To get back to the original 'Post' -and DTP's interesting reply- I do think that it is totally incomprehensible that an historically accurate film wouldn't be considered 'exciting' or 'commercial' enough, or would be considered like a 'documentary' :
I think that a good formula (tried and tested) would be the one where there are several short stories following what we know of the C5 (based on Neal Sheldon's book say),which all 'come together' in the last strand, and leave Jack as the 'unknown' murderer that he is, at the end.
We could satisfy everyone by having brief scenes like 'Michael Kidney' drunk and expressing violence towards Liz on the night of her murder, a murky political conversation in the Berner Street Club, Liz referred to as a prostitute but shown canoodling with several 'beaux' at the pub in a way that doesn't make it clear if she was soliciting or just enjoying herself, a very ambiguous BSman/Israel Schwartz scene -and then jump to a horribly gruesome 'Liz dead' scene, without ever making it clear 'who dunnit'.
I think that if the audience was made to 'care' about each women individually, and Abberline and the Police were a 'conducting' thread present in each story clearly looking for 'one' Jack although each story highlighted a/some different suspects (leaving the culprit open to interpretation) -we could still have a drama with each murder building in tension and horror.
Well, that's my idea, anyway; how would other people like to see this case filmed ?
I think that a good formula (tried and tested) would be the one where there are several short stories following what we know of the C5 (based on Neal Sheldon's book say),which all 'come together' in the last strand, and leave Jack as the 'unknown' murderer that he is, at the end.
We could satisfy everyone by having brief scenes like 'Michael Kidney' drunk and expressing violence towards Liz on the night of her murder, a murky political conversation in the Berner Street Club, Liz referred to as a prostitute but shown canoodling with several 'beaux' at the pub in a way that doesn't make it clear if she was soliciting or just enjoying herself, a very ambiguous BSman/Israel Schwartz scene -and then jump to a horribly gruesome 'Liz dead' scene, without ever making it clear 'who dunnit'.
I think that if the audience was made to 'care' about each women individually, and Abberline and the Police were a 'conducting' thread present in each story clearly looking for 'one' Jack although each story highlighted a/some different suspects (leaving the culprit open to interpretation) -we could still have a drama with each murder building in tension and horror.
Well, that's my idea, anyway; how would other people like to see this case filmed ?
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