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  • Sam Flynn
    replied
    Originally posted by Fisherman View Post
    However - and this is important - if the hands on both sides had been repeatedly slashed, then it would make me think twice about any "symbolism" pertaining to the palms or pinkies.

    Me too - but that was not the suggestion!
    I didn't say it was the suggestion, Fish. I took the suggestion, which wasn't representative of the Eddowes scenario, and extended it so that it was. A pair of pierced pinkies on their own is one thing, a pair of such piercings in a sea of cuts to both hands is quite another. Eddowes' eyelid-nicks sit in a sea of vicious slashes across her entire features.
    What is the good reason?

    No, the good reason is that the eyelid nicks were carefully and meticulously inflicted, targetting BOTH eyes without damaging the eyeballs - as far as we can tell.
    As far as we can tell... indeed. But what is your source for the "carefully and meticulously inflicted" bit? God forbid that you've fallen into the trap of mistaking imagination for evidence!

    We'll be reading symbolism into the "delicately dissected earlobe" next

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  • Fisherman
    replied
    Sam Flynn: Of course, Fish, because there's potentially a two metre span between either wound.

    Nope - the span of the arms equals the lenght of the person with them. So we are speaking of a meter and a half.

    However - and this is important - if the hands on both sides had been repeatedly slashed, then it would make me think twice about any "symbolism" pertaining to the palms or pinkies.

    Me too - but that was not the suggestion!

    This is the same situation we have with Eddowes; if she ONLY had nicked eyelids, I'd be more sympathetic to the symbolist argument. But that's not the case here; yer man was making hay with her entire face, so it's hardly surprising if he had a little fun with her eyes. Doesn't imply that there's any "meaning" to any of it, though.

    The eyelid nicks stand out, Gareth, even you will have to acknowledge that. The rest of the wounds are totally unsubtle and seems to have been inflicted with no plan at all.
    The eyelid nicks must to a significant extent have been pondered before they were inflicted.


    What is the good reason? That we will see inside the mind of a killer whose identity nobody really knows? Well, good luck proving any of that

    No, the good reason is that the eyelid nicks were carefully and meticulously inflicted, targetting BOTH eyes without damaging the eyeballs - as far as we can tell.

    You will be quite aware that I am not trying to prove that we could see things inside the mind of a killer we (well...) have not identified. It is a tad tragic to suggest it, even. Even if we cannot identify the reason for the nicks, it should not mean that we should look away from them. They very much belong to the picture, and they potentially bring an element of consideration into the Eddowes case. That much is all we can say - and it is not to be discarded, or made irresponsible fun of. That should be well below our standards.

    With that I bid you a good night, Gareth!

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  • Sam Flynn
    replied
    Originally posted by Fisherman View Post
    If Eddowes had had the tips of her pinkies stabbed... If she had had the palms of her hands stabbed through, but not perfectly symmetrically - would you not think that was potentially beyond casual coincidence?
    Of course, Fish, because there's potentially a two metre span between either wound. However - and this is important - if the hands on both sides had been repeatedly slashed, then it would make me think twice about any "symbolism" pertaining to the palms or pinkies. This is the same situation we have with Eddowes; if she ONLY had nicked eyelids, I'd be more sympathetic to the symbolist argument. But that's not the case here; yer man was making hay with her entire face, so it's hardly surprising if he had a little fun with her eyes. Doesn't imply that there's any "meaning" to any of it, though.
    There is a reason that people discuss symbolism here - and a damn good reason too.
    What is the good reason? That we will see inside the mind of a killer whose identity nobody really knows? Well, good luck proving any of that

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  • Fisherman
    replied
    Originally posted by Sam Flynn View Post
    Indeed, which reinforces my point. That elements of "symbolism" are so often seen is hardly surprising, when we've been brought up on Columbo, X-Files, Henry Lincoln, Erich von Däniken... not to mention the more direct influence of Ripper books like Stephen Knight's.
    But we cannot dub every perception among people of a possible symbolism an X-file addition to Ripperology, Gareth! I very much agree that we should not say that there MUST have been symbolism involved on account of the killer - both sides of the coin may apply.

    Which is why I advice against ruling out one of those sides on account of what you personally believe is too little symmetry.

    If Eddowes had had the tips of her pinkies stabbed, both of them, but not perfectly symmetrically - would you not think that was potentially beyond casual coincidence?
    If she had had the palms of her hands stabbed through from the backside of the hands, but not perfectly symmetrically - would you not think that was potentially beyond casual coincidence?
    If she had had both earlobes sliced away - would you not think that was potentially beyond casual coincidence?

    And believe me, Gareth - having had both eylids cut the way Eddowes had is infinitely more odd and intriguing. There is a reason that people discuss symbolism here - and a damn good reason too. Thatīs not to say that they are right or that I personally think they are - but the discussion as such belongs very much to a full serious weighing of what happened to Eddowes.

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  • Sam Flynn
    replied
    Originally posted by Fisherman View Post
    I know that the sketches have not been available for 127 years to the broad public. Nevertheless, once they did go public, the idea that the eyelid nicks had a possible element of symbolism to them did not subside - quite the reverse.
    Indeed, which reinforces my point. That elements of "symbolism" are so often seen is hardly surprising, when we've been brought up on Columbo, X-Files, Henry Lincoln, Erich von Däniken... not to mention the more direct influence of Ripper books like Stephen Knight's.

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  • Sam Flynn
    replied
    Originally posted by Errata View Post
    You're wrong about that I'm afraid. Symmetry is not an indicator of purpose and meaning.
    Some would have us believe that there WAS symmetry, and that it was somehow meaningful. I'm just pointing out that it weren't necessarily so.
    And grasping the eyelids to pull them away from the eye explains why the cuts are so close to the bridge of the nose.
    Sorry, there is no sign that this happened, and no justification for thinking that he'd have needed to do any such thing.
    And your analogy doesn't hold.If the killer had put the blade between the lids to open the eyes, the upper lids would have been cut, not the lower.
    Depends where the blade hit first.

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  • Fisherman
    replied
    Sam Flynn:

    But there isn't a "great" symmetry there at all, Fish - there's an approximate symmetry at best.

    Itīs not that I canīt see your point, Gareth - but with respect, people HAVE been accepting and discussing the meaning of the inherent symmetry much because of the Foster drawings. That does of course not mean that the symmetry becomes retrospectively perfect (or "great"), but it DOES implicate that the symmetry there is, has been quite enough for people to disagree with your take on things for 127 years. They have perceived great symmetry.
    Right or wrong, Gareth, your view is not in sync with what the majority of people seem to think. And without wishing to offend you, that could well owe to differing interpretations.


    Just the sort of thing you'd expect in less-than-perfect lighting conditions, and just the sort of thing you'd expect if there wasn't any profound "meaning" to the wounds.

    Didnīt you say that there was light enough for a perfect symmetry...?
    As for profound meanings, I agree with you that there need be no such thing at all - but that does not change how people more often than not think there WAS a profound meaning.
    I can see that you are trying to de-demonize the Eddowes cutting scheme, and there is nothing wrong with that. You have - as far as Iīm concerned - done a world of good in that respect. But I am less sure that we should try and establish that the eyelid nicks MUST have been very casual. They ARE very odd and very unusual - and that should make us think, I believe.


    Besides, the sketches haven't been available to a broad public for all that time, in fact they've only attained widespread exposure in recent years. Years in which a generation of post-Aquarian boobies like you and me grew up, fed on a TV and cinema diet of mystery, science-fiction and super-sleuths.

    I am every bit as much of a sceptical person as you are, Gareth, believe me. I enjoy a good detective novel or -film as much as anybody, but I suspect that goes for you too. I am, however, very picky when it comes to what I condone when it comes to motives and such matters, and I am more likely to laugh than to sweat when I read or watch.

    I know that the sketches have not been available for 127 years to the broad public. Nevertheless, once they did go public, the idea that the eyelid nicks had a possible element of symbolism to them did not subside - quite the reverse.
    Last edited by Fisherman; 07-19-2015, 12:44 PM.

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  • Errata
    replied
    Originally posted by Wickerman View Post
    I think the eyeball is likely to depress into the eye socket to some degree before the cornea divides under the pressure of a blade. There being nothing firm behind the eyeball to offer resistance.
    I don't suggest he lifted the eyelid to check if the eyeball had separated, he may have just assumed a vertical slice across the closed eye was sufficient to make the point to those who find the body.

    As for the kidney, this is a puzzle unless he did it to demonstrate to the authorities, he knew his 'stuff'.
    Yes, but we are talking about pressure AND movement. Which is the textbook definition of slicing. And a straight slice would have more of the injury across the upper lid, not the lower. Close your eyes and feel where your upper lashes are. They are at the bottom of your eyeball, and not by the strength of long lashes. It's that the lower lids don't do that much. So the upper lid is by far the prominent target. And where the act of slicing would have to have been centered. And if her eyes were open, that means he could not have made a straight slice. Given the limited area he likely wouldn't be able to cut both lids at once. And he certainly would have cut the eyeball. Remember this is something he is doing with the tip of the blade, not the middle. The tip of the blade can only cut when first there is a stab to insert it into the tissue that is getting cut. Like using an exacto knife that weighs a quarter of a pound. Otherwise it just scratches things a bit. He has to get it just right to stab through the lid but not the eye. A cushion gained from lifting the lids makes it a little easier. Without one, then he really was showing off. Which he may have been doing anyway.

    There's little hints that this guy was capable of more than his general work would suggest. Which makes you wonder what it was he really valued.

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  • Errata
    replied
    Originally posted by Sam Flynn View Post
    The cuts come rather close to the bridge of the nose, where the skin is quite tight and difficult to pull forward. Besides, there's not much skin to get hold of, and - once grabbed - there's not much room to work a knife-blade into, to say nothing of how slippery it might have become.

    Much too fiddly, if you ask me, if not wholly impractical.What about using the point of a chef's knife to close/open the pages of a book? Well, you'd leave a nick where the blade had been... which is what we see with Eddowes. There's little precision; in fact, the wounds aren't even equidistant from the bridge of the nose, nor are they the same size and they damage the eyelids in differing, asymmetric, degrees.

    A deliberate, meaningful act would have produced a more regular pattern.
    You're wrong about that I'm afraid. Symmetry is not an indicator of purpose and meaning. It's an indicator that the way something appears matters. But a lack of symmetry does not mean the reverse. The only relatively symmetrical wounds on Eddowes were the cheek cuts, thought to be if not exactly accidental than at least incidental. He did not cut both ears, he did not injure all eyelids symmetrically, there were cuts on her right side that were not on her left. He did not take both kidneys. Symmetry was not his thing. It seems silly to insist that it should be the measure for minor disfiguring wounds on her face, but not for the rest of her.

    And grasping the eyelids to pull them away from the eye explains why the cuts are so close to the bridge of the nose. And you can get a plenty good grip on eyelids, which you would know if you were one of the poor bastards who has ever had to use a pair of tweezers to get a contact lens out. One is hardly going to cut through ones own thumb and forefinger to cut the middle. There would need to be a bit of a gap between the lid and the eye for the tip of the knife to be able to move without slicing the eyeball. And the only way that happens is if the lid is not on the eye.

    And your analogy doesn't hold. If the killer had put the blade between the lids to open the eyes, the upper lids would have been cut, not the lower. It's the upper lids that have to move to open the eyes, so the pressure would be on the upper lids, and the knife movement would have been on the upper lids. A still knife with reasonable pressure is not usually enough to make a cut. Which is why you can press a knife on a finger tip pretty hard and still be perfectly safe. It's pressure+movement that cuts. And you still would likely perf the eyeball because you are stabbing the eye, however slowly, in order to put the knife tip between the lids. Or you are flicking the tip against the split and that makes a bunch of small cuts that weren't found. While covered with blood in a dark alley using a tool that is in no way suited to the job at hand. And why not just use a thumb to open the eyes like everyone else? It's not a utility injury.

    The eyeball is about an exact cross between a water balloon and a grape. Stronger internal structures than a balloon, more free fluid than a grape. My mom once plunged her fingernail into her pupil while putting in a contact. So she certainly wasn't trying that hard to jab herself in the eye. And she did it with a fingernail, so imagine if she had done it with a blade. It healed fine, but the two biggest defenses the eye has is that it has lids, and that it is round. Those two things deflect most damage. Neither can counter a deliberate attack on the eye. Which this was. And we know that because the eyeball wasn't damaged. Raking the knife across the eye hard enough to split the lids punctures the eyeball. Losing control of the knife and "skipping" it into the eye plunges the knife into the eyeball. Probably to the hilt, depending on the length of the blade. Even accidentally tipping the the knife into the eye while cutting elsewhere stabs the eyeball. And while a cut to the eye wouldn't necessarily be enough to pop it like a grape, the cut is very apparent. The coroner's reports would not have said that the eyelids were nicked. They would have said the eyes were.

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  • Wickerman
    replied
    Originally posted by Errata View Post
    The thing is that he sliced the eyelids without apparent injury to the eye itself. Which is not easy,...
    I think the eyeball is likely to depress into the eye socket to some degree before the cornea divides under the pressure of a blade. There being nothing firm behind the eyeball to offer resistance.
    I don't suggest he lifted the eyelid to check if the eyeball had separated, he may have just assumed a vertical slice across the closed eye was sufficient to make the point to those who find the body.

    As for the kidney, this is a puzzle unless he did it to demonstrate to the authorities, he knew his 'stuff'.

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  • Sam Flynn
    replied
    Originally posted by Fisherman View Post
    And yet, these exact sketches have for 127 years led people to think that there IS a great symmetry...
    But there isn't a "great" symmetry there at all, Fish - there's an approximate symmetry at best. Just the sort of thing you'd expect in less-than-perfect lighting conditions, and just the sort of thing you'd expect if there wasn't any profound "meaning" to the wounds.

    Besides, the sketches haven't been available to a broad public for all that time, in fact they've only attained widespread exposure in recent years. Years in which a generation of post-Aquarian boobies like you and me grew up, fed on a TV and cinema diet of mystery, science-fiction and super-sleuths.

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  • Fisherman
    replied
    Sam Flynn: Not so dark that he couldn't have cut both eyelids in approximately the same place, and to broadly the same degree.

    I am not aware of the exact degree of darkness in Mitre Square, Gareth, so I cannot discuss it in detail. Nor do I know in what exact position Eddowes lay as the lids were cut - such things may have an impact too.

    There is, however, asymmetry apparent in Foster's sketches - upper and lower eyelids nicked on the left hand side, right lower eyelid only (portrait sketch); different horizontal placement of the left/right eyelid wounds (full body sketch).

    And yet, these exact sketches have for 127 years led people to think that there IS a great symmetry... But as I said, I have stated my case, and it has not changed.
    Last edited by Fisherman; 07-19-2015, 11:16 AM.

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  • Sam Flynn
    replied
    Originally posted by Fisherman View Post
    As for the assymetry you speak of, I think it is asking a lot to say that the wounds should have been exactly alike to work as examples of cuts made with a symbolical meaning.
    Not so dark that he couldn't have cut both eyelids in approximately the same place, and to broadly the same degree.
    And Fosters sketch surely implies that he at the very least saw a symmetry!
    There is, however, asymmetry apparent in Foster's sketches - upper and lower eyelids nicked on the left hand side, right lower eyelid only (portrait sketch); different horizontal placement of the left/right eyelid wounds (full body sketch).

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  • c.d.
    replied
    Originally posted by lynn cates View Post
    Hello CD.

    "However it could simply be that he felt more emboldened on that occasion and also felt like he had more time."

    With Kate at Mitre sq???

    Cheers.
    LC
    Hello Lynn,

    Why not?

    c.d.

    Leave a comment:


  • Fisherman
    replied
    Originally posted by Sam Flynn View Post
    The cuts come rather close to the bridge of the nose, where the skin is quite tight and difficult to pull forward. Besides, there's not much skin to get hold of, and - once grabbed - there's not much room to work a knife-blade into, to say nothing of how slippery it might have become.

    Much too fiddly, if you ask me, if not wholly impractical.What about using the point of a chef's knife to close/open the pages of a book? Well, you'd leave a nick where the blade had been... which is what we see with Eddowes. There's little precision; in fact, the wounds aren't even equidistant from the bridge of the nose, nor are they the same size and they damage the eyelids in differing, asymmetric, degrees.

    A deliberate, meaningful act would have produced a more regular pattern.
    Hereīs the report on it:

    "The face was very much mutilated. There was a cut about a quarter of an inch through the lower left eyelid, dividing the structures completely through. The upper eyelid on that side, there was a scratch through the skin on the left upper eyelid, near to the angle of the nose. The right eyelid was cut through to about half an inch."

    If he simply closed the eyes with his blade, then why is the LOWER left eyelid cut and the upper left eyelid scratced through the skin?
    Surely if he wanted to close the eyes, he would have put the tip of his knife to the UPPER eyelid and pulled it down? Or, to be more practical, if he really wanted to close the eyes, then why not use his thumb?
    The lower left eyelid was "cut through", so he applied the sharp edge to it. Then he may have used the tip of his knife on the upper left eyelid, scratching it.
    Whatever the eyelid cuts are, they certainly are not collateral damage, we can agree on that, I think.
    The medical report tells us that the eyelid was cut through, so there was an act of cutting involved. The upper eyelid is, in contrast, only scratched.

    As for the assymetry you speak of, I think it is asking a lot to say that the wounds should have been exactly alike to work as examples of cuts made with a symbolical meaning. It was very dark, the blade was long and probably unsuited for the purpose of cutting eyelids and so on. And Fosters sketch surely implies that he at the very least saw a symmetry!

    I more often than not like your no nonsense approach, Gareth. But I donīt want to apply it as a universal remedy. In this case, it fails to deliver to my mind.

    Thatīs about all I have to say on the matter.

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