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The Academy, Volume 35, April 6, 1889, Pages 233-234
New Novels
[...]
A Fatal Affinity. By Stuart Cumberland.
(Spencer Blackett.)
[...]
Mr. Stuart Cumberland's latest work claims to be "a weird story," and such it undoubtedly is. Nine mysterious murders have startled and horrified the London world; all the victims have been young women of unblemished reputation, and are said to have resembled one another in personal appearance, though not in social position; further, each has been assassinated on her birthday, the deed has heen committed with precisely the same sort of instrument in every case, and up to the present time not the slightest trace of the murderer has been discovered. Eventually it appears that the whole series of crimes has been perpetrated by diabolical agency, an emissary of the powers of darkness, residing in human shape in London, having been appointed to the task. It is scarcely possible to criticise seriously productions of this kind. "When the story arrives at a point where an English cavalry officer of high rank dons a sorcerer's long flowing robe of white, and, drawing with an ebony rod a magic circle on the floor, succeeds in conjuring up a hideous apparition, the adult reader will at once appraise the value of the work before him, and compose his mind to the same sort of attitude he would assume before perusing the tale of the Second Calender, restored to man's shape by that king's daughter, whose enchantments, conducted in similar fashion, caused the appearance of "the genie, the son of the daughter of Eblis, in the shape of a very large and terrible lion." But to younger readers A Fatal Affinity may have the unwholesome effect of imparting hideous terrors in regard to the possibility of their being despatched on the occasion of their next birthday by the "astral body" of some reputedly inoffensive Hindu student at present located in suburban lodgings. It is difficult to see what other purpose can be achieved by the story. As for the scheme—-half Brahministic, half Zoroastrian—-of the government of the universe, the operation of which is outlined in the course of the narrative, it is needless to enquire whether it accords with any actually existing system of human belief.
[...]
The Literary World, Volume 39, April 5, 1889, Page 317
New Novels
[...]
A Fatal Affinity, by Stuart Cumberland, is a romance suggested by the East-end murders. In the novel, the young girls who are the victims of the assassin's knife are snatched from the upper and middle classes as well as from the daughters of the people. The connecting link between them is a striking similarity of personal appearance, and this clue at length leads to the discovery of the murderer by an English officer, an adept in Eastern occultism. The assassin is a member of the 'Brotherhood of Darkness,' the initiatory rite to which diabolic fraternity is the slaughter of thirteen maidens, one at the period of each full moon during the year of probation. The 'weird story,' as the author calls it, is related in thrilling style, and has in it the elements of popularity among lovers of sensational literature.
[...]
New Novels
[...]
A Fatal Affinity. By Stuart Cumberland.
(Spencer Blackett.)
[...]
Mr. Stuart Cumberland's latest work claims to be "a weird story," and such it undoubtedly is. Nine mysterious murders have startled and horrified the London world; all the victims have been young women of unblemished reputation, and are said to have resembled one another in personal appearance, though not in social position; further, each has been assassinated on her birthday, the deed has heen committed with precisely the same sort of instrument in every case, and up to the present time not the slightest trace of the murderer has been discovered. Eventually it appears that the whole series of crimes has been perpetrated by diabolical agency, an emissary of the powers of darkness, residing in human shape in London, having been appointed to the task. It is scarcely possible to criticise seriously productions of this kind. "When the story arrives at a point where an English cavalry officer of high rank dons a sorcerer's long flowing robe of white, and, drawing with an ebony rod a magic circle on the floor, succeeds in conjuring up a hideous apparition, the adult reader will at once appraise the value of the work before him, and compose his mind to the same sort of attitude he would assume before perusing the tale of the Second Calender, restored to man's shape by that king's daughter, whose enchantments, conducted in similar fashion, caused the appearance of "the genie, the son of the daughter of Eblis, in the shape of a very large and terrible lion." But to younger readers A Fatal Affinity may have the unwholesome effect of imparting hideous terrors in regard to the possibility of their being despatched on the occasion of their next birthday by the "astral body" of some reputedly inoffensive Hindu student at present located in suburban lodgings. It is difficult to see what other purpose can be achieved by the story. As for the scheme—-half Brahministic, half Zoroastrian—-of the government of the universe, the operation of which is outlined in the course of the narrative, it is needless to enquire whether it accords with any actually existing system of human belief.
[...]
The Literary World, Volume 39, April 5, 1889, Page 317
New Novels
[...]
A Fatal Affinity, by Stuart Cumberland, is a romance suggested by the East-end murders. In the novel, the young girls who are the victims of the assassin's knife are snatched from the upper and middle classes as well as from the daughters of the people. The connecting link between them is a striking similarity of personal appearance, and this clue at length leads to the discovery of the murderer by an English officer, an adept in Eastern occultism. The assassin is a member of the 'Brotherhood of Darkness,' the initiatory rite to which diabolic fraternity is the slaughter of thirteen maidens, one at the period of each full moon during the year of probation. The 'weird story,' as the author calls it, is related in thrilling style, and has in it the elements of popularity among lovers of sensational literature.
[...]
Jeff
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