Originally posted by Herlock Sholmes
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I decided to re-read Murphy. I’m only up to page 58 but I thought that I’d list a few things here. These aren’t “aha, Wallace was guilty” points. They are just....well, points. They may have been answered before (possibly even later in the book) but I have an unreliable memory. One of the points is simply a request for help. Apologies for repetition but here goes.
This is one that I just need someone to clarify for me. When Wallace got home on the Tuesday was he trying to get into the back door using a key? Johnston offered to go and get his key if Wallace wasn’t able to get in so, to me, this suggests that Wallace didn’t have his backdoor key? If this is the case why was Wallace so surprised that he couldn’t get in? At his trial Wallace said that he’d told Julia to lock the door and that this was their usual practice. I must be missing something here. please put me out of my misery on this one guys.
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As it has been said that the Menlove Gardens area was an affluent one (one that would certainly have tempted Wallace with the thought of a high commission) why did Beattie call it “ a bad place to be knocking about after dark.” Sounds more like Whitechapel 1888.
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If Bertha and Walter Holme of number 27 heard a knocking on the Wallace’s front door at around 6.30 from a position in their kitchen at the back of the house why did they hear no one else knock the door (probably only 10 or 15 minutes later?) Especially our mythical Qualtrough who would have proceeded to have a conversation with Julia explaining the ****-up.
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Why did Wallace stutter and appear nervous when he spoke to Constable Serjeant in Green Lane? After all, he wasn’t up to anything
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Why did Wallace use the phrase “her mackintosh and my mackintosh” when he later stated that he’d never seen Julia in a mackintosh (which implies that she didn’t even own one?)
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To me this is just a little curious....no more. When Wallace and PC Williams entered the middle bedroom Williams approached the curtained recess. Wallace informed him that that was where his wife kept her clothes and that they hadn’t been touched. Williams then opened the curtains and checked. Why would Wallace, when searching for Julia, and in the short time that he was upstairs, have checked to see if Julia was behind a curtain in a small clothing storage area? Also isn’t the fact that Wallace had drawn the curtain back before he went on with his search slightly reminiscent of the returned cash box?
~
In the front bedroom why would a thief, presumably looking for cash and valuables, have pointlessly thrown two pillows into the fireplace but not bothered to check the dressing table drawers? Money, jewellery.....
~
I mention this purely because it seems a little strange and nothing more. How many of us would insist that they wanted to sleep that night in the very house where their beloved wife had been brutally murdered?
~
This is a request for help. Am I going blind?
When asked about the route that he’d taken on the Tuesday night he said......Richmond Park, Sedley Street, Newcombe Street, Castlewood Road and Belmont Road.
I’ve gone over the street map in Murphy with a magnifying glass but I can’t see a Castlewood Road? I’m not reading anything into this but I’m just curious as to where it was.
~
Looking at the photograph taken from the parlour door it’s immediately obvious how little space there was on Julia’s right. When Wallace first entered the room it was in total darkness and he didn’t know that Julia was dead (he thought that she might have had some kind of fit.) When he went to the left gas jet how did he avoid stepping in Julia’s blood? It seems unlikely in the extreme given the lack of space? Between the first photograph and the second someone moved the chair to a place between the sideboard and the door (Wallace had already left for the police station so we know wasn’t him.) In it’s new position the chair would have impeded the opening of the door (which had been removed) so we can say with confidence that it wasn’t the original position of the chair. It was likely moved either by the photographer or a police office to allow the photographer to enter, with his equipment, and avoid the blood.
With the chair in its ‘new’ position it gives the appearance of their being more space for Wallace to have walked to the gas jet avoiding blood. With the chair in its original ‘first photograph’ position it’s hard to see how Wallace avoided the blood in the dark.
Unless he knew that it was there of course
This is one that I just need someone to clarify for me. When Wallace got home on the Tuesday was he trying to get into the back door using a key? Johnston offered to go and get his key if Wallace wasn’t able to get in so, to me, this suggests that Wallace didn’t have his backdoor key? If this is the case why was Wallace so surprised that he couldn’t get in? At his trial Wallace said that he’d told Julia to lock the door and that this was their usual practice. I must be missing something here. please put me out of my misery on this one guys.
~
As it has been said that the Menlove Gardens area was an affluent one (one that would certainly have tempted Wallace with the thought of a high commission) why did Beattie call it “ a bad place to be knocking about after dark.” Sounds more like Whitechapel 1888.
~
If Bertha and Walter Holme of number 27 heard a knocking on the Wallace’s front door at around 6.30 from a position in their kitchen at the back of the house why did they hear no one else knock the door (probably only 10 or 15 minutes later?) Especially our mythical Qualtrough who would have proceeded to have a conversation with Julia explaining the ****-up.
~
Why did Wallace stutter and appear nervous when he spoke to Constable Serjeant in Green Lane? After all, he wasn’t up to anything
~
Why did Wallace use the phrase “her mackintosh and my mackintosh” when he later stated that he’d never seen Julia in a mackintosh (which implies that she didn’t even own one?)
~
To me this is just a little curious....no more. When Wallace and PC Williams entered the middle bedroom Williams approached the curtained recess. Wallace informed him that that was where his wife kept her clothes and that they hadn’t been touched. Williams then opened the curtains and checked. Why would Wallace, when searching for Julia, and in the short time that he was upstairs, have checked to see if Julia was behind a curtain in a small clothing storage area? Also isn’t the fact that Wallace had drawn the curtain back before he went on with his search slightly reminiscent of the returned cash box?
~
In the front bedroom why would a thief, presumably looking for cash and valuables, have pointlessly thrown two pillows into the fireplace but not bothered to check the dressing table drawers? Money, jewellery.....
~
I mention this purely because it seems a little strange and nothing more. How many of us would insist that they wanted to sleep that night in the very house where their beloved wife had been brutally murdered?
~
This is a request for help. Am I going blind?
When asked about the route that he’d taken on the Tuesday night he said......Richmond Park, Sedley Street, Newcombe Street, Castlewood Road and Belmont Road.
I’ve gone over the street map in Murphy with a magnifying glass but I can’t see a Castlewood Road? I’m not reading anything into this but I’m just curious as to where it was.
~
Looking at the photograph taken from the parlour door it’s immediately obvious how little space there was on Julia’s right. When Wallace first entered the room it was in total darkness and he didn’t know that Julia was dead (he thought that she might have had some kind of fit.) When he went to the left gas jet how did he avoid stepping in Julia’s blood? It seems unlikely in the extreme given the lack of space? Between the first photograph and the second someone moved the chair to a place between the sideboard and the door (Wallace had already left for the police station so we know wasn’t him.) In it’s new position the chair would have impeded the opening of the door (which had been removed) so we can say with confidence that it wasn’t the original position of the chair. It was likely moved either by the photographer or a police office to allow the photographer to enter, with his equipment, and avoid the blood.
With the chair in its ‘new’ position it gives the appearance of their being more space for Wallace to have walked to the gas jet avoiding blood. With the chair in its original ‘first photograph’ position it’s hard to see how Wallace avoided the blood in the dark.
Unless he knew that it was there of course
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