Hello all,
Ive a scenario in my minds eye that I cant find obvious fault with, perhaps one or more of you will see if this can or cannot work with the known evidence:
11:45pm, Thursday : Mary and Blotchy faced man arrive at Marys door, Mary Ann Cox exchanges good nights with Mary. Mary is inebriated
11:45pm, Thursday -1:15-1:130am, Friday : Mary is heard to be singing and a light is on in her room
1:30am, Friday : Elizabeth Prater notices Marys room is dark and quiet when she goes inside up to her room. Mary let her companion out quietly and she has partially undressed and gone to sleep.
3:45am, Friday : Mary hears a soft tap on the door or window. Diddles upstairs wakes when he hears this. Mary opens her door slightly still half asleep, and when she recognizes who is there while her door is open she moans "oh-murder", and pads back to her bed, now slipping over to the far right hand side, on her right side. Elizabeth Prater and Sarah Lewis, staying in the courtyard, hear the cry, Sarah "as if at the door", and Elizabeth, "as if from the court". Marys position in bed suggests that she is allowing room for her visitor. No words are exchanged beyond the moan from Mary. The man has been in that room and with Mary before. The 2 women now listening for more sounds hear nothing else.
This scenario, I believe, presents a plausible encounter and a reasonable alternative to some of the less acceptable methods her killer might have got into the room. We need to address if Mary uttered the "oh-murder", and why there was no noise that followed, how the killer got into the room and to Mary Kellys bed without her waking and screaming something that would indeed be followed by noises, and how the first cut on her throat was made while she was on the bed, on the right hand side.
If he slips his hand through the broken pane for the latch, he makes a noise when he sets it "on". If the door was unlocked, it may have creaked, and it appears that he would have had to get around the night table to get at her. Too many footsteps too close by to not be heard. It seems to me that the only way the killer gets at Mary while she is unprepared and on the right hand side of the bed facing the partition wall is if he is in the room with her consent. Its the only way I see her being asleep or almost so when the attack starts.
Anyone see any logic amiss here? Im open to valid critique.
Obviously, if this is a realistic possibility, then Marys killer being known by her even intimately is probable. Which would explain the personal style facial mutilations, and perhaps the absconding of her heart.
Look forward to any feedback. Cheers
Ive a scenario in my minds eye that I cant find obvious fault with, perhaps one or more of you will see if this can or cannot work with the known evidence:
11:45pm, Thursday : Mary and Blotchy faced man arrive at Marys door, Mary Ann Cox exchanges good nights with Mary. Mary is inebriated
11:45pm, Thursday -1:15-1:130am, Friday : Mary is heard to be singing and a light is on in her room
1:30am, Friday : Elizabeth Prater notices Marys room is dark and quiet when she goes inside up to her room. Mary let her companion out quietly and she has partially undressed and gone to sleep.
3:45am, Friday : Mary hears a soft tap on the door or window. Diddles upstairs wakes when he hears this. Mary opens her door slightly still half asleep, and when she recognizes who is there while her door is open she moans "oh-murder", and pads back to her bed, now slipping over to the far right hand side, on her right side. Elizabeth Prater and Sarah Lewis, staying in the courtyard, hear the cry, Sarah "as if at the door", and Elizabeth, "as if from the court". Marys position in bed suggests that she is allowing room for her visitor. No words are exchanged beyond the moan from Mary. The man has been in that room and with Mary before. The 2 women now listening for more sounds hear nothing else.
This scenario, I believe, presents a plausible encounter and a reasonable alternative to some of the less acceptable methods her killer might have got into the room. We need to address if Mary uttered the "oh-murder", and why there was no noise that followed, how the killer got into the room and to Mary Kellys bed without her waking and screaming something that would indeed be followed by noises, and how the first cut on her throat was made while she was on the bed, on the right hand side.
If he slips his hand through the broken pane for the latch, he makes a noise when he sets it "on". If the door was unlocked, it may have creaked, and it appears that he would have had to get around the night table to get at her. Too many footsteps too close by to not be heard. It seems to me that the only way the killer gets at Mary while she is unprepared and on the right hand side of the bed facing the partition wall is if he is in the room with her consent. Its the only way I see her being asleep or almost so when the attack starts.
Anyone see any logic amiss here? Im open to valid critique.
Obviously, if this is a realistic possibility, then Marys killer being known by her even intimately is probable. Which would explain the personal style facial mutilations, and perhaps the absconding of her heart.
Look forward to any feedback. Cheers
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