Something came up in the chatroom yesterday evening that I don't think I've seen proposed before (my apologies if I'm wrong).
Is it possible that the fire in the grate was stoked up by the Ripper just prior to his leaving so that if someone were to look through the window before dawn they would be able to see his handiwork?
It's hard not to see the crime scene as a very deliberate composition, and as any artist will tell you, proper illumination is vital to any work. I think that the Ripper wanted the discovery of the body to hold the maximum shock value, and it would be a disappointment to him if someone were to look into or enter Kelly's room in the couple of hours after his departure and before sunrise without witnessing the full horror of his deeds.
Has this been mooted before?
Is it possible that the fire in the grate was stoked up by the Ripper just prior to his leaving so that if someone were to look through the window before dawn they would be able to see his handiwork?
It's hard not to see the crime scene as a very deliberate composition, and as any artist will tell you, proper illumination is vital to any work. I think that the Ripper wanted the discovery of the body to hold the maximum shock value, and it would be a disappointment to him if someone were to look into or enter Kelly's room in the couple of hours after his departure and before sunrise without witnessing the full horror of his deeds.
Has this been mooted before?
Comment