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The Schwartz/BS Man situation - My opinion only

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  • Originally posted by Cogidubnus View Post

    Hi John

    Schwartz, by this time has started crossing the road, has passed the Yard and is looking back...With BSM's back to Schwartz, his body is likely masking exactly what he was doing to hurl Liz to the ground...and don't forget it all happened quite quickly..."the man tried to pull the woman into the street, but he turned her round & threw her down on the footway"...note please the "but" - he thought he saw the man try to pull the woman into the street, but threw her down instead? (Else why use the word but? Whats wrong with "and"?

    Also note please, it doesn't say the pavement but the footway...the entrance to the yard was, I believe, of mud and stones with a stone gutter or gully (referenced in the evidence) down the side by the club...the side door to the club opened onto it - wouldn't this be a footway? Sad that we only have Swanson's report to the Home Office, and not the original statement which might clarify this...

    Cheers

    Dave
    The tried ... but is interesting. How does a broad-shouldered man try to pull a thin, 44yo woman away from where she is, but fail? This seems almost as odd as screaming but not loudly. The best I can come up with (always assuming that this incident actually occurred) is that, when pulled, Stride clung to one of the gate rails, and screeched a bit. Kind of like this...

    Andrew's the man, who is not blamed for nothing

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    • Originally posted by NotBlamedForNothing View Post
      The best I can come up with (always assuming that this incident actually occurred) is that, when pulled, Stride clung to one of the gate rails, and screeched a bit.
      I think we have a lot of visual evidence that those gate rails (seen in the famous photo) were a later replacement for what in 1888 were solid wood doors (with a small doorway opening in one of them).

      Bests,

      Mark D.
      Last edited by Mark J D; 03-02-2024, 01:09 PM.
      (Image of Charles Allen Lechmere is by artist Ashton Guilbeaux. Used by permission. Original art-work for sale.)

      Comment


      • Originally posted by Mark J D View Post

        I think we have a lot of visual evidence that those gate rails (seen in the famous photo) were a later replacement for what in 1888 were solid wood doors (with a small doorway opening in one of them).

        Bests,

        Mark D.
        That's right. Unless someone can suggest some part of the gate that Stride could have valiantly held onto to prevent herself being pulled away, the theory fails. That would leave unexplained how the man seemingly failed to pull Stride into the street.

        I think we can see in the summarized police account, what Schwartz was trying to achieve. He wants us to believe that the man was so violent that the woman screamed - not once but three times - but he has an excuse for why no one else heard these screams. He also wants us to believe that the man had no intention of taking the woman into the yard - on the contrary he tried to move her away from it - it's just that his broad shoulders weren't quite strong enough to manage it, and she just ended up on the ground. The whole accounts reeks of dishonesty.
        Andrew's the man, who is not blamed for nothing

        Comment


        • Originally posted by NotBlamedForNothing View Post
          The whole accounts reeks of dishonesty.
          It does. The aim is clearly to put something into the public domain that has an attacker who's unconnected with the Club and clearly isn't Jewish doing what looks like the start of the murder. It's obvious horse-****.

          M.
          (Image of Charles Allen Lechmere is by artist Ashton Guilbeaux. Used by permission. Original art-work for sale.)

          Comment


          • Originally posted by NotBlamedForNothing View Post

            That's right. Unless someone can suggest some part of the gate that Stride could have valiantly held onto to prevent herself being pulled away, the theory fails. That would leave unexplained how the man seemingly failed to pull Stride into the street.

            I think we can see in the summarized police account, what Schwartz was trying to achieve. He wants us to believe that the man was so violent that the woman screamed - not once but three times - but he has an excuse for why no one else heard these screams. He also wants us to believe that the man had no intention of taking the woman into the yard - on the contrary he tried to move her away from it - it's just that his broad shoulders weren't quite strong enough to manage it, and she just ended up on the ground. The whole accounts reeks of dishonesty.
            Really , ??? Why? What evidence can you provide that proves your theory That Schwartz was dishonest and therefore lied ?

            Who else came forward to say they witnessed the same event Schwartz gave testimony too , who them themselves claimed it a "different " version of that same event .???

            If one chooses to use other witnesses and their testimony of times and positions and whereabouts at that moment, then one need to show evidence beyond any doubt such evidence is 100 % accurate .

            Schwartzs evidence just like any other is open to no more or less scrutiny in regards to the Stride murder.
            'It doesn't matter how beautiful your theory is. It doesn't matter how smart you are . If it doesn't agree with experiment, its wrong'' . Richard Feynman

            Comment


            • Originally posted by NotBlamedForNothing View Post

              That's right. Unless someone can suggest some part of the gate that Stride could have valiantly held onto to prevent herself being pulled away, the theory fails. That would leave unexplained how the man seemingly failed to pull Stride into the street.

              I think we can see in the summarized police account, what Schwartz was trying to achieve. He wants us to believe that the man was so violent that the woman screamed - not once but three times - but he has an excuse for why no one else heard these screams. He also wants us to believe that the man had no intention of taking the woman into the yard - on the contrary he tried to move her away from it - it's just that his broad shoulders weren't quite strong enough to manage it, and she just ended up on the ground. The whole accounts reeks of dishonesty.
              no it dosnt. it reeks of an innocuous witness account, with the usual confusion that goes along with them, especially from one who dosnt speak the language. and the usual reluctance to get involved. his account also matches the other witness descriptions who saw the ripper that night. and of stride. there is no reason to doubt his statement-- on the contrary it reeks of the truth.
              "Is all that we see or seem
              but a dream within a dream?"

              -Edgar Allan Poe


              "...the man and the peaked cap he is said to have worn
              quite tallies with the descriptions I got of him."

              -Frederick G. Abberline

              Comment


              • Originally posted by Abby Normal View Post

                no it dosnt. it reeks of an innocuous witness account, with the usual confusion that goes along with them, especially from one who dosnt speak the language. and the usual reluctance to get involved. his account also matches the other witness descriptions who saw the ripper that night. and of stride. there is no reason to doubt his statement-- on the contrary it reeks of the truth.
                Hi Abby.

                Myself, the most I'd allow is that the account of this 'Schwartz' character may contain within it a report of some part of an attack actually seen by someone. (Stride, you will remember, had what might be called the appropriate bruising). Everything around it, though, is fabrication designed to protect the Club -- including men who are not connected with it; a pipe that turns into a knife, and antisemitism laid on with a trowel.

                M.
                (Image of Charles Allen Lechmere is by artist Ashton Guilbeaux. Used by permission. Original art-work for sale.)

                Comment


                • Everything around it, though, is fabrication designed to protect the Club -- including men who are not connected with it; a pipe that turns into a knife, and antisemitism laid on with a trowel.

                  Even if the Club did gain some protection from his story (an argument I don't really subscribe to), you still have to somehow show that it was all fabricated with that intent in mind rather than that simply being the result.

                  c.d.

                  Comment


                  • Originally posted by c.d. View Post
                    Everything around it, though, is fabrication designed to protect the Club -- including men who are not connected with it; a pipe that turns into a knife, and antisemitism laid on with a trowel.

                    Even if the Club did gain some protection from his story (an argument I don't really subscribe to), you still have to somehow show that it was all fabricated with that intent in mind rather than that simply being the result.

                    c.d.
                    I don't have 'to somehow show' anything.

                    Hope that helps.

                    M.
                    (Image of Charles Allen Lechmere is by artist Ashton Guilbeaux. Used by permission. Original art-work for sale.)

                    Comment


                    • Originally posted by Mark J D View Post

                      I don't have 'to somehow show' anything.

                      Hope that helps.

                      M.
                      You seem to have taken offense at that. That was certainly not my intention. But (invoking the late Christopher Hitchens), if you cannot provide evidence for your assertion, I can simply dismiss it without evidence.

                      c.d.

                      Comment


                      • Originally posted by c.d. View Post

                        You seem to have taken offense at that. That was certainly not my intention. But (invoking the late Christopher Hitchens), if you cannot provide evidence for your assertion, I can simply dismiss it without evidence.

                        c.d.
                        Do what you like.

                        M.
                        (Image of Charles Allen Lechmere is by artist Ashton Guilbeaux. Used by permission. Original art-work for sale.)

                        Comment


                        • Originally posted by Mark J D View Post

                          ... Everything around it, though, is fabrication designed to protect the Club -- including men who are not connected with it; a pipe that turns into a knife, and antisemitism laid on with a trowel.

                          M.
                          The above does read like an assertion, as opposed to a belief. Any reader may reasonably expect the line to be followed by some sort of evidence. If you had began the line with "..it looks to me like....", or some other cautionary verbage the sentence would read more like the suggestion it was intended to be.

                          Regards, Jon S.

                          Comment


                          • Originally posted by Wickerman View Post

                            The above does read like an assertion, as opposed to a belief. Any reader may reasonably expect the line to be followed by some sort of evidence. If you had began the line with "..it looks to me like....", or some other cautionary verbage the sentence would read more like the suggestion it was intended to be.
                            Thanks. But I'm only interested in discussion of the actual topic, and that's all I'll engage with.

                            M.
                            (Image of Charles Allen Lechmere is by artist Ashton Guilbeaux. Used by permission. Original art-work for sale.)

                            Comment


                            • Originally posted by FISHY1118 View Post

                              Really , ??? Why? What evidence can you provide that proves your theory That Schwartz was dishonest and therefore lied ?
                              Neither of the men Schwartz claimed were on the street when the victim was, were ever identified by the police. That's quite an achievement given this was the biggest manhunt in history.

                              Who else came forward to say they witnessed the same event Schwartz gave testimony too , who them themselves claimed it a "different " version of that same event .???
                              Do you mean, who corroborated Schwartz's account, at least partially? You already know the answer. Let me guess - you count that as evidence of Schwartz's honesty?

                              If one chooses to use other witnesses and their testimony of times and positions and whereabouts at that moment, then one need to show evidence beyond any doubt such evidence is 100 % accurate .
                              To achieve what?

                              Schwartzs evidence just like any other is open to no more or less scrutiny in regards to the Stride murder.
                              So, do you believe Schwartz's evidence has to be demonstrated to be beyond any doubt 100% accurate?
                              Andrew's the man, who is not blamed for nothing

                              Comment


                              • Originally posted by Mark J D View Post

                                Hi Abby.

                                Myself, the most I'd allow is that the account of this 'Schwartz' character may contain within it a report of some part of an attack actually seen by someone. (Stride, you will remember, had what might be called the appropriate bruising). Everything around it, though, is fabrication designed to protect the Club -- including men who are not connected with it; a pipe that turns into a knife, and antisemitism laid on with a trowel.

                                M.
                                The differences between the police and press accounts are often seen as reasons for doubting both. If Schwartz can't keep a straight story, why believe anything he said? There is another way of looking at this. If the story was purely fictional, why change it? Why not tell the same fictional story to the police and press? Perhaps what we see in the two accounts considered together, is Schwartz's changing concerns in regard to the two men. In the press account, gone is the violent, swearing, assaulter of the victim, in place of the much milder "half-tipsy man", who just pushes the victim before quarrelling with her. Also gone is the apparently fleeing man who only wanted to have a smoke in peace, in place of an aggressive, shouting man who rushes the "intruder" with a knife.

                                Why the almost complete reversal of roles? Surely this hints at something.
                                Last edited by NotBlamedForNothing; 03-04-2024, 11:31 AM.
                                Andrew's the man, who is not blamed for nothing

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