Hello all,
I transferred this posting, with some editions to this thread for discussion, from the Sagar thread..
2 weeks ago I stood in Mitre Square, for the best part of an hour. Something that I hadn't done since I was a young lad. A couple of things struck me whilst I was there.....
Mitre Square is actually quite small..smaller than you would imagine (at least I imagined).. it is fairly compact really. Distances from one corner to the other corner ..relatively small.
There is an echo in that square. Because of the buildings around it, and how enclosed it is. Any sound, even in the middle of the afternoon with London traffic dull in the background, echos. I clapped my hands a few times at different points of the square..just to see, hear and judge things.
Morris, sweeping the floor... didn't hear a thing, yet he normally heard the beat pc every 15 mins. If Jack the Ripper had rubber soles on his feet... Kate Eddowes certainly didn't. Those footsteps in the dead of night would echo..clearly. And when you watch two "lovers" walking to a destination..are they always silent? If either "Jack" or Kate said a word, laughed, giggled, scraped a foot on the stones as they walked.. it would have been heard...
So we are to presume that a sobering woman and her "catch" are silent as they walked are we? As far as echo is concerned, I'd love to see if on Jakes models the buildings would have created that echo then...I suspect it did.
Finally... the Square was pretty dark in 1888 we are told. Lamp at one end, lamp at another...
BUT...Morris said his door was ajar... and Morris certainly didn't work in the dark. So the light coming from the open doorway would shine out into the darkness... and "Jack" would very likely have seen it as he walked into the yard. Now if Jack saw it.. he KNEW that someone was likely awake and in there....
That tells me either Morris was lying and was asleep, or Morris was lying and awake, or Morris heard Jack the Ripper and ignored him and his "woman" walking in trying to find a lonely dark corner..
IF there was light coming from the ajar door of where Morris was working. it really is crucial...
Because it depends on whether the hinges on the door made the door swing out from the left of the doorway, or the right. Think about it... where would the light from Morris' doorway shine out upon? And did the door swing inwards, or outwards? If outwards... more direct light would shine into the square, if inwards, less.
Now... if the door had hinges on the left hand side as he (Morris) opened it from the inside... the light would travel more out into the square than if the hinges were on the right hand side... and if it was an outward swinging door...with hinges on the left (from the inside as you look at it)...masses of light would enter the square....
Now which way would it have to be to shine more light onto Eddowes corner? Can anyone do some sort of model mock up as a demonstration?
best wishes
Phil
I transferred this posting, with some editions to this thread for discussion, from the Sagar thread..
2 weeks ago I stood in Mitre Square, for the best part of an hour. Something that I hadn't done since I was a young lad. A couple of things struck me whilst I was there.....
Mitre Square is actually quite small..smaller than you would imagine (at least I imagined).. it is fairly compact really. Distances from one corner to the other corner ..relatively small.
There is an echo in that square. Because of the buildings around it, and how enclosed it is. Any sound, even in the middle of the afternoon with London traffic dull in the background, echos. I clapped my hands a few times at different points of the square..just to see, hear and judge things.
Morris, sweeping the floor... didn't hear a thing, yet he normally heard the beat pc every 15 mins. If Jack the Ripper had rubber soles on his feet... Kate Eddowes certainly didn't. Those footsteps in the dead of night would echo..clearly. And when you watch two "lovers" walking to a destination..are they always silent? If either "Jack" or Kate said a word, laughed, giggled, scraped a foot on the stones as they walked.. it would have been heard...
So we are to presume that a sobering woman and her "catch" are silent as they walked are we? As far as echo is concerned, I'd love to see if on Jakes models the buildings would have created that echo then...I suspect it did.
Finally... the Square was pretty dark in 1888 we are told. Lamp at one end, lamp at another...
BUT...Morris said his door was ajar... and Morris certainly didn't work in the dark. So the light coming from the open doorway would shine out into the darkness... and "Jack" would very likely have seen it as he walked into the yard. Now if Jack saw it.. he KNEW that someone was likely awake and in there....
That tells me either Morris was lying and was asleep, or Morris was lying and awake, or Morris heard Jack the Ripper and ignored him and his "woman" walking in trying to find a lonely dark corner..
IF there was light coming from the ajar door of where Morris was working. it really is crucial...
Because it depends on whether the hinges on the door made the door swing out from the left of the doorway, or the right. Think about it... where would the light from Morris' doorway shine out upon? And did the door swing inwards, or outwards? If outwards... more direct light would shine into the square, if inwards, less.
Now... if the door had hinges on the left hand side as he (Morris) opened it from the inside... the light would travel more out into the square than if the hinges were on the right hand side... and if it was an outward swinging door...with hinges on the left (from the inside as you look at it)...masses of light would enter the square....
Now which way would it have to be to shine more light onto Eddowes corner? Can anyone do some sort of model mock up as a demonstration?
best wishes
Phil
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