Originally posted by Iconoclast
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One can't follow the conversation or the tale you're trying to tell when you're only supplying a snippet here and a snippet there.
I'm still lost somewhere between Berwick and Liverpool.
The conversation suddenly jumps to Feldman knowing that Martin-Wright is referring to an electrician? How did he know that?
And how did the solicitor enter the conversation?
You still haven't explained why, on seeing Shirley's book in a wayside cafe, or whatever it was, Martin-Wright decided to phone Paul Feldman. When you take up the conversation again, Feldman is somehow already aware that the two men might share some connection through a solicitor. But this is left unexplained.
It almost sounds as if Feldman got his information from Robert Smith, who as Shirley tells it, got wind of Martin-Wright through a London solicitor whom she names as Stephen Shotnes of Simons, Muirhead, and Burton.
Some key bit of information is missing. Is that it? That Feldman was actually alerted to Martin-Wright by Robert Smith who heard it from Stephen Shotnes, and this is why Martin-Wright called Feldman instead of Harrison?
And that Smith never bothered to check it out himself, having already debunked the electrician's story with Paul Dodd and his solicitor, but took it up again in 1997 when he finally passed the story on to Shirley?
I don't know, but as it is currently being told, it doesn't make any sense. At least not to me.
It's akin to one of those experimental foreign language films that just show random scenes that don't appear to fit together particularly well, and the audience has to supply the connective tissue.
I'll look for you in the winter of 2025.
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