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  • cobalt
    replied
    Thanks for your considered response Caz. We are coming at the A6 Case from different directions so the chances of meeting in the middle might not always be great. And congratulations on your sterling jury duty: the facts must trump the shady character of the defendant otherwise we would end up with 100% conviction rate. No doubt he was convicted, fairly, at a later assizes.

    I began by disagreeing with moste regarding Sherrard’s performance as a barrister. I still think he was too hard on Sherrard’s failure. However more generally I think he is correct. If Sherrard was unaware of the Gregsten/Valerie Storie affair then he was incompetent: it was local knowledge. I assume he was aware and decided that to reveal it in open court might have been counter productive. Perhaps he was aware of his limitations to do this without seeming to attack the undeniable victim, Valerie Storie, who was propped up in a wheelchair. However he was duty bound to do this in my view, to taint her evidence in the eyes of the jury to the benefit of the defendant. Yes, it’s filthy work but less so than hanging.

    As a result Sherrard was now effectively fighting the case on the prosecution’s terms: that is to say, that the guilty man was a crazed gunman with no connection to the victims. Sherrard did a decent job I am sure but the jury were then left with three options: the killer was either a) Hanratty or b) Alphon or c) AN Other. This was before Alphon’s mea culpa rants so after due consideration, and they did take around eight hours, the jury plumped not unreasonably for Hanratty. What they, in my view, got wrong was that although they preferred the prosecution case – and it was reasonable I think to do so- they did not consider whether it met the bar of being beyond reasonable doubt.

    Sherrad had three areas to contend with. The first was the bullets found in the Vienna Hotel but the evidence of Nudds was, to say the least, contradictory. Then there was the eyewitness evidence from Redbridge, fleeting and also contradictory. Valerie Storie’s evidence was surely key but hers was also contradictory in so far as she had picked out another person at an earlier ID parade. The gun in the bus was hearsay evidence and worth little more than the jailyard confession dredged up by the police- always a sign their case is stalling. So moste is right to suggest that Sherrard was dealt a decent hand of cards.

    To Sherrard’s advantage were three clear points. The lack of forensics from the car of Valerie Storie’s clothing speaks, or should have spoken, volumes. The fact that no witness was ever called who had seen Hanratty with a gun should have been hammered home. And finally the total lack of witnesses (aside from VS) who ever saw Hanratty in Taplow area on the day of the crime either at the railway station, walking country roads or hanging around posh houses looking for an opportunity to burgle. I assume Sherrard covered all these areas but did he drive them into the minds of the jury?

    An alibi is a defensive manoeuvre and as I said in a previous post they are very hard to prove. Sherrard was wrong footed by Hanratty on this account and can hardly be blamed for Hanratty’s panic when Jim realised the case might be going against him. But all Hanratty could ever do at this juncture- and Sherrard probably realised this- was replace a weak as water alibi in Liverpool with a slightly better one in Rhyl. It took the defence no further forward and exposed Hanratty before the jury as a man who chopped and changed his evidence when it suited. One crap alibi bad: two crap alibis worse. That was not Sherrard’s fault.

    Sherrrad should have avoided alibis- as the judge very fairly reminded the jury they were entitled to do- and focused on the weak evidence in the case. He might even have done better by not calling Hanratty to give evidence since Hanratty had no great case to defend and apparently his cocky demeanour did not go down well. By allowing his client to place emphasis on the alibi he helped, despite his best efforts, to seal Hanratty’s fate.

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  • caz
    replied
    Originally posted by cobalt View Post
    I think your own understanding of the law is limited. The witness is the person whose account must be tested to the limit whether they are a victim like Valerie Storie or not. Her evidence holds no more water if she has been raped or not raped. Any mercy shown to a witness by a barrister is as misguided as showing mercy to a boxer in a boxing ring. The defendant is entitled to say nothing and offer no evidence since he is assumed to be innocent. Well, there’s always some good citizen on the jury who will say that the defendant wouldn’t be in the dock unless he’d done something wrong and I have picked up a flavour of that in some of your posts before.
    I worked backwards from the DNA evidence and the 2002 appeal and just happen to believe that the victim picked out the right man, and the jury got it right on this occasion, if not for the right reasons. I have always readily admitted that Hanratty didn't have to prove his whereabouts, any more than his innocence. When my late father did jury service, back in the late 1960s, my brothers and I joked that he could just send a note with 'guilty' written on it, because his attitude was that the defendant wouldn't have made it to the dock if he was innocent. We mocked him mercilessly for his views, and when I did jury service in the 1980s, the young man in the dock was very much like I imagine Hanratty to have been, but the case against him was piss poor, and I like to think I had some influence in persuading the other jury members of this, which resulted in his acquittal.

    I also believe that the jury is entitled to the full story, warts and all. You clearly prefer an edited version, one that happens to favour the prosecution as I see it although you claim suppression of the truth was in the interests of the defence. Sherrard was not ahead of his time, he was behind the game in terms of experience. (I might refer you to the recent Salmond trial in Scotland which shows how weak witnesses can be discredited.) Sherrard was also defending Hanratty on grounds of contradictory eyewitness evidence, previous character and complete absence of forensics so any undermining of Valerie Storie was just one part of his case.
    If the only truth that was suppressed was how long Valerie and Gregsten had been driving to cornfields together, before someone came across them and shot them both, I still fail to see how that truth could have influenced the jury in Hanratty's favour - unless you are suggesting that the kidnapper was not a stranger to Valerie, and she lied about this. John Worboys, the Black Cab Rapist, was convicted in 2009 for attacks on 12 women, and may have had more than 100 victims. One victim, a teenaged student, who had been drugged and assaulted, was asked by the police why she was wearing red lipstick and nail polish, making her feel she had brought the attack upon herself, when all she did was to get into a licensed black cab to get home safely. So Valerie stands no chance, does she, as a stranger's rape victim who was having an affair at the time with a married man. Heaven help her if 'the full story, warts and all' would have revealed she had painted her toenails too.

    Your reference to Christine Keeler will have moste online soon. I don’t know where you got the idea of anticipation from, it certainly wasn’t from my posts. I stated that if the affair had lain at the heart of this case, then however cruelly events unfolded, most humans would look not forward but back and wonder what if they had acted differently. And that’s before we consider the dialogue that would have taken place in the car, although your attempt at script writing is probably pretty close to the mark.
    But there is no evidence the affair did lie at the heart of this case, nor any evidence that Valerie ever thought it might. When something bad happens, we all wish we could have avoided it by acting differently, and I don't doubt Valerie spent the rest of her life wishing she had not been in the car with Gregsten when lightning struck. But did you seriously expect her to blame her private life for what happened to them, any more than Worboys's young assault victim should blame herself for wearing red lipstick and nail polish on that occasion?

    Try not to put words into my mouth. I did say that Valerie Storie may have concealed the motivation to break up the affair. And I do believe it likely that an innocent man was hanged. But I have never, as your words suggested, ever claimed that Valerie Storie knowingly sent an innocent man to his death. She clearly convinced herself that Hanratty was the man in the car and the jury were prepared to accept that.
    Okay, but if Valerie knew, or even suspected, that the motive behind this crime was to break up the affair, but concealed it, because she wasn't yet ready to spell out why she was really in that parked car with a married man, would she not have wanted to know how this stranger, Hanratty, came into the picture, and who put him up to it? Or did she not care that this young man would hang, while whoever had sent him would go unpunished?

    As for her quest for justice, the Gregsten family had already suffered enough. The slaughter at Deadman’s Hill was never done in the name of anybody bar the perpetrator. Proving what she suspected would have been rather difficult given the amount of police complicity viewed in their indulgent dealings with Alphon and Ewer, to take just two names out of the A6 hat. I think Valerie Storie wanted to draw a line under that time of her life and far from her life being over, from what I can gather she led a rather admirable one thereafter.
    Again, you are only assuming what she suspected. So forgive me if I do a bit of assuming too, and suggest that Valerie never suspected anyone else of pulling Hanratty's strings, when she picked him out and was certain this was the man in the car with them that night.

    Love,

    Caz
    X

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  • caz
    replied
    Originally posted by cobalt View Post
    Had Sherrard explored this area he might have discovered a few things which emerged later in regard to disquiet regarding the affair such as complaints at the couple’s place of work and the plans Gregsten had to leave the family home. Once he was in this ‘gas meter’ territory Sherrard could then have considered that Valerie Storie’s morals might indeed have been the driving force behind the events that night. The horrific nature of the murder and rape clearly absolved the wider Gregsten family of direct involvement and may have acted as a useful smokescreen for almost 60 years.
    Hi cobalt,

    You make it sound like Valerie was viewed as the wicked home wrecker, who had got her claws into this innocent husband and father, who would never have been unfaithful, or wanted to leave the family home, if she hadn't made all the running. She was free and single; he wasn't. And they both had minds of their own. If a husband or wife goes astray, that's their decision, and it's very often a sign that all was not well with the marriage before temptation came along.

    That is a very good point, assuming they did not pick up a man at Slough. The couple were creatures of habit like most of us and were regular drinkers at a local inn, along with others around that time. Their killer could have had them pointed out to him and been driven close to the areas they favoured for their courting activities, something which would be known only to intimates.
    Thanks, cobalt. But knowing where two people regularly go to have a drink is one thing; knowing where those same two people go when they want a private canoodle is quite another. It stretches credulity to near breaking point for me to imagine close family or friends following at a distance to see where Valerie has forced poor Gregsten to drive to this time, and the binoculars peeping out from behind a hedge, to confirm that they aren't playing travel scrabble.

    If this was made into a tv drama it would have to be a black comedy, wouldn't it?

    Love,

    Caz
    X

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  • moste
    replied
    Good posts both , Cobalt , I now have a hankering for Dickens’ Pickwicks adventures in particular. I haven’t read that one in 30 years. I do seem to recall a section where Dickens goes off on a digression, where he explains in depth his perception of the workings of a murderers mind. Quite a fascinating chapter if I recall.

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  • moste
    replied
    Valerie admitting her affair after Hanratty’s death. And with her subsequent story in instalments, 3 months later, I can’t help wondering what the 11 Jury members mind set would have been at this point.

    The mention of which reminds me of another itch that can’t be scratched, to wit ,when your client is in the very grievous position of being at the mercy of 12 jurors on a capital crime , what defence lawyer would accept the reduction of one under any possible circumstance ?
    I can’t get my head around the fact that reducing the number of jurors is even an option. But for Sherrard to (presumably) discuss this request by the court with his client and then ‘go with it’ staggers the imagination. Well mine anyhow. I mean to say, Hanratty must have had it explained to him that if the case doesnt go too well, ‘law of averages ‘ would surely dictate, 12 is far better than 11 . For me, another Sherrard faux pas.

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  • moste
    replied
    Originally posted by caz View Post

    The defence had no choice but to word it that way. But what was meant by 'substance'? Surely what matters most, moste, is where Hanratty claimed to be when the rape and double shooting took place.

    To be in Liverpool overnight, or not to be in Liverpool overnight, but in Rhyl instead? That is the question.

    Love,

    Caz
    X
    . Rhyl
    is not an alibi. It’s where Hanratty claimed to have spent time after the timeframe of his actual alibi, I can’t understand why people have such a hard time getting the point , that once Hanratty had left the tobacconist around 5 o clock ,it didn’t matter a jot where the hell he went after that. Where he was when the rape and double shooting took place is of no consequence at all.The fact that he was in Liverpool at 5, means he’s innocent.

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  • cobalt
    replied
    I think it’s in Pickwick Papers that Sam Weller extols the virtue of having an alibi. In UK courts things are a little different. I once asked on here what would ever be accepted as a valid alibi for Hanratty? It was probably Graham who was honest enough to admit that nothing short of Hanratty being arrested, finger printed and banged up in a cell in Rhyl on the night of the crime was good enough. So Sherrard and later Foot were on something of a wild goose chase I fear.

    The infamous Bert Balmer of Liverpool was a well known breaker of alibis in murder cases. He offered local criminals the option: either swear a false statement which breaks the alibi of my suspect or you will be in the dock alongside him. (shades of Dixie France perhaps) George Kelly was drinking in a local bar during the Cameo Murders and had a fair few witnesses to back him up. He hanged although the conviction was later quashed I think. Devlin and Burns fared no better since their alibi of breaking into a warehouse in Manchester when a woman was being murdered in Liverpool was soon dismantled by a dodgy array of criminals. They hanged as well. This, let us not forget, is the very city where Hanratty was hoping to find an alibi of his own.
    The Birmingham Six had a reasonable alibi but, like Hanratty, lied about it initially. They claimed they were travelling back to Ireland to visit family when the bombs were laid, but in truth they were returning for the funeral of an IRA man known to them socially. The judge at trial regretted he could not sentence them to death. Their convictions were eventually overturned. The Guildford Four alibis I hardly recall, but one was certainly at a musical concert on the night of the attack with several witnesses to support him. It mattered none. And poor Stefan Kisko, his alibi was placing flowers on his father’s grave alongside his mother which was surely correct. It did him no good.

    I think Sam Weller overestimated alibis. With the intrusive CCTV which has turned the UK into a kind of Stasi state there can be the advantage of almost proving an alibi. But I fancy that might be the very evening when the system breaks down or a rookie cop accidentally erases the tape.

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  • cobalt
    replied
    I think your own understanding of the law is limited. The witness is the person whose account must be tested to the limit whether they are a victim like Valerie Storie or not. Her evidence holds no more water if she has been raped or not raped. Any mercy shown to a witness by a barrister is as misguided as showing mercy to a boxer in a boxing ring. The defendant is entitled to say nothing and offer no evidence since he is assumed to be innocent. Well, there’s always some good citizen on the jury who will say that the defendant wouldn’t be in the dock unless he’d done something wrong and I have picked up a flavour of that in some of your posts before.

    I also believe that the jury is entitled to the full story, warts and all. You clearly prefer an edited version, one that happens to favour the prosecution as I see it although you claim suppression of the truth was in the interests of the defence. Sherrard was not ahead of his time, he was behind the game in terms of experience. (I might refer you to the recent Salmond trial in Scotland which shows how weak witnesses can be discredited.) Sherrard was also defending Hanratty on grounds of contradictory eyewitness evidence, previous character and complete absence of forensics so any undermining of Valerie Storie was just one part of his case.

    Your reference to Christine Keeler will have moste online soon. I don’t know where you got the idea of anticipation from, it certainly wasn’t from my posts. I stated that if the affair had lain at the heart of this case, then however cruelly events unfolded, most humans would look not forward but back and wonder what if they had acted differently. And that’s before we consider the dialogue that would have taken place in the car, although your attempt at script writing is probably pretty close to the mark.

    Try not to put words into my mouth. I did say that Valerie Storie may have concealed the motivation to break up the affair. And I do believe it likely that an innocent man was hanged. But I have never, as your words suggested, ever claimed that Valerie Storie knowingly sent an innocent man to his death. She clearly convinced herself that Hanratty was the man in the car and the jury were prepared to accept that.

    Valerie Storie admitted the affair after Hanratty was hanged. She had been fairly open about it about it before the crime but became very coy during the trial which speaks to her character I believe. She would have been paid for the article she wrote and I don’t grudge her a penny of that given the health care she required for the rest of her life. But once Hanratty had been executed and the crazed gunman narrative accepted by the public she was in a position to make widely known what had been known locally.

    As for her quest for justice, the Gregsten family had already suffered enough. The slaughter at Deadman’s Hill was never done in the name of anybody bar the perpetrator. Proving what she suspected would have been rather difficult given the amount of police complicity viewed in their indulgent dealings with Alphon and Ewer, to take just two names out of the A6 hat. I think Valerie Storie wanted to draw a line under that time of her life and far from her life being over, from what I can gather she led a rather admirable one thereafter.

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  • cobalt
    replied
    I'd really appreciate it if you would not put words into my mouth.

    I thought you had offered an interesting explanation for the shooting, one that in my view actually strengthened the prosecution case, but it seems I read more into your words than was there. You were simply repeating the notion of Hanratty being a wannabee stick up man who, after putting in a five hour shift, decided it was time for a kip.


    Based on Valerie's account, which I'm pleased to see you treating as truthful,

    No, but I wouldn’t discount it in its entirety either. Any avenue, from whatever source, is worth exploring in this unsatisfactory case. Her account I believe is highly edited, rather like her car rally evidence in court.


    Assuming Sherrard knew the ins and outs of the victims' affair, the only 'tactic' I can see was not further increasing the jury's sympathy for Valerie by washing her dirty knickers in public, to suggest that her lack of morals may have led someone other than Hanratty to commit rape and murder.

    I’d like to think he did know but we shouldn’t really be in the business of having to ponder this after so many years. Most likely Sherrard knew the truth but recognised he did not have the capacity to undermine her as a witness without being seen as a bully by the court. A more experienced barrister would have recognised how important Valerie Storie’s evidence was and been prepared to get his hands dirty. Better his than the hangman’s.

    Had Sherrard explored this area he might have discovered a few things which emerged later in regard to disquiet regarding the affair such as complaints at the couple’s place of work and the plans Gregsten had to leave the family home. Once he was in this ‘gas meter’ territory Sherrard could then have considered that Valerie Storie’s morals might indeed have been the driving force behind the events that night. The horrific nature of the murder and rape clearly absolved the wider Gregsten family of direct involvement and may have acted as a useful smokescreen for almost 60 years.


    If she had any idea at all that this could be the case, and any reason to suspect someone of arranging it, would she not have wanted that person to pay for the devastation they had caused?

    You would think so. But I covered this in the previous post. By acknowledging publicly the motive behind splitting them up she would also be taking some guilt upon herself for the rest of her life, whether by herself or by the wider public. The crazed gunman narrative removes much of that and offers some little solace to the Gregsten family.


    Assuming the kidnapper wasn't known to them, was he given photos and a roadmap, to guide him to where he could expect to find them, so he could then follow their car to the cornfield, where they believed they would be alone, in a place that nobody knew about?

    That is a very good point, assuming they did not pick up a man at Slough. The couple were creatures of habit like most of us and were regular drinkers at a local inn, along with others around that time. Their killer could have had them pointed out to him and been driven close to the areas they favoured for their courting activities, something which would be known only to intimates.

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  • caz
    replied
    Originally posted by cobalt View Post
    Just to clarify my reason for focusing on the non disclosure of the relationship between Gregtsen and Valerie Storie. It has nothing to do with victim blaming, although I will come to that point last. A jury has the right to draw inferences from a witness’ character and delivery of testimony. In the case of Sion Jenkins, the headmaster who stood trial twice I think for the murder of his adopted daughter with no clear verdict being reached, the jury were informed that Jenkins had lied on teacher applications. Now this had sod all to do with the crime obviously, but it allows the jury to consider that a man who can lie brazenly about qualifications he does not possess might lie about other matters. It also reveals a character confident he can hoodwink professional people partly through a personable manner which I believe came across at trial.
    You seem to have trouble distinguishing between a witness, who had been raped and shot, and someone on trial for murder. The nature of the lies Jenkins told about himself and his qualifications, informed the jury that this was someone who was prepared to lie to give himself an unfair advantage in life, or to elevate other people's opinions of him. If Jenkins's adopted daughter had survived to give evidence, I doubt it would have helped him one iota if his defence had found examples of this young girl's bad behaviour at home or school, to try and discredit her as a witness.

    In the A6 Case Valerie Storie was involved in a long running affair with a married man, something which many jurors would probably think was morally wrong. The main moral obligations rested with Gregsten of course since he had a wife and two children to consider. But that does not give Valerie Storie a free pass, unless we want to see her as some swooning Victorian female at the mercy of her passions. She was out of her teens and very capable of making her own judgments and allowed the affair to continue. The fact she was later raped and very nearly executed does not alter the fact of her putting her own interests above those of another woman and family. This affair was hardly a secret and it is possible to see a certain brazenness in the way it was conducted, at least that seemed to have been the response of persons informing a landlord and the couple’s employer. Yet none of this was brought to the attention of the jury either as a way of assessing Valerie Storie’s honesty (she clearly was less comfortable with the matter being aired in public after the crime) or other possible motives for what took place.
    I really don't know what to say, cobalt, other than to repeat that Sherrard was way ahead of his time, if he realised that making the victims' behaviour public, in a bid to discredit her account of what was done to them both, and her identification of Hanratty as the stranger who did it, would very likely have been seen by the jury as beyond desperate. If Sherrard could only defend Hanratty by attacking the victim's character, what would the jury have made of that?

    I’ll finish with some cod psychology to explain why I think the affair was relevant. I cannot believe Valerie Storie had met her attacker before but that is not the same as believing her account of the five hour car trip, one where there were stops for refreshments and no one seemed to even need to go for s pee. She concealed her relationship from the jury and could equally well have concealed the reason for that strange journey from them as well. If -and I accept it can only be ‘if’ -the purpose of the journey was to broker some kind of end to their affair which they refused to accept then she would be inhuman if she did not attach some kind of responsibility to the terrible events upon herself. The version of the random stranger would not remove that feeling but at least allow herself to live the rest of her life with less public criticism. The ‘stranger killer’ version also helps remove fingers being pointed at Michael Gregsten as well, something that Valerie Storie may well have thought was the decent thing to do in respect of Mrs. Gregsten and her two sons.
    You are entitled to your opinion, cobalt, but it doesn't wash with me. Firstly, why should Valerie have taken any responsibility for what put an end to Gregsten's life and ruined hers? She didn't ask for a man with a gun to take them on this magical mystery tour to the stuff of nightmares. Secondly, if its purpose was to 'broker some kind of end to their affair', which neither of them was prepared to consider ["Mind you own effing business! Who are you anyway, to come poking your nose into our affairs? The Sodding Pope?"], how was Valerie meant to guess, in a million years, that the affair might be ended for them, in the totally OTT, not so time-honoured fashion, of rape and murder? This wasn't Profumo and Keeler, or some bad movie plot!

    Nobody knows what goes on behind closed doors, and what leads two people to start an affair. Only Valerie knew her reasons, and it's not for others to judge or justify. But I can't see any woman in Valerie's position in the early 60s thinking 'the decent thing to do' for Gregsten's widow, children or anyone else, was to lie in court about the purpose of this road trip and allow an innocent stranger to hang for it. It's not like she continued to do 'the decent thing' and never admitted to the affair afterwards, and why on earth would 'the decent thing' have included protecting the real killer, as well as whoever sent him, if Valerie was aware this was someone close to Gregsten, who knew about the affair and wanted it to stop so badly that they didn't care how it was achieved? That makes no sense. She'd have been far more likely to speak up and try to get justice for her lover's murder - regardless of any further damage to her reputation. He was dead, and her life was all but over anyway.

    Love,

    Caz
    X

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  • caz
    replied
    Originally posted by moste View Post
    QUOTE: but Hanratty didn't help himself by cancelling one alibi out with the other, and the jury ended up believing Valerie got it right,

    Well now, we all know that this simply is not true. In the words of the otherwise inept defence .”The substance of the Liverpool alibi was maintained”.
    The defence had no choice but to word it that way. But what was meant by 'substance'? Surely what matters most, moste, is where Hanratty claimed to be when the rape and double shooting took place.

    To be in Liverpool overnight, or not to be in Liverpool overnight, but in Rhyl instead? That is the question.

    Love,

    Caz
    X

    Leave a comment:


  • caz
    replied
    Originally posted by cobalt View Post
    Hi Caz,
    I have never thought that Valerie Storie knowingly identified the wrong man. I am not aware of anything in her life before and after the terrible rime which suggested she had the vindictive nature to do such a thing. For that reason I don’t believe she could have known the person who committed the crime prior to that evening.
    Right you are cobalt, so once again, how would it have been to Hanratty's advantage, to have the sordid details of the victims' adulterous love affair come out in open court? I thought the idea was to plant the seed in the jury's minds that Valerie was dishonest and immoral, and therefore her account, including her identification of the man in the dock, might not be the truth, the whole truth... and so on. If all she could reasonably have been suspected of was making an honest mistake when she identified Hanratty, then her sex life was irrelevant to the case against him.

    Your point that the kidnapper lost patience because he was NOT receiving the power he imagined he would does make more sense to me than what I have generally read- to the effect that he was enjoying directing a pointless car rally for five hours. I did warn you that I would engage in cod philosophy of my own but it was based on Valerie Storie’s account of how they reacted to the kidnapper.
    I'd really appreciate it if you would not put words into my mouth. Where did I suggest the 'kidnapper lost patience', or that this was because he was not receiving the 'power' he imagined he would? Based on Valerie's account, which I'm pleased to see you treating as truthful, the kidnapper seemed not to know what he wanted, but I doubt it was to commit cold-blooded murder. I think he was struggling just to control this situation of his own making, and it proved too much for him when Gregsten made a sudden movement and he panicked, shooting him dead before he had time to "fink" about what he was doing. From that point on, he was a killer, who would have to grow the balls he needed to do it again, to silence the only witness.

    The original point I queried remains unanswered. If Sherrard knew of the affair before trial did he consult with Hanratty about if or how that should be handled at trial? I have explained how this may have influenced (or not as you suspect) the jury and turned the verdict Hanratty’s way. Valerie Storie was the victim of violence indeed but was allowed to present a tidied up version of her activities. The whole truth was not told. James Hanratty was not afforded this luxury, since being a self-confessed thief was central to his defence, and if this was a tactic by Sherrard then I think he put his client at a disadvantage.
    The 'tidied up version of her activities'? You mean the full, uncensored version would have provided the real reason she was in that parked car with a married man when a man with a gun took them on a mystery tour, that appears to have been a mystery to all three of them? Surely what matters is what happened from the moment the three of them were together, and whether or not you are prepared to accept Valerie's version of that. There was never any suggestion that she or her lover had ever seen this third party before, or that he may have been there, not by chance, but because he knew of their affair and was tasked with ending it in whatever way he could. If she had any idea at all that this could be the case, and any reason to suspect someone of arranging it, would she not have wanted that person to pay for the devastation they had caused?

    Assuming Sherrard knew the ins and outs of the victims' affair, the only 'tactic' I can see was not further increasing the jury's sympathy for Valerie by washing her dirty knickers in public, to suggest that her lack of morals may have led someone other than Hanratty to commit rape and murder [???]. Hanratty wasn't going to magically walk away from this, even if Valerie could have been exposed as a career marriage breaker. Even if someone could have been hired to try and break up the wicked pair - someone not known to either of them - Hanratty was still the hopeless liar in the dock, identified by Valerie as the man who broke a butterfly on a wheel.

    One more thing, to go back to the crime itself, another mystery is how anyone tasked with ending an adulterous affair would have set about tracking the couple down to where they were parked. They would have been doing their best to conduct the affair away from any prying eyes, so they must have been rather careless if they allowed their intended movements that evening to be known about by whoever had it in for them. Assuming the kidnapper wasn't known to them, was he given photos and a roadmap, to guide him to where he could expect to find them, so he could then follow their car to the cornfield, where they believed they would be alone, in a place that nobody knew about?

    Love,

    Caz
    X
    Last edited by caz; 03-23-2021, 02:42 PM.

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  • cobalt
    replied
    Just to clarify my reason for focusing on the non disclosure of the relationship between Gregtsen and Valerie Storie. It has nothing to do with victim blaming, although I will come to that point last. A jury has the right to draw inferences from a witness’ character and delivery of testimony. In the case of Sion Jenkins, the headmaster who stood trial twice I think for the murder of his adopted daughter with no clear verdict being reached, the jury were informed that Jenkins had lied on teacher applications. Now this had sod all to do with the crime obviously, but it allows the jury to consider that a man who can lie brazenly about qualifications he does not possess might lie about other matters. It also reveals a character confident he can hoodwink professional people partly through a personable manner which I believe came across at trial.

    In the A6 Case Valerie Storie was involved in a long running affair with a married man, something which many jurors would probably think was morally wrong. The main moral obligations rested with Gregsten of course since he had a wife and two children to consider. But that does not give Valerie Storie a free pass, unless we want to see her as some swooning Victorian female at the mercy of her passions. She was out of her teens and very capable of making her own judgments and allowed the affair to continue. The fact she was later raped and very nearly executed does not alter the fact of her putting her own interests above those of another woman and family. This affair was hardly a secret and it is possible to see a certain brazenness in the way it was conducted, at least that seemed to have been the response of persons informing a landlord and the couple’s employer. Yet none of this was brought to the attention of the jury either as a way of assessing Valerie Storie’s honesty (she clearly was less comfortable with the matter being aired in public after the crime) or other possible motives for what took place.

    I’ll finish with some cod psychology to explain why I think the affair was relevant. I cannot believe Valerie Storie had met her attacker before but that is not the same as believing her account of the five hour car trip, one where there were stops for refreshments and no one seemed to even need to go for s pee. She concealed her relationship from the jury and could equally well have concealed the reason for that strange journey from them as well. If -and I accept it can only be ‘if’ -the purpose of the journey was to broker some kind of end to their affair which they refused to accept then she would be inhuman if she did not attach some kind of responsibility to the terrible events upon herself. The version of the random stranger would not remove that feeling but at least allow herself to live the rest of her life with less public criticism. The ‘stranger killer’ version also helps remove fingers being pointed at Michael Gregsten as well, something that Valerie Storie may well have thought was the decent thing to do in respect of Mrs. Gregsten and her two sons.

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  • moste
    replied
    QUOTE: but Hanratty didn't help himself by cancelling one alibi out with the other, and the jury ended up believing Valerie got it right,

    Well now, we all know that this simply is not true. In the words of the otherwise inept defence .”The substance of the Liverpool alibi was maintained”.

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  • cobalt
    replied
    Hi Caz,
    I have never thought that Valerie Storie knowingly identified the wrong man. I am not aware of anything in her life before and after the terrible rime which suggested she had the vindictive nature to do such a thing. For that reason I don’t believe she could have known the person who committed the crime prior to that evening.

    Your point that the kidnapper lost patience because he was NOT receiving the power he imagined he would does make more sense to me than what I have generally read- to the effect that he was enjoying directing a pointless car rally for five hours. I did warn you that I would engage in cod philosophy of my own but it was based on Valerie Storie’s account of how they reacted to the kidnapper.

    My point about Alphon was purely in respect of a criminal escalating the nature of his crime: Alphon was prone to issuing threats and on at least one account used violence towards a woman so fitted the bill better. The logic for Alphon carrying out the crime is, I am fully aware, no stronger than it being committed by Hanratty.

    The original point I queried remains unanswered. If Sherrard knew of the affair before trial did he consult with Hanratty about if or how that should be handled at trial? I have explained how this may have influenced (or not as you suspect) the jury and turned the verdict Hanratty’s way. Valerie Storie was the victim of violence indeed but was allowed to present a tidied up version of her activities. The whole truth was not told. James Hanratty was not afforded this luxury, since being a self-confessed thief was central to his defence, and if this was a tactic by Sherrard then I think he put his client at a disadvantage.

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