Originally posted by pr1mate
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Since the age of the castrato had long since passed (the last castrato, Moreschi, died in 1922), the next great innovation in baroque opera singing was the advent of the operatic countertenor, or "Male Alto". Countertenors use a highly developed form of falsetto to sing very high notes, rather than foregoing their gonads in order to do so.
The singer who did more than anyone else to firmly establish this style of operatic singing was the Englishman, Alfred Deller, who became the first superstar countertenor, I suppose. He gave a concert in France in the 1950s, after which a woman from the audience rushed up to him and breathlessly exclaimed: "Why, monsieur Deller! You are eunuch, no?"; to which Deller coolly replied: "I think you mean unique, madame".
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