MWR: Don't see Israel as a suspect here myself, there isn't any evidence other than his given times...though again I suspect his statements value was not time dependent. It was off site aggressive Gentile dependent.
MWR: Anderson claimed that during Septembers door to door inquiries, which he missed.. being in Paris, led him to conclude a local immigrant jew was likely the man they looked for, the neighbours and the cops wanted the club closed, and the general sentiments towards immigrant jews was dangerously negative. Without gentile "Lipski" yelling man, like as it appears the story goes in the Inquest, the closest people to Liz at the time of the murder wqere street residents and local jews.
One just has to observe the tragic erasure of the GSG to see how volatile the area was thought to be concerning Jews.
One just has to observe the tragic erasure of the GSG to see how volatile the area was thought to be concerning Jews.
Here is the relevant section, split into 4 parts, for the sake of argument.
A
12.45 a.m. 30th. Israel Schwartz of 22 Helen [sic - Ellen] Street, Backchurch Lane, stated that at this hour, on turning into Berner St. from Commercial Road & having got as far as the gateway where the murder was committed he saw a man stop & speak to a woman, who was standing in the gateway. The man tried to pull the woman into the street, but he turned her round & threw her down on the footway & the woman screamed three times, but not very loudly. On crossing to the opposite side of the street, he saw a second man standing lighting his pipe. The man who threw the woman down called out apparently to the man on the opposite side of the road 'Lipski' & then Schwartz walked away ...
... but finding that he was followed by the second man he ran so far as the railway arch but the man did not follow so far.
Marginal note: The use of "Lipski" increases my belief that the murderer was a Jew.
Schwartz cannot say whether the two men were together or known to each other. Upon being taken to the mortuary Schwartz identified the body as that of the woman he had seen & he thus describes the first man, who threw the woman down: age about 30 ht, 5 ft 5 in. comp. fair hair dark, small brown moustache, full face, broad shouldered, dress, dark jacket & trousers black cap with peak, had nothing in his hands.
At the end of part A, he is walking away from the scene - he never interferes with it, and never speaks.
BS Man has already shouted 'Lipski', and therefore Pipeman is superflous to requirements.
In part B, Pipeman chases Schwartz away, or at least follows him with intent.
What has this to do with implicating the murderer as a Gentile?
Pipeman does not need to exist, to achieve this!
The crucial question then arises - why does Schwartz add Pipeman to the story?
Does he need an excuse to run away from the vicinity of the murder location?
Could that be because he was seen running away from the murder location?
Does part B actually suggest that Schwartz was chased away from the murder location, because he was involved with the murder?
Part C suggests that, in practice, your theory of 'Lipski' as a way of implicating a gentile, failed completely.
A dissertation on the subject quotes a Home Office memo:
It does not appear whether the man used the word "Lipski" as a mere ejaculation, meaning in mockery I am going to "Lipski" the woman, or whether he was calling to a man across the road by his proper name. In the latter case, assuming that the man using the word was the murderer, the murderer must have an acquaintance in Whitechapel named Lipski.
He did not get a good look at Stride from within the club, unless she were also inside it at some point.
I doubt very much that he could have got a good look at Stride, the way he describes things ...
BS Man stops at Stride, probably obscuring her from Schwartz' view, and Stride, being at the edge of the gateway, is probably in a pretty dark location.
BS Man then tries to pull her to the street, but ends up throwing her down on the footway. Schwartz then crosses the street.
He never gets a good look at her face, yet somehow he is able to identifier her at the mortuary.
Is that because Schwartz got a much better look at Stride, than we are led to believe?
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