Hi Fisherman,
I wasn't showing an "unability (sic) to understand" so much as an unwillingness to agree with what I believed to be a flawed and erroneous observation. There's a difference. You didn't need to expand, because you explained it all in rather verbose detail first time around. I disagreed then as I do so now, so the sensible and prudent course of action might have been to resign yourself to the fact that we disagree and move on.
What the hell's a "type unit" when it's at home?
A crossbar is measured in width and a stem is measured in height. It's as simple as that. Your argument seemed to be that height is susceptible to change, but width isn't, which is obviously nonsense - unless I misread you, in which case I naturally apologise. Height and width are equally susceptible change, and it matters little if you try to make the latter sound more meaningful and steadfast by calling it a "type unit".
But they also revealed that, overall, Presley was not as consistent in his style of signature as Toppy was. We have next to no idea of the time span that elapsed between the penning of Presley's signatures, but we know that Toppy revealed his tremendous consistency over the course of 13 years. This consistency can only accentuate the differences with the witness signatures, especially when the witness showed those distinct differences with Toppy in three successive signatures.
What do you mean "hasting to obey the police"?
Do you honestly believe that the police were badgering Hutchinson that incessently to sign the statement as quickly as he possibly could? "Sign it! Sign it! Sign it! Don't even THINK about prolonging that crossbar! The tea's breweing and we haven't the time! One more millimetre, sunshine, and so help me, I'll...!"
We have no actual examples from the period, if that's what you mean, but we certainly don't lack circumstantial support from his slightly later writings, from which we have more than enough data to arrive at the conclusion that he most probably signed his name in a fashion very similar to the 1898 and 1911 signatures, with closed G-loop, distinctive tail and un-witness-like "tch" all in place.
I didn't say I didn't allow any "presumptions". I said I wouldn't allow any "assertions". You can presume all you like, and your presumptions may have merit, just as long as you don't mutate them in facts.
Too bad the actual experts in the field of document examination don't agree, with one of them specifically citing the "tch" as a major difference between Toppy and the witness. I hope you won't take it amiss if I accept their judgement on the matter. It's not a millimetre's difference. The witness "t" is half the size of the h, with a crossbar that doesn't even touch the "t" stem itself. Then there's the double-stemmed tall "h" with a tiny base and a double stem, which looks nothing remotely like any of the Toppy "h"s. In fact, the "tch" is almost virtual antithesis with Toppy's signature.
Best regards,
Ben
You were showing a remarkable unability to understand an important element in my analysis, Ben, and in such cases I will expand on the matter.
Not in a million years, Ben. I am not even comparing since there can be no comparison inbetween apples and bananas. I am speaking of one measurable unit (height) and one type unit (crossbar at the top, with lifted pen, as opposed to, for example, crossbar at the middle, without lifting pen).
A crossbar is measured in width and a stem is measured in height. It's as simple as that. Your argument seemed to be that height is susceptible to change, but width isn't, which is obviously nonsense - unless I misread you, in which case I naturally apologise. Height and width are equally susceptible change, and it matters little if you try to make the latter sound more meaningful and steadfast by calling it a "type unit".
It IS a big alteration. But, returning to the Elvis Presley signatures I posted earlier, they showed that the "l" in Presley sometimes reached all the way up to the top of the large, round loop in P he used, and other times tey only reached halfway up.
Why on earth would he cross the "h" with it?? Maybe, Ben, he intended to make a longer "t"but hasting to obey the police he simply forgot to get the real length in?
Do you honestly believe that the police were badgering Hutchinson that incessently to sign the statement as quickly as he possibly could? "Sign it! Sign it! Sign it! Don't even THINK about prolonging that crossbar! The tea's breweing and we haven't the time! One more millimetre, sunshine, and so help me, I'll...!"
What I mean is that we have not a scrap of evidence how he wrote between 1899 and 1910. That is not strong terminology - it is a fact.
And when I before stated that Lambeth George would have written the same type of crossbar throughout time, and that if we found some of his texts that would probably verify this, I seem to remember that you would not allow any such presumptions,
Not at all, Ben. If there was even a very small gap between the bar and the stem it would make a very striking comparison. As it stands, there is a millimetre or two lacking, but anybody will realize that it is an easily overcome thing.
Best regards,
Ben
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