Originally posted by Jane Coram
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I think he cut through the upper layers. Buttons are everywhere, the upper part of the cut is a mess... I don't know what cuts or stains were found on the bodices and vest, but that makes sense to me. What we know about the skirts is this:
1. By the time the artist was on scene, the skirts were shoved up to the breasts, exposing the body.
2. Ticking, alpaca, chintz, and I would imagine canvas for the apron are INCREDIBLY difficult to cut. Ticking and canvas are even hard to stab through they are so tightly woven. Alpaca being a wool is probably easy to stab through, difficult to cut through, and has the added bonus of dulling the knife.
3. The skirts were cut to varying degrees. from an inch and a half to ten and a half inches
4. There is evidently a wide variety of blood staining on the skirts.
5. No matter what other cuts may have been made to the apron, it was cut deliberately at some point to remove a large portion.
What we don't know:
1. We don't know how much her skirts were twisted around in the course of normal wear, or from the attack. I personally don't know whether the cuts to the skirts were evaluated on the body, or after removal. A cut 5 inches left of center on the table might have been dead center on her.
2. I offhand don't know how much blood there was pooling around the body. The larger the blood pool, the greater the chance for staining not coming from the injuries themselves.
3. We don't know when the killer shoved the skirts up, whether it was utilitarian or whether is was staging.
Theres more on both lists, but I thought that might be a good start.
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