticated? Do people whose artwork turns out to be a fake, or at least a suspected fake, routinely get accused of painting the damned thing themselves because they used to dabble with painting by numbers and didn't want to admit it? Would their accusers feel no need to look elsewhere?
Later, Anne joined the Diary's team and Martin Fido was impressed by her talent. She went on to co-write a book on Florence Maybrick (the introduction is attributed solely to her) and was said to have been working on a second book about Victorian crime.
Occam's Razor indeed. The simplest explanation is that Mike and Anne wrote the diary without any help, and I think they would have been entirely capable.
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