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Kosminski and Victim DNA Match on Shawl
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Originally posted by SirJohnFalstaff View PostI don't understand. I all happened within one square mile. If you believe JtR was of the area, it's not a stretch.
Take Hanbury Street as an example. Very near an early morning market, directly opposite it in fact, and the hallway apparently often used by homeless people to doss in. The chances of someone being in the hallway or in the street outside, a not insignificant East/West route, were very high. And the yard was a rat trap. Only one way out. If someone had come to the yard door while Jack was mid-rip, the game would have been up.
Assuming Jack picked up Chapman in a major thoroughfare such as Commercial Street, was 29, Hanbury Street the best spot on offer? Or just one that Annie was used to using ?
MrB
This post should be on the thread How Well Did Jack Know The East End.Last edited by MrBarnett; 09-23-2014, 04:28 PM.
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Originally posted by Theagenes View PostWell, to be fair he does have some evidence -- he's just greatly overstated how conclusive it is. Poor scholarship is not a good thing, but it doesn't necessarily rise to the level of fraud.
Did he self published?Is it progress when a cannibal uses a fork?
- Stanislaw Jerzy Lee
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Originally posted by MrBarnett View PostHi Sir John,
Take Hanbury Street as an example. Very near an early morning market, directly opposite it in fact, and the hallway apparently often used by homeless people to doss in. The chances of someone being in the hallway or in the street outside, a not insignificant East/West route, were very high. And the yard was a rat trap. Only one way out. If someone had come to the yard door while Jack was mid-rip, the game would have been up.
Assuming Jack picked up Chapman in a major thoroughfare such as Commercial Street, was 29, Hanbury Street the best spot on offer? Or just one that Annie was used to using ?
MrB
This post should be on the thread How Well Did Jack Know The East End.
I think Chapman was approached differently than Nichols, whom he might have followed for a while, and just attacked her. With Chapman, he probably approached her as a customer and let her choose the place where they won't be disturbed.
I'm currently looking at how the victims were treated. I think Chapman, Eddowes, Kelly were lured (and Tabram, if you believe she's a JtR's victim), while Nichols and Stride were attacked directly.
This said, I'm not certain it is possible for a unique suspect to act that differently.
Anyway, I apologize, these questions must have been debated a thousand times already.Is it progress when a cannibal uses a fork?
- Stanislaw Jerzy Lee
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Carol Mayne (see here http://www.dnaevidence.com.au/Carol%...e%20-%20CV.pdf)
Is reported as saying:
DNA evidence has solved many crimes, and exposed so many wrongful convictions it has changed the debate on capital punishment. Nevertheless, it is not perfect; forensic consultant Dr Carol Mayne says the letters should stand for Do Not Assume because “It is not as infallible as people think”, even from far fresher samples and where the match is to the suspect, not a remote decedent.
A precaution well worth remembering.Mick Reed
Whatever happened to scepticism?
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Originally posted by RockySullivan View Postwould the ripper risk his fate on the judgement of a drunk prostitute? Or he would he pick the perfect spot, stalk the spot closely and watch what prostitutes use it or business...then when the chance is right...approach the woman and have her bring him to the spot he's actually chosen
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Originally posted by Peter Griffith aka gryff View PostThe blue dye then would be indigo. Link
Natural indigo production in 1897 was 19,000 tons but declined to 1,000 tons by 1914.
The first synthesis of indigo was described by Adolf von Baeyer in 1878 (from isatin) and a second synthesis in 1880 (from 2-nitrobenzaldehyde). However, a "a commercially feasible manufacturing process" was not established until 1897.
So while the shawl could have been produced prior to the JTR murders, that natural dye was still being used in 1897 and since Link
cheers, gryff
But the fact that this is woad (Isatis tinctoria) and not true indigo, suggests an earlier date.
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Originally posted by Fisherman View PostSorry to be so secretive, Mr Barnett, but I won´t glean anything more just yet. All in due course, however!
And as you say, it´s the wrong thread anyway.
All the best,
Fisherman
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Originally posted by Theagenes View PostWell, actually indigo is a related plant, but not quite the same (Indigofera tinctoria). If you read in the link you posted, indigo started replacing woad, then both were replaced by synthetic dyes. But as you said, natural dyes were still being used into the 20th century -- just less commonly.
But the fact that this is woad (Isatis tinctoria) and not true indigo, suggests an earlier date.
The dye chemical extracted from woad is indigo, the same dye extracted from "true indigo", Indigofera tinctoria, but in a lower concentration.
cheers, gryff
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Originally posted by Patrick S View PostDear, God. The superhuman, all-seeing, all-knowing, genius Ripper. My favorite.
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Originally posted by Theagenes View PostA quick look on Thalmann's site shows several "long" shawls like Edwards' with similar patterns and similar dimensions. Take a look this silk shawl (30" x 10") from Spitalfields c 1815 and tell me whether or not Edwards' shawl looks more like this or one of the modern table runners you posted:
http://www.antique-textiles.net/shaw...ds_floral.htmlAnd the ones from mid-19th century and earlier would have had to be natural dyes and would have had to have been kept from getting wet.
As Jeff pointed out, he is the one who started the Edwardian table runner thing in this thread and it was based his recollections of what was told to him, which he admits may have been a faulty recollection.
People here are very quick to run with spurious information if backs their position. All I'm asking is that you all utilize the same level of scrutiny on the evidence that supports your arguments as on the evidence that contradicts it.
And quite frankly I don't like being in the position of having to defend Edwards poorly-written tabloid book, but I feel like someone needs to play devil's advocate in this place.
Originally posted by Jeff Leahy View PostWe appear to have a piece of material approx eight foot by two.
With hand painted flowers.
Mr Edwards appears to have had it looked at by Sutherby's who have dated it as early nineteenth century probably a Shawl.
Previous wisdom was that the shawl was Screen printed, hence it was previously thought to be Edwardian...
Originally posted by Errata View PostThe difference between a shawl and a stole is in your soul, but for communicating this specific style you probably want to say "stole".
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Originally posted by Peter Griffith aka gryff View PostTheagenes from my first link:
In fact I'm curious about how the nmr spectra told the scientist it was from woad
cheers, gryff
So they move to NMR which, again according to Edwards, showed a molecule structure more in keeping with natural dyes than synthetic ones. It gets a bit unclear here, but he seems to say that the NMR itself showed the dyes as being very similar to woad, but he could be bringing that in from elsewhere. He's not a good writer.
He then says that the use of a natural dye strongly supports the notion of the shawl being pre-1870. This bit seems to have just been pulled out of the air really.
On the Russian origins, what he has is an apparent statement by the NMR bloke, that the dye structure reminded him of some he'd seen from the St Petersburg region. Edwards gets very excited by this and, implicitly claims this as proof of origin.
Until I get the full book in a week or so, that's all I can say.Mick Reed
Whatever happened to scepticism?
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Originally posted by mickreed View PostWell, I'm just reading the extracts from the book available on Google Books. It seems as though two different tests are being conflated here. Jari Louhelainen did an absorption test and, according to Edwards, these showed that the blue dye was very similar to indigo, but not to Royal Purple, but the test couldn't determined the chemical composition of the dye.
So they move to NMR which, again according to Edwards, showed a molecule structure more in keeping with natural dyes than synthetic ones. It gets a bit unclear here, but he seems to say that the NMR itself showed the dyes as being very similar to woad, but he could be bringing that in from elsewhere. He's not a good writer.
He then says that the use of a natural dye strongly supports the notion of the shawl being pre-1870. This bit seems to have just been pulled out of the air really.
On the Russian origins, what he has is an apparent statement by the NMR bloke, that the dye structure reminded him of some he'd seen from the St Petersburg region. Edwards gets very excited by this and, implicitly claims this as proof of origin.
Until I get the full book in a week or so, that's all I can say.
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