The specific timing of when Macnaghten knew, or believed he knew, that Druitt was the Ripper, is arguably before the date March 1st 1891 (in the wake of the MP leak on Feb 11th) as this is when Sims/Dagonet suddenly reverses himself about really looking like the killer according to a coffee-stall owner.
Sims, however, has to completely revise a tale he had treated in 1889 as a crackpot's joke, e.g. then the book was a collection of his poems and it was in the wake of a single murder (Alice McKenzie) not the double event of 1888. So, the original trifle has been 'sexed-up and backdated.
"Mustard and Cress" in "The Referee"of March 1, 1891:
'... As a matter of fact, a year or two ago my portrait (the portrait outside the early cheap edition of "The Social Kaleidoscope") was taken to Scotland-yard by a man, and the police were informed that it was an exact likeness of the murderer. The way I got mixed up in the matter was this. An hour or two after the double murder had been committed on the night of September 30, 1888, a man of strange and wild appearance stopped at a coffee-stall. The coffee-stall keeper (knowing nothing then of the night's tragedy) began to talk about the Whitechapel murder. "I dare say we shall soon hear of another," he said. "Very likely," replied the wild-looking stranger; "perhaps you may hear of two to-morrow morning." He finished his coffee, and as he put the cup down the stall-keeper noticed that his cuffs were blood-stained.
The next morning - or rather, later on that morning - the news of the double murder in Whitechapel fell upon the startled ears of the coffee-stall keeper. "Good Lord!" he exclaimed; "why, that chap last night knew it. He must have been Jack himself!"
Walking along he came to a bookseller's and newsagent's. He looked at the placards, and then his eye suddenly rested on a book in the newsagent's window. Outside that book was a portrait. "Christopher Columbus!" exclaimed the coffee-stall keeper; "why that's the very image of him!" The book was "The Social Kaleidoscope." The astonished stall-keeper bought it, and, later on, when telling his adventures to the police, he produced the book and showed the portrait. Not only was this portrait of me shown to the police, but it was taken by the purchaser to the editor of the New York Herald (London edition), and afterwards to Dr. Forbes Winslow.
The matter came to my knowledge through the courtesy of the Herald editor, and Dr. Forbes Winslow also communicated with me, and I investigated the facts. The coffee-stall keeper, who was interviewed, was perfectly candid and straightforward, and at once explained that he didn't for a moment mean to say that I was his blood-stained customer on the night of the murders. All he meant was that his customer's features were very like mine ...'
Whilst that picture on the cover of the book about the Social Question does bear resemblance to the high school pictures of Druitt--because the chubby Sims was, as he admitted in an interview in 1904, atypically thinner of face due to illness--his own picture of himself as a teenager is an even stronger likeness. Howard Brown put this up on the other site (though you need tpo scroll down to see Montie directly compared with Sims):
If Macnaghten was obsessed with concealment why would his chum be broadcasting that he looked like the real killer?
My theory is that Mac was not sure if he could contain the "West of England" MP story that was doing the rounds of London. It was partly insurance to give the impression that the 'police' were onto this suspect in 1888, or something along those lines. As it was the leak was successfully plugged (except for the MP being briefly named in 1892) and Sims did not return to this notion of being the un-named Druitt's lookalike, at least in one picture, until 1902.
Sims, however, has to completely revise a tale he had treated in 1889 as a crackpot's joke, e.g. then the book was a collection of his poems and it was in the wake of a single murder (Alice McKenzie) not the double event of 1888. So, the original trifle has been 'sexed-up and backdated.
"Mustard and Cress" in "The Referee"of March 1, 1891:
'... As a matter of fact, a year or two ago my portrait (the portrait outside the early cheap edition of "The Social Kaleidoscope") was taken to Scotland-yard by a man, and the police were informed that it was an exact likeness of the murderer. The way I got mixed up in the matter was this. An hour or two after the double murder had been committed on the night of September 30, 1888, a man of strange and wild appearance stopped at a coffee-stall. The coffee-stall keeper (knowing nothing then of the night's tragedy) began to talk about the Whitechapel murder. "I dare say we shall soon hear of another," he said. "Very likely," replied the wild-looking stranger; "perhaps you may hear of two to-morrow morning." He finished his coffee, and as he put the cup down the stall-keeper noticed that his cuffs were blood-stained.
The next morning - or rather, later on that morning - the news of the double murder in Whitechapel fell upon the startled ears of the coffee-stall keeper. "Good Lord!" he exclaimed; "why, that chap last night knew it. He must have been Jack himself!"
Walking along he came to a bookseller's and newsagent's. He looked at the placards, and then his eye suddenly rested on a book in the newsagent's window. Outside that book was a portrait. "Christopher Columbus!" exclaimed the coffee-stall keeper; "why that's the very image of him!" The book was "The Social Kaleidoscope." The astonished stall-keeper bought it, and, later on, when telling his adventures to the police, he produced the book and showed the portrait. Not only was this portrait of me shown to the police, but it was taken by the purchaser to the editor of the New York Herald (London edition), and afterwards to Dr. Forbes Winslow.
The matter came to my knowledge through the courtesy of the Herald editor, and Dr. Forbes Winslow also communicated with me, and I investigated the facts. The coffee-stall keeper, who was interviewed, was perfectly candid and straightforward, and at once explained that he didn't for a moment mean to say that I was his blood-stained customer on the night of the murders. All he meant was that his customer's features were very like mine ...'
Whilst that picture on the cover of the book about the Social Question does bear resemblance to the high school pictures of Druitt--because the chubby Sims was, as he admitted in an interview in 1904, atypically thinner of face due to illness--his own picture of himself as a teenager is an even stronger likeness. Howard Brown put this up on the other site (though you need tpo scroll down to see Montie directly compared with Sims):
If Macnaghten was obsessed with concealment why would his chum be broadcasting that he looked like the real killer?
My theory is that Mac was not sure if he could contain the "West of England" MP story that was doing the rounds of London. It was partly insurance to give the impression that the 'police' were onto this suspect in 1888, or something along those lines. As it was the leak was successfully plugged (except for the MP being briefly named in 1892) and Sims did not return to this notion of being the un-named Druitt's lookalike, at least in one picture, until 1902.
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