Originally posted by etenguy
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The old school pry bars (without that big hook over) I think would be a good shout, and also the specific type of spanner that is a bit more weighty with the adjustment dial thing. William suggested a spanner which is why I brought it up.
The issue had is that all photos are too low resolution (the morgue photos). But the repeating tramline injuries (which actually break skin, rather than being bruises which is the usual form the injuries take) are difficult to get around when suggesting a typical straight piece of iron.
An example of a threaded pipe was given to me with the specification it was NOT a threaded pipe. But as an example of something with clear repeating patterning like that, to produce those parallel marks seen.
It would be a good number of wacks yes.
It is hard to get further opinion because the man REALLY wants higher res images which I am unable to source or find. Essentially to enable him to zoom in and see fine detail without the detail becoming lost.
But she is coming from the right. The spray McFall and the other forensic has focused on is the subsequent strike while the head is on the ground. I am told it would be nearly impossible for the head to smash open like that in one blow unsupported by something. So for example, with the head against the ground the head is then supported so more impact is absorbed by the head as opposed to it having backwards movement from the force to diminish it... Probably overexplained but I'm sure you can imagine a watermelon being smashed with a bar while against a concrere floor rather than hit while held up in the air.
So if you reconstruct the events, then at some stage the fire has been lit and the sofa apparently sat on after the box of matches was put up on the side (or blinds drawn, something to get her over on the right there). She's been facing in to the room and got up when hit and, by appearances gone into the fire. Then has been pulled out and dumped down so if you look on the blueprint showing the pooling she's faceplanted down there.
THEN the strike which sends blood up the wall on the left happens.
She is hit multiple times until the skull caves.
She's not sitting in the chair with the violin across the arms, and has no reason to be crouched down in front of it (the gas tap is on the RIGHT, but the burning would require the fire to have been on already for at least a little while to reach the temps required to burn the garments). She may have in fact turned it off and the radiants then immediately still retaining the heat would do it like that.
I rather think that she was reclining on the easy lounger as Gannon and the people I have been in contact with suggested by appearances of the sofa... Also Parry's piece where he says the woman reclined on the sofa there... I think of note the nurse who attended them said the woman had slept downstairs on the sofa in the kitchen as opposed to in the spare front room during periods of her husband's illness. There does not appear to be any sofa in the kitchen at the time of the crime (but the photographer is incompetent so we can't see behind him)... But in Gordon's piece which, btw, on the surface seems actually exonerating for both men if all is accepted as truth, it does appear that she was in the habit of lying down on that sofa. At the time Gordon was a stranger to her so she seems to feel no ladylike obligation to be sitting in chairs with guests or acting formal.
Gannon uses the blood pools to have the woman rolled over. I really am in no position to be giving any opinion on this as there may well be another clear interpretation but it does look that she has been moved round, top side (hence she's found kind of skewed off center with her torso being more curled across than the bottom).
Apparently all of this is done in silence which is a difficult buy if the truth of the situation is that she has been chatting, smashed against the floor, rolled around, fires stomped out etc. And certainly any extinguishing of flames would not have been accounted for by anyone hoping to slay her in the time they're giving themselves.
People are missing the significance that a man literally lives day and night in the front parlour directly adjacent. A statement from him should have been of the utmost importance. All neighbours should have been interviewed about sound... I cannot believe they weren't. You'd actually think only John and Flo lived in that house if you simply glanced at it. Seemingly John moved without his wife, as he says he moved to his daughter's (Townsend Avenue) in January, while Flo says she moved February.
The Holmes seemingly gave no formal statement but what they stated I think is to the Press. The Johnstons also gave Press statements I ought to add. The claim there is that Wallace had come to him as opposed to a chance encounter, and pushed the door very hard to force it open.
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