Originally posted by Sara
View Post
I think you'll find it's the other way round, more research will improve the technique which will result in more people using it or improved variants of it, and more countries accepting it as evidence.
If you think Woffinden - or Paul Foot - had any input whatever into the cover of his book, you clearly know nothing at all about publishing!
Art directors and 'marketing people' choose and design book covers, not authors (or even editors). It's possible they were briefly consulted on the subject - ie 'shall we have a portrait of Hanratty?' - but even that is a rare concession, and an author hads to be very 'bankiable' and well known to even have that much input. The actual design treatment would owe nothing necessarily to historical accuracy - they woudl just be trying to create an image which woudl grab the passing buyer in the bookshop. That is ALL.
Art directors and 'marketing people' choose and design book covers, not authors (or even editors). It's possible they were briefly consulted on the subject - ie 'shall we have a portrait of Hanratty?' - but even that is a rare concession, and an author hads to be very 'bankiable' and well known to even have that much input. The actual design treatment would owe nothing necessarily to historical accuracy - they woudl just be trying to create an image which woudl grab the passing buyer in the bookshop. That is ALL.
So where do you want to go with this? It is a fact that the eyes on the cover of Woffinden's book appear dark, you've offered the explanation that it's nothing to do with him, but it's his publishers touching up the photo to make the cover more aesthetically pleasing and eyecatching. Fair enough, but what about the photos of Hanratty inside the books? There's one of his parents standing over a framed photo that looks like the front cover, and guess what the eyes look dark on that too, so how come on a photo NOT destined for "eyecatching" purposes has dark eyes?
KR,
Vic.
Comment