Originally posted by spyglass
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The Goulston Street Juwes
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Originally posted by David Orsam View PostNot a criticism of you spyglass, just an observation that a mis-spelling of single word in a sentence does not necessarily imbue that word with significance.Kind regards, Sam Flynn
"Suche Nullen" (Nietzsche, Götzendämmerung, 1888)
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Originally posted by David Orsam View PostNot a criticism of you spyglass, just an observation that a mis-spelling of single word in a sentence does not necessarily imbue that word with significance.I won't always agree but I'll try not to be disagreeable.
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[QUOTE=Pierre;372765]Originally posted by Bridewell View Post
Hi,
I think your post is a perfect example of critical thinking at a simple level. Very relevant and with really interesting questions.
The spelling isn't actually that terrible though, is it? Words like 'blamed' and 'nothing' are spelt correctly.
That is an extremely important comment. Yes, it seems it is the unique combination of letters here that makes up this seemingly incorrect spelling.
This is one of the best questions I have ever seen here on Casebook. It is rational and clear and gives a perfect frame for critical thinking.
And here begins the important explorative thinking that could lead us to really interesting answers, I think. Thanks, Bridewell, for a brilliant post.
Kind regards, PierreI won't always agree but I'll try not to be disagreeable.
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If the GSG was an accusation aimed at the City of London police, then why throw the apron down in the entry to a dwelling mainly used by Jewish people and chalk the message on the brick fascia of the building? Why not "The London City coppers are the men that will not be blamed for nothing"?
If it's aimed at the City police it's odd that Commissioner Smith wanted the graffiti kept and Warren insisted on it being rubbed out for fear of anti-Jewish riots. Unless of course, the message about the Jewes was too subtle for the police, in which case it entirely failed in its intent, didn't it?
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Originally posted by Rosella View PostIf the GSG was an accusation aimed at the City of London police, then why throw the apron down in the entry to a dwelling mainly used by Jewish people and chalk the message on the brick fascia of the building? Why not "The London City coppers are the men that will not be blamed for nothing"?
If it's aimed at the City police it's odd that Commissioner Smith wanted the graffiti kept and Warren insisted on it being rubbed out for fear of anti-Jewish riots. Unless of course, the message about the Jewes was too subtle for the police, in which case it entirely failed in its intent, didn't it?
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Cursive script
I recollect that a number of years back a poster (I think he was a Japanese gentleman) posited that the "J" might have been a misread "I" and that the "Juwes" might in fact have been a reference to the "IWES" (International Workingmen's Educational Society - although I think it was called a club rather than society). It might be improbable, but it is, I think, entirely possible. If it were a reference to the Workingmen's institution, which was effectively the site of Stride's murder, then that would make the juxtaposition of Eddowe's apron cutting an unmistakable message that both murders were by the same person.
I find it an interesting thought. One would then need to go back and reconsider the Saucy Jacky postcard referencing the double event and perhaps discount it as, if the murderer was in the business of taunting and dropping hints, why did he not reference the apron/kidney/graffito in the postcard?
That's my tuppence worth.
I now withdraw and leave it to better minds to carry on.
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Originally posted by Qlder View PostI recollect that a number of years back a poster (I think he was a Japanese gentleman) posited that the "J" might have been a misread "I" and that the "Juwes" might in fact have been a reference to the "IWES" (International Workingmen's Educational Society - although I think it was called a club rather than society). It might be improbable, but it is, I think, entirely possible. If it were a reference to the Workingmen's institution, which was effectively the site of Stride's murder, then that would make the juxtaposition of Eddowe's apron cutting an unmistakable message that both murders were by the same person.
I find it an interesting thought. One would then need to go back and reconsider the Saucy Jacky postcard referencing the double event and perhaps discount it as, if the murderer was in the business of taunting and dropping hints, why did he not reference the apron/kidney/graffito in the postcard?
That's my tuppence worth.
I now withdraw and leave it to better minds to carry on.
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Originally posted by Geddy2112 View PostWhen was the last time the wall was spotted graffiti free? Does this help with regards to if it could have been JtR etc?
Maybe, the police did get an answer as internal police memo`s stated that the message was undoubtedly written by the killer.
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