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"London's Burning" :shakehead:

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  • "London's Burning" :shakehead:

    is the working title of a piece of vaguely ripper-based fiction i too am unfortunately toying with inflicting upon the world in general, and JtR afficianados in particular. here is a little (rather obvious) taster, if anyone is interested.

    all the best,
    'arry


    The East is Red (or: Poor Polly)

    See this. It is 3.20 a.m. on Friday August 31, 1888. A short, stout, shadowy figure teeters down Buck’s Row – a dark, drab lane crammed between sleeping cottages and dank industrial buildings. She is heading East, as if drawn by a dull but insistent glow expanding across the sky: a red promise of warmth, maybe even solace, on such a dismal night. Yet it is too early for dawn: this is not the red of the rising sun, a fisherman’s warning – this is the bright flare of night flames consuming Shadwell Dry Dock, which is blazing, steadfastly being consumed by fire, in spite of the steady, cold rain and the efforts of sweat-drenched men, stripped to the waist, straining every wiry sinew with heavy buckets and hoses. An inviting crimson flare spreads across the heavens, as if the sun had suddenly remembered its summer duties at long last, and was flaring up in a final, cheerful, mistimed swansong to make amends for the long, lousy months of chill and rain. 1888: the wettest summer anyone can remember. Even the hop-picking was rotten this year.
    The air is chilled, in spite of the glow, and our little figure, huddled over and hugging her sides, would shiver were it not for the remnants of gin still just about warming her guts, and dulling her senses. Swerving around the biggest puddles – the damp still seeps through the holes in her boots and threadbare stockings – she totters and staggers onward. But where? The Roebuck, at the end of the street, is closed, its windows black but for the dirty reflections of ruddy flames licking at the heavens. There will be no more gin tonight. And no lodging neither, unless she can find some doss money soon. Her new black bonnet hasn’t brought her much luck. It is so quiet tonight. Everyone tucked up in bed, hiding from the dismal weather. And she is heading away from the streets more likely to throw up a rewarding rendezvous at this late hour.
    To add insult to injury, a wind gets up and starts tugging at the flimsy bonnet, flinging the tatty black ribbons up into her face then lashing them back down, tangling them around her neck. She pulls her shawl tighter, fighting to stay upright in the bitter squals. Water seeps up over her ankles. This narrow, pitted street used to be Ducking Pond Lane, and the ghosts of drowned witches and dead Jews from the nearby burial ground clutch at her, dragging her down, trying to hold her here, make her share their miserable fates: rotting away, forgotten, in the soggy ground for all eternity. It’s enough to give anyone the shivers, and now she does. Quickening her pace, she ignores the puddles now – plunging straight through them, she heads pell-mell for the light and the warmth of the red sky in the East; she looks up, a russet glow washes over her, briefly giving her back the apple-cheeked complexion of a country girl, promising something: warmth and comfort or hellfire and destruction, it matters little to her now – she bows her head and rushes headlong into the wind, as it huffs and puffs and tries to blow her back down the street. Back to Whitechapel, to the dosshouses, to the cold and the damp and the aches and the pains and the moaning and the misery, the struggle and the strife, the toothless mouths that scold and the drooling mouths that leer, the calloused hands that grab and the clammy hands that paw, the little knocks and buffets, the moments of reprieve and the relentless grinding degredation... But suddenly, bang! What’s this? It is no longer the wind that impedes her progress, but a solid, warm, unyielding presence, a broad physical being, flesh blood and muscle, barring her way: a veritable Titan standing here, astride the narrow pavement, shutting off the plucking wind. She lifts her eyes to meet a dark face, rough – or maybe just rugged, it is hard to say in this flickering darkness – shadowed by a peaked cap, surrounded by a glaring halo of deep, dark red; dark eyes that seem to smoulder in their black recesses; a cragged mouth that opens in a crooked, yellow-toothed smile below a straggly moustache. She straightens her back and looks coyly into those deep, dark, shadowy eyes. “Hello luvvy. You startled me. Where you going to, this late? Ain’t no weather to be out in, is it?” She reaches out, placing her small hand on the broad chest, playfully toying with a button hanging loosely from the dark coat. “Someone should sew that back on.” The crooked smile broadens. The eyes blaze. The red sky in the east explodes, sending rivers of red blazing down all the wet streets and lanes, avenues and malls of this godforsaken city. Red rivers run. Even the mighty River shall run. Run red. Rivers of blood.
    Last edited by Harry the Hawker; 10-14-2011, 01:52 AM.
    aye aye! keep yer 'and on yer pfennig!

  • #2
    Like it!

    Comment


    • #3
      Thanks! I've rewitten and tweaked it a bit (too many adjectives, I'm a right sucker for them), and am now working on the 'follow-up episode', will post some more up when I get some time.
      aye aye! keep yer 'and on yer pfennig!

      Comment


      • #4
        Nothing wrong with adjectives.

        Comment


        • #5
          I really loved 'the end'..

          I feel that you only wrote 'the beginning' in order to get to the end.....
          http://youtu.be/GcBr3rosvNQ

          Comment


          • #6
            Thanks Ruby! The end is, in a way, just the beginning of course.
            aye aye! keep yer 'and on yer pfennig!

            Comment


            • #7
              A new bit:


              Long Liz (or The Juwes will not be Blamed for Nothing)

              See this. It is 12.35 am on Sunday, 31 September 1888. It has been raining – seems like all year long – and the pavements are still wet. Somewhere, singing can be heard. You can’t make out the words. The muted clomp of a policeman’s measured tread echoes dully against the little houses on the other side of the street. The constable passes by, glancing over at a couple standing diagonally opposite the gates to Dutfield’s Yard. The woman – a red rose bright against her tatty, fur-trimmed coat – looks up and meets his gaze. She has long, curly brown hair and a thin face. A checked scarf tied quite tight around her thin neck. A not unattractive face, but pinched, unhappy. The man – dark coat and hard felt hat – looks away, shuffling uneasily on his feet, fiddling with the newspaper parcel he is holding. “He has kindly eyes”, the woman thinks to herself as the PC passes by, and his large hazel eyes, above a neat, wide moustache, swivel back to face front and he continues on his beat. “Not like this little weasel .” The new man looks back up at her, a fake smile cracking below his small, clerk’s moustache. His grip on that parcel tightens. Something about him reminds her of a hawk. She shivers, and thinks of what the men said, laughing, outside the Bricklayer’s Arms: “That’s Leather Apron getting’ round you.” He was no Leather Apron, though – just another fumbling, pathetic little man looking for a good time. Just like this one. She hopes. There is that parcel, though… he is now clutching it in both hands, right in front of his undoubtedly shrivelled, horrible, useless little ****. And grinning inanely at her. All these hopeless cases tonight. She glances around, unsure. He looks like he has the money, but something about this one makes her more uneasy than usual. The drink is wearing off, and there is time enough to look for other options. A man has appeared on the pavement outside the Jewish club. He stretches, breathes in deeply, shakes his arms. He has no hat or coat on, and something about him looks foreign. He looks down the road in the opposite direction to where our couple are standing, then scratches the back of his neck, straightens his tie and disappears through the open gates to the yard. Something about him looked foreign, carefree, unthreatening. He has made up her mind for her. Turning back to the weasel man, she says, “Not tonight, lover. Some other night”, and leans forward, giving him a quick peck on the cheek, one hand on his chest in case he tries to grab her. All pretence of amicability has left his predatory features now; lips and eyes narrow, and his brow furrows as he struggles to formulate a suitably cutting riposte. “Filthy whore!” is all he can manage, but she is already striding away from him, across the street, over the wet cobbles. If she even heard his insult, it has no more effect on her than the rainwater splashing under the soles of her side-spring boots.
              But before she has gone a hundred yards or so, she has turned and is walking back down Berner Street, this time in the company of a broad-shouldered man, dressed a little more shabbily than his predecessor, but at least with a genuine-looking smile plastered across his rough-hewn face. He leans in towards her as they walk – the smell of drink on his breath is strong – and whispers something into her ear. She looks round at him and giggles, blushing slightly. He rests his hand softly on her shoulder, and stops, in front of the gates to Dutfield’s Yard. They are still open, and the sound of talking and laughter can just be heard from the upstairs room of the Jew's club next door. She hesitates, again that feeling of unease – what is the matter with her tonight? She glances round; a man is walking slowly down the street towards them, but some way off still. He looks swarthy, Jewish maybe – his clothes a little eccentric. Still she feels unsure. This broad-shouldered man also frightens her. No, it’s just her nerves. But now he’s got hold of her arm, he’s pulling her, twisting her arm, it hurts. His fist feels like iron. “Come on!” he hisses through the gaps in his teeth, a miasma of drink-sodden, stinking breath engulfing her. She reaches for her cachous, just as he tugs her again, even harder – so hard that she loses her footing, falling to the wet cobblestones. She screams, in shock, three times, but not very loudly. The other man has crossed the road to avoid the scene. They are all such cowards. There she lies on the wet pavement, helpless, the big brute leering down at her. Distracted by some movement, he turns his head to one side, and shouts something. It sounds like “Lizzie!” – bracing her legs to try and stand, she looks up at the big man standing over her, trying to remember the rough face, the thick neck, the stocky limbs, but she’s sure they are not familiar. The swarthy man is now running away, towards the railway, another man – tall and thin and holding a clay pipe – walking briskly after him. No one ever stays around to help. No one ever thinks twice. No one things of a poor, abused woman whose only purpose in life has been to pleasure men. Not that their pleasure ever lasts for long. And now she’s lying on the cold pavement, water soaking into her petticoats, as this latest brute makes up his spiteful mind what he wants to do to her. Just as she goes to shift what little weight she possesses onto her feet to stand, that big face – not just rough, but brutish now – turns back to her, and the very moment when, panicking, she attempts to rise, a huge boot kicks her two feet clean from under her and she collapses back onto the pavement with a gasp, clutching the roll of cachous for dear life, as though – being a reminder of normality, of some acknowledgement of decorum and civilisation – they can save her. But even as she hits the ground she knows nothing can. Her sort will always end up here, in the gutter. However much you kick and scream and scheme and lie, do your best, put up with it, make do and mend, try and please the men – this is how it was always going to end. On a dirty floor, in a strange street in a filthy city in a strange land. No friends, no family, no comfort. Not even a passer-by ready to offer and helping hand. This how it ends, anonymous, unloved and unmourned. No fanfare, no forgiveness, no angels. Not with a bang, but a whimper.
              aye aye! keep yer 'and on yer pfennig!

              Comment


              • #8
                Hello Harry

                You have written two fairly realistic evocations of what it must have been like at the Nichols and Stride murder scenes, based on the eye witness descriptions and evidence given at the inquests. I have a few comments.

                In the Stride description, it should be "No one thinks of a poor, abused woman" not, as now written, "No one things of a poor, abused woman"

                I don't think the cachous would have been in a roll in 1888 although I am open to being corrected. Candy or sweets that came in a roll seems to be more of a twentieth century phenomenon, introduced possibly by the manufacturers of Life Savers Candy. In 1888, cachous, I believe, would have been in a metal box or else sold in a twist of paper though not a roll as such.

                At the end of the Stride account, "Not with a bang, but a whimper" is too reminiscent of the famous ending line of T. S. Eliot's poem, "The Hollow Men." Better to end, I think, with the stronger and fresher "No fanfare, no forgiveness, no angels."

                Best regards

                Chris
                Christopher T. George
                Organizer, RipperCon #JacktheRipper-#True Crime Conference
                just held in Baltimore, April 7-8, 2018.
                For information about RipperCon, go to http://rippercon.com/
                RipperCon 2018 talks can now be heard at http://www.casebook.org/podcast/

                Comment


                • #9
                  Hallo Chris,

                  Many thanks for your comments, I will take them on board. Greatly appreciate the feedback!

                  Regards,
                  Harry
                  aye aye! keep yer 'and on yer pfennig!

                  Comment


                  • #10
                    Better credit Joe Strummer somewhere.

                    Comment


                    • #11
                      Joe Strummer certainly deserves a lot of credit.
                      aye aye! keep yer 'and on yer pfennig!

                      Comment


                      • #12
                        I've had a bash at Annie:


                        5.11 a.m., Saturday, 8 September 1888. Brick Lane, East London

                        The sky in the East is just starting to glow salmon pink with the faint promise of a new dawn. The little woman shuffling up Brick Lane looks plump enough, but her face is pallid and her flesh sags loosely around her, like a dressing gown missing its belt and about to fall open. It feels like cold is spreading from deep inside of her, radiating from the very centre of her being. Maybe the rising sun will finally melt the chill in her bones and bring her back to some vestige of life. She shivers and staggers, putting out a hand to steady herself against a doorframe. Then she turns and leans against the wall, tilting her head back, her eyelids fluttering down over her bright blue eyes. Her clothes are dark and worn: a long black coat over a black skirt and brown bodice which perfectly matches her thick, dark, wavy hair. Which, when you look closely, is streaked with grey. Her head rolls forwards and her face – which once would have been round, moonlike even – hangs, slack and tired, towards the cold, hard paving slabs. She hardly seems to know where she is. Every now and then, her eyes flicker up from the ground, dart up and down the street, then drop back to gaze dully at the pavement. Most of the house fronts are still shuttered up against the dark before dawn. Here and there, a flicker of candlelight glimmers invitingly through a crack in a window frame or a badly fitting door, but our streetwalker knows she will find no warmth at all unless she can come up with another fourpence soon. She's been tramping the streets for hours – it feels like forever – she’s had her doss money and spent it several times already. Foolish, weak thing she is. Now the last drink glow is long gone and she’s adrift on the cold cold streets, blown around by the chill wind like a discarded rag. Chilled to the bone, just about keeping moving so as not to fall down. No respite except for a short stop in a doorway or a stairwell, half an hour snatched on a bench in Itchy Park; but it's so cold out, so cold, and someone's always there to bother her or frighten her or move her on. Her eyes flutter closed from exhaustion, she shivers and coughs, convulsions rippling her body. The cold and the cough are the only thing stopping her from slipping into a deep, deep sleep, right here on the cold stones… As she clasps her hands tighter against the cold, she feels the corner of a torn envelope containing her pills dig into her palm. She had forgotten she was clutching them – maybe she should swallow the last two now? But then she’ll have none left for later, when she wakes up – if she ever finds somewhere to sleep, that is. Then she might need these two little pills even more.

                        She raises her hand to her right eye – there is a slight swelling above her cheek, and the remnants of a bruise, not very recent, on her right temple. She rubs the little lump on her forehead. It wasn’t a man caused this one, for a change. She hadn’t expected Eliza Cooper to give quite such a good left hook. Maybe she’s been taking boxing lessons from the Pensioner, he could be handy enough with his fists if need be, the old goat. And this for a silly piece of soap. Roused by the memory of that quarrel, she lifts her head, gathers her coat around her, pushes off from the doorpost and moves on, taking small, dainty steps towards the junction with Hanbury Street. Just as she turns left onto Hanbury Street, the clock from the Black Eagle brewery strikes once: quarter past five. There are more signs of life in the houses now, a few doors and shutters opening, a slow trickle of people emerging into the dawn half-light: market porters, carmen, hawkers, cat’s meat men, horse slaughterers… Annie shuffles past them, looking up enquiringly at any passing male, but none seem interested, the few who do meet her gaze quickly turning their collars up and their heads away and striding off into the dawn light, glowing red on their shoulders. She shuffles on, towards the junction with Commercial Street, where it might be busier. Although she doesn’t want to incur the wrath of that young Irish fury who is often outside the Ten Bells and doesn’t take kindly to others straying onto ‘her’ turf. Just as she’s past the open door to number 29, she pulls up sharp and looks back over her shoulder, the light from the sun coming up over the roofs bathing her round face in a red glow. A man – more like a shadow, backlit by the red dawn – steps out of the doorway. He seems dark, but that could be the shadows; shabby clothes that might once have been smart, a hat with a peak throwing his face into even deeper shadow. “Chilly, in’t it?” he says. She looks up, searching for eyes in the deep shadows masking his face. “Too much so”, she replies. “I know something could warm us up”, he says. “I s’pose I could do with it”, she says. “I have money”, he says, jingling some coins in a pocket. Even though this is the exact opportunity she’s been waiting for – and this time she will use the money for a bed, to be sure – she hesitates. What if… oh what the hell. Beggars can’t be choosers. One way or another, she will get out of the cold. Annie sees a woman approaching over the shoulder of the shadowy man. “Will you?” he asks, looking into the open door. Annie looks back at him. “Yes”, she says. The woman passes by, her head turning to look Annie in the eye. What is that look? Disgust? Pity? Fear? The woman walks on, eyes front, the shutters of the city dweller’s indifference closed again. The man turns, into the corridor leading to the yard at the back of number 29, Hanbury Street. It’s a place she’s been to before. There’s a yard at the back and the door is never locked. She follows him down the narrow corridor, red morning light falling softly onto the worn, creaky floorboards as they round the stairs and get to the door, his back a looming, dark silhouette.

                        As soon as he’s through the door he turns sharply towards her, the rising sun behind him, his face still in deep shadow, craggy contours picked out by shards of red light, stray hairs from his moustache flare like red filaments, there seems to be bright red light coming from his eyes. Annie steps down into the yard and he steps closer, backing her into the corner, into the narrow space between the open door and a wooden fence. He smiles – no, it’s more like a grin, a big red red that splits his face from ear to ear, spit running out between gappy teeth, like a slobbery dog as his face comes closer, the red halo of the rising sun lighting up the hairs on his neck and his ears, his breathing quickening. Annie leans back against the wall and reaches down for the hem of her skirts, let’s get this over with, then rest, at last rest. Before she has a chance to think, a massive hand has her by the throat, forcing her head back against the rough brick wall, she drops the hem of her skirt and lifts her hands to push him off, but he’s immobile, like a rock, unyielding, much too strong, she has no strength, the strength is oozing out of her, down the bricks, onto the stones in the yard, she tries to struggle but her limbs are too heavy, just sagging, even her eyelids are too heavy, they flutter down, all there is is red light, so this the end no no no no

                        NO!

                        she wants to scream, to wake up all the world, but all that comes out is a little “No!”, sounding more surprised than angry but it isn’t fair. She hears something, footsteps?, somewhere to her left, beyond the fence in the other yard, there’s someone there, help, please help

                        red

                        everything is red

                        heat

                        it is hotting up now

                        the world is on fire

                        the world is


                        cold
                        aye aye! keep yer 'and on yer pfennig!

                        Comment


                        • #13
                          Hello Harry, nice you wrote another one!

                          Whoa, poor Annie ...
                          I see, you went with the witness testimonies and not with Ol' Doc Phillips!

                          John Richardson is the killer?

                          Comment


                          • #14
                            Thanks! Yes, I decided to go with the witness testimony, just 'coz it allows for the lovely red dawn light

                            I actually had someone else in mind for the killer, I hadn't thought of Richardson, but it's a good idea!

                            Thanks for the encouragement,
                            Harry
                            aye aye! keep yer 'and on yer pfennig!

                            Comment

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