The complete transcript of Rippercast's Review of Hallie Rubenhold's The Five.
First published in Ripperologist Magazine #166, March 2020. http://ripperologist.co.uk/subscribe.html
Rippercast Reviews The Five by Hallie Rubenhold
Originally released on 5 March, 2019
Debra Arif: researcher of the lives of the victims and other associated personages and co-author of The New Jack the Ripper A-Z
Paul Begg: author of Jack the Ripper-The Facts; co-author of The Forgotten Victims and of The Jack the Ripper A-Z
Amanda Lloyd: Administrator of the popular Facebook group Ripperology Books… and More
Robert McLaughlin: author of The First Jack the Ripper Victim Photographs
Jon Rees: researcher, writer and lecturer
Mark Ripper: as M.W. Oldridge, co-author of The A-Z of Victorian Crime and Murder & Crime: Whitechapel & District
Jonathan Menges: Host
JM: Although there has been a considerable amount of research into the victims done by Ripperologists like Neal Shelden, Debra Arif, Chris Scott and others- all of them are acknowledged as sources in the book- when it was first announced, Ripperologists were still anxious to find out if the author had made any new discoveries about the lives of the canonical five victims. So let’s start off by discussing any new information that we’ve seen and also mention what aspects of the book that our panel may have enjoyed.
MR: I saw Hallie Rubenhold, the author of this book, give a talk in September 2018 at an event in Spitalfields(1) and it was very good. One of the things that she mentioned during that talk, and one of the things that she describes in the book, is Annie Chapman’s time in the sanatorium being treated for alcoholism. That was something of which Ripperologists were kind of cautiously aware of before the publication of this book, but she found the sanatorium records and I thought that was really great. It’s very pertinent to her subject and genuinely new information. I was really pleased to read that.
DA: I was as well. What was definitely new to me was that Catherine Eddowes had a daughter named Harriet Eddowes who died in infancy in, I think, 1869.
MR: Yes. And I suppose I should also mention there is some of Annie Chapman’s children who I wasn’t aware of who have been discovered. And so, they are now a part of this story. So again, I was pleased to read about that.
AL: The selection process at the Peabody buildings was new to me. I knew about the Peabody buildings but I didn’t know about the extent of the selection process to determine who they allowed to live there. I found the chapter on the Peabody buildings a very interesting part of the book.
MR: Another thing I think it’s worth mentioning at this point. Mary Ann Nichols’ first child was William Edward Walker Nichols, born in 1864, and the book mentions him. It says that he failed to live more than a year and nine months. I knew about that child and that was information that appeared in Neil Bell’s book(2) two or three years ago but I didn’t know about the child’s death. So presumably Hallie Rubenhold has found that, and I wasn’t able to find it. So that’s something.
PB: Amongst the new information and new sources there is the information about the people that lived in Peabody dwellings, which also included a reference to William Nichols leaving the property to go off and live somewhere else and he got a bad mark. So that’s a source we haven’t seen which we could do with going and finding to see if it produces anything further. The sanatorium records were new to me anyway, but I wasn’t following it with that degree of depth, but that is another set of records that we should go and look at to see if it tells us anything more. Putting the lives of the victims in the context is what really brings the book alive for most people. That is where I think we get the big difficulty, because while there are small details like names of children, or deaths, and that sort of stuff, any big information about the victims- something significant and new- there is not much of that in there. But the context is new. The trouble is that what she’s done is to take the framework- the skeleton- of all the information, everything that we’ve known about the victims, and she’s put that into context. She’s added the color, the stuff that makes the book really readable. The context is great. We have no problem with that, but it’s important that people realize that the basic facts are everything that we’ve already found out and that is obviously one of the criticisms. Hallie Rubenhold claims in this book and elsewhere that this is stuff that nobody knew about(3).
JR: She can really conjure up the world and set the scene and build the picture. It’s really good in that sense. If you have no idea what the Victorian world was like for poor people, it does conjure up the images of what it was like. That is a positive in the book.
JM: Back to what you were saying about taking the sections she wrote about the Peabody buildings, a researcher interested in the lives of the victims can build upon that and go out and explore more. Debra pointed out a section in the book, I believe it concerns Catherine Eddowes in the workhouse with her son Frederick.
DA: I actually looked at all of this two years ago. Catherine Eddowes in the workhouse. And that’s how I found that she had another son called Frederick(4). I followed through all the entries and found her being pregnant then being transferred to the infirmary and then having Frederick which is a child that hasn’t been mentioned before, and I also found the middle name of her other son which led me to find the birth records. But I did look at this two years ago and Hallie Rubenhold has gone down the same route and found the same thing as me. I did think at that time that the record can’t be shown that Eddowes was living the lifestyle of a vagrant. She was hawking, moving from place to place and using the casual wards. But the records only exist for one casual ward or a couple of casual wards not Whitechapel, Mile End, or any of those, but for Newington, and because Catherine came from that area and she was living in Whitechapel, it would be normal if she was traveling between those two places to use the Newington casual ward and not being someone who was a vagrant.
JM: Right. In her book Rubenhold just mentions one of her stays, but indicates that there were more. Whereas you’ve actually produced a list of all the places and dates, and how she identified herself as a hawker or whatnot on each time she registered over a number of years(5).
DA: Yes throughout the 1870s and even in 1888, in April, she was using the Newington casual ward at least once.
JM: Whereas in the book we just get a couple of sentences basically covering that decade of being in and out of the workhouse.
DA: Yes she just makes a summary of it. We are more careful with the way we write, we reference everything. We show our research whereas she just summarized it.
JM: And that indicates how this book is aimed more for a general readership as opposed to Ripperologists. We like lists and we don’t mind so much the absence of a lot of context, but the context that she does put into the book, you all have thought it is a pretty positive thing?
PB: Yes that is very important. It is the purpose of the book. Putting the lives of victims into a context to explain the things that they were going through and that is a way of being able to draw conclusions from the information. It used to be said that ‘raw dates without context is meaningless’, it isn’t really, but it can be. You can draw conclusions once you have to context. For right or wrong one might choose to conclude that the Nichols' were thought of being a cut above the rest of the neighborhood and they might have even seen themselves that way. Now that’s a conclusion that we can draw from the context of rigorous vetting procedure that they had to go through to be offered a tenancy in the Peabody buildings. And the rules that had to live under once they were there, and the fact that if you broke those rules you could be ejected. All of that would suggest that Peabody was a little bit above the rest. So context gives you the opportunity to draw conclusions. That’s really good stuff to know. I don’t think anybody can read about the life of Elizabeth Stride when she was in Sweden without thinking that she had a hell of a time. That’s all really down to context. All of the facts of where she was and what she was doing, that has all been known.
JM: You were saying about raw data being so dry and clinical and boring. Debra shared with me the death certificate of Catherine Eddowes’ daughter Harriet, who we mentioned earlier, and who was apparently discovered by Hallie Rubenhold, and died in 1869 of marasmus -which is starvation- at only five weeks old. The death certificate states that Catherine was present at Harriet’s passing. We assume that the author had seen this death certificate, as it’s the only document that describes what happened to Harriet. The way that she describes the child’s death-food having ran out in the home, Kate feeling her daughter's final convulsions, she’s holding Harriet in her arms, to me that is a way of writing a pretty excellent biography(6). When the subject of your biography does not have much else besides these clinical data records about their lives, and these lists… that’s what an author has to do if they choose to go out and write a biography of some of these people. Wouldn’t you agree?
PB: I think that it’s something that biographers do and in this particular instance I think it was basically fiction. Unless there is something to say that that is what happened, the child could’ve died anywhere else. Just because Catherine Eddowes was there, it doesn’t mean that the child died in her arms and that she felt the convulsions of the little body as the last breath was expelled. That’s almost Victorian melodrama.
JM: But I think that it’s almost impossible to write about something like that without injecting it with that fiction because what you want to do is have your readers emotionally connect to your subjects. There really isn’t any other way to go about doing that if you want to get that emotional connection from the reader to Catherine Eddowes, right?
PB: I agree with you entirely it’s literally just a matter of whether or not in that particular instance, the awfulness of a baby dying from starvation, it is awful any have to convey that awfulness and Hallie Rubenhold did that very well. Is it history? I don’t know. We have no idea if that is what is actually happening or not. We just know that the child died. So do you write this in a way that gets that across without introducing fictional elements? You’re perfectly able to write about how awful that must have been, you can speculate about how Catherine Eddowes must’ve felt but we don’t actually know. Therefore it points to this difference between historical facts and the color of fiction making it come alive.
AL: It’s the one strength of the book. The context in the book is its strength and is what will draw readers and is what the readers are bound to love. I found myself getting quite into the story. I enjoyed the stories as they were. If I didn’t know anything about the subject I would’ve really enjoyed it. She can tell a story, and that’s one of the positives about the author, and I thought that she did that part of the book very well.
MR: Can I go back to the death of Catherine Eddowes’ child for just a second? You’ve the death certificate for Harriet? And it says marasmus right? So, I’m on slightly thin ice here because I’m not a expert but my impression is that marasmus is failure to thrive. And the book draws the conclusion, or points us in the direction, that the child’s failure to thrive and death by marasmus was a result of financial hardship in the home. But I’m not sure about that. Starvation when there is no food is not the same as ‘failure to thrive’, by definition, I don’t think. So I don’t know whether you can conclude or infer from that that money was short. Do you know what I mean?
AL: Oh, yes. The baby could’ve had some sort of heart condition or anything like that.
MR: And this is a Victorian England and those types of things happened, sadly, very often. I think that this is an example when the author takes the raw data and makes something rather more of it. I’m not sure whether I agree, leaving the convulsions and that stuff to one side, and clearly it’s an extremely sad case-
DA: Sorry but the convulsions are mentioned on the death certificate…
MR: Okay that’s good. I’m not sure but that bit actually struck me as being slightly jarring when I read that. I’m not convinced by the idea that there was financial hardship at the time although I’m sure they were not well off. I’m not convinced financial hardship lead in any direct or indirect way to the death of the baby. And I don’t feel completely comfortable with turning the raw data into, as Paul described, a sort of Victorian melodrama scene. It does go more towards fiction at that point rather than history, so I have some reservations about that method.
DA: I think that she’s trying to humanize the women and she had to fictionalize it because we don’t know anything about them really. We know the bare bones, like Paul has said already, but that’s it.
MR: No, I agree, and even when I’m saying it I’m thinking about how clinical I sound, but I really can’t shake that feeling to be honest.
DA: But it is fiction really because we don’t know whether marasmus could be as result of neglect, because we know Catherine Eddowes abandoned her children(7) and they were taken into the workhouse when they were found wandering around. I think that happened twice in the workhouse reports.
AL: It’s something that we’ll never know.
MR: But, if we don’t know, should we try to create a scenario around it? Create a scene around it? I know I sound cynical but it makes me feel slightly uncomfortable.
PB: Yes I agree. It is very difficult line to draw between what is historical fact and what is reading into the historical fact things that might not be there. It’s fine to report that what was on the death certificate, it’s fine to possibly speculate about what that means, but if you step over the line to say, or give some impression that ‘this is what happened’ then you’re going into the realms of fiction. So it’s just the way that you handle it. If you have a death certificate, and you have the wording on the death certificate, then you can draw conclusions from that. But you shouldn’t then take that into the realms of fiction, and that is what we are seeing, basically.
MR: I feel like one of the weaknesses of this book is that there is too little negotiation with the reader about how to interpret sources and what weight and relevance to give to them. I think sometimes the author is too tempted to make definitive statements about things. For example, ‘financial hardships lead to the death of the child’. That is a paraphrase, not directly from the book. But there’s a whole negotiation we can have there about whether financial hardship was part of it, or whether, as Deb says, there is an aspect of neglect, or whether, as Amanda said, there is an aspect of a neonatal, congenital illness… we don’t really hear those discussions. We don’t find out in this book why the author came to the conclusions that she came to. She just tells us what the conclusions are without giving us insight into her cognitive process and how she came to that assessment.
JM: One issue that has been debated for some time-decades in fact- that the book takes as its guiding theme is that three of the five women- Nichols, Chapman and Eddowes- had never in their lives had to resort to prostitution in order to survive. She admits that Stride and Kelly had, but states that there is no evidence that any of the canonical five were reduced to selling themselves on the street on the night of their murders. Which eliminates the widespread assumption that their murderer posed as a sex client and in some cases, and by using this ruse, had lured them to the places where they were murdered. A lot of Ripperologists would say that the question about the victims being prostitutes really only matters if the writer, reader, or researcher is interested and examining the MO of the killer, his approach when carrying out the crime. And so a lot of us whose interest in the case isn’t suspect driven haven’t really cared about this question. The book on the other hand, while it attempts to remove Jack the Ripper from these women’s biographies, also seeks to remove any possibility that the women may have been so desperate that they had to, on occasion, resort to selling themselves. To do this, the author completely leaves out or misrepresents several contemporary reports and accounts that do provide some evidence that these women may have been making ends meet by working as prostitutes. So let’s inform her listeners of those sources that the book either doesn’t mention, or distorts in order to convince the reader of this claim that the victims were not prostitutes.
PB: As you say, this is a theme running through the book and it is also taking a prominent role in the publicity surrounding ‘The Five’. And she also argues-and it is a point that I don’t think she substantiates in the book at all-that it was because of sexist police in 1888 that branded all homeless women as prostitutes(8). And also, of course, she argues that the fact that they were prostitutes has been unquestioningly accepted ever since. That’s not strictly true of course. We have questioned whether they were prostitutes, and did so in the Jack the Ripper A-Z about 20 years ago(9). There are numerous times throughout the book where is she writes that the victims were not prostitutes. On page 15 she writes, “Jack the Ripper killed prostitutes, or so it has always been believed, but there is no hard evidence to suggest that three of his five victims were prostitutes at all”. Those victims, as you say, are Nichols, Chapman and Eddowes. On 7 September 1888 a police report(10) written by Inspector Helson of J Division summarized the investigation to date and referred to the evidence of William Nichols and he said, I quote “they separated about nine years since in consequence of her drunken habits. For some time he allowed her five shillings per week, but in 1882, at having come to his knowledge that she was living the life of a prostitute, he discontinued the allowance. In consequence of this she became chargeable to the guardians of the Parish of Lambeth, by whom the husband was summoned to show cause as to why he should not be ordered to contribute towards her support, and these facts being proved, the summons was dismissed.” Here we have Inspector Helson saying that William Nichols had stated that he had stopped paying his wife’s support because he had found that she was a prostitute. I don’t know whether Hallie Rubenhold would classify a statement like that in a MEPO report as being “hard evidence”, but the book makes no mention of Helson’s report, it ignores it completely. And that is extraordinary to me because surely her readers deserve to be told what Helson had written so that they can decide for themselves whether or not this theme that runs throughout her book has legs or not. What is curious to me is that in the bibliography she includes a book called Common Prostitutes and Ordinary Citizens: Commercial Sex in London 1885 – 1960 which was published in 2011 and written by Dr. Julia Laite, a lecturer in modern British and gender history at Birkbeck University in London. Laite referred to William Nichols’ statement to the police and states “she had separated from her husband seven years before and like Tabram’s husband, he had subsequently cut off support payments to her with the court’s consent after he had proved she was earning money through prostitution.” So here is one of Hallie Rubenhold’s academic wrote sources who has read this information as well, and basically seems to agree with it, and again it’s just ignored. So she’s ignoring the sources that she cited, and she’s ignoring a MEPO report… I just find that extraordinary. There is another piece of evidence which she actually messes around with, but we can come back to that. Now, according to an early and widely published newspaper report, a number of women visited the mortuary to view the body but they were unable to identify it. But then a woman who we now know was Emily Holland came to view the body and she identified it as Polly, with whom she shared lodgings at 18 Thrawl Street. The newspaper report, as I said it was widely published but this quote comes from the Pall Mall Gazette on 1 September 1888 the report then reads “Women from that place (18 Thrawl Street) were fetched and they identified the deceased as Polly who had shared a room with three other women in the place on the usual terms of such houses. Likely paying four pence each. Each woman having a separate bed. It was gathered that the deceased had led the life of an unfortunate while lodging in the house, which is only for about three weeks past. Nothing more was known of her by them but that when she presented herself for lodging there Thursday night she was turned away by the deputy.” This statement is by women and it is perfectly consistent with what the police would’ve done at the time. They would have fetched other people from 18 Thrawl Street to confirm the identification by Emily Holland and hope to obtain other information. All they could ascertain from these women is that they knew Nichols as a prostitute. The significance of that report is utterly ignored by Hallie Rubenhold. She does include it in her book but she judiciously edits it to give it a completely different impression. But we can talk about that a bit later on. So, those are evidence that Nichols was a prostitute.
1 The Whitechapel Society 1888’s ‘Victims’ conference held 8 September 2018 at the Hanbury Hall, London. This talk can be heard at http://www.casebook.org/podcast/listen.html?id=218
2 Bell, Neil R.A. Capturing Jack the Ripper: In the Boots of a Bobby in Victorian London. Amberley Publishing, 2014. p137n49
3 In countless press interviews, promotional blurbs, and on the back cover of the book it is claimed that the life histories of the victims has been “prevented from being told”, and that ‘The Five’ “finally sets the record straight”.
4 https://www.jtrforums.com/showthread.php?t=24287
5 https://www.jtrforums.com/showthread.php?t=7604
6 Rubenhold, Hallie. The Five Houghton Mifflin Harcourt 2019 ARC pg.229
7 https://www.jtrforums.com/showthread.php?t=24287
8 On pg. 80, Rubenhold writes “However, before they had even listened to it fully…both the authorities and the press were certain of one thing: Polly Nichols was obviously out soliciting that night, because she-like every other woman, regardless of her age, who moved between the lodging houses, the casual wards, and the bed she made in a dingy corner of an alley-was a prostitute”.
I don’t think Rubenhold supports this accusation that every homeless, destitute woman was branded a prostitute by the authorities- PB
9 Begg, Fido & Skinner The Jack the Ripper A-Z, London: Headline, 1994, pg. 133
10 MEPO 3/140 ff. 235-8
First published in Ripperologist Magazine #166, March 2020. http://ripperologist.co.uk/subscribe.html
Rippercast Reviews The Five by Hallie Rubenhold
Originally released on 5 March, 2019
Debra Arif: researcher of the lives of the victims and other associated personages and co-author of The New Jack the Ripper A-Z
Paul Begg: author of Jack the Ripper-The Facts; co-author of The Forgotten Victims and of The Jack the Ripper A-Z
Amanda Lloyd: Administrator of the popular Facebook group Ripperology Books… and More
Robert McLaughlin: author of The First Jack the Ripper Victim Photographs
Jon Rees: researcher, writer and lecturer
Mark Ripper: as M.W. Oldridge, co-author of The A-Z of Victorian Crime and Murder & Crime: Whitechapel & District
Jonathan Menges: Host
JM: Although there has been a considerable amount of research into the victims done by Ripperologists like Neal Shelden, Debra Arif, Chris Scott and others- all of them are acknowledged as sources in the book- when it was first announced, Ripperologists were still anxious to find out if the author had made any new discoveries about the lives of the canonical five victims. So let’s start off by discussing any new information that we’ve seen and also mention what aspects of the book that our panel may have enjoyed.
MR: I saw Hallie Rubenhold, the author of this book, give a talk in September 2018 at an event in Spitalfields(1) and it was very good. One of the things that she mentioned during that talk, and one of the things that she describes in the book, is Annie Chapman’s time in the sanatorium being treated for alcoholism. That was something of which Ripperologists were kind of cautiously aware of before the publication of this book, but she found the sanatorium records and I thought that was really great. It’s very pertinent to her subject and genuinely new information. I was really pleased to read that.
DA: I was as well. What was definitely new to me was that Catherine Eddowes had a daughter named Harriet Eddowes who died in infancy in, I think, 1869.
MR: Yes. And I suppose I should also mention there is some of Annie Chapman’s children who I wasn’t aware of who have been discovered. And so, they are now a part of this story. So again, I was pleased to read about that.
AL: The selection process at the Peabody buildings was new to me. I knew about the Peabody buildings but I didn’t know about the extent of the selection process to determine who they allowed to live there. I found the chapter on the Peabody buildings a very interesting part of the book.
MR: Another thing I think it’s worth mentioning at this point. Mary Ann Nichols’ first child was William Edward Walker Nichols, born in 1864, and the book mentions him. It says that he failed to live more than a year and nine months. I knew about that child and that was information that appeared in Neil Bell’s book(2) two or three years ago but I didn’t know about the child’s death. So presumably Hallie Rubenhold has found that, and I wasn’t able to find it. So that’s something.
PB: Amongst the new information and new sources there is the information about the people that lived in Peabody dwellings, which also included a reference to William Nichols leaving the property to go off and live somewhere else and he got a bad mark. So that’s a source we haven’t seen which we could do with going and finding to see if it produces anything further. The sanatorium records were new to me anyway, but I wasn’t following it with that degree of depth, but that is another set of records that we should go and look at to see if it tells us anything more. Putting the lives of the victims in the context is what really brings the book alive for most people. That is where I think we get the big difficulty, because while there are small details like names of children, or deaths, and that sort of stuff, any big information about the victims- something significant and new- there is not much of that in there. But the context is new. The trouble is that what she’s done is to take the framework- the skeleton- of all the information, everything that we’ve known about the victims, and she’s put that into context. She’s added the color, the stuff that makes the book really readable. The context is great. We have no problem with that, but it’s important that people realize that the basic facts are everything that we’ve already found out and that is obviously one of the criticisms. Hallie Rubenhold claims in this book and elsewhere that this is stuff that nobody knew about(3).
JR: She can really conjure up the world and set the scene and build the picture. It’s really good in that sense. If you have no idea what the Victorian world was like for poor people, it does conjure up the images of what it was like. That is a positive in the book.
JM: Back to what you were saying about taking the sections she wrote about the Peabody buildings, a researcher interested in the lives of the victims can build upon that and go out and explore more. Debra pointed out a section in the book, I believe it concerns Catherine Eddowes in the workhouse with her son Frederick.
DA: I actually looked at all of this two years ago. Catherine Eddowes in the workhouse. And that’s how I found that she had another son called Frederick(4). I followed through all the entries and found her being pregnant then being transferred to the infirmary and then having Frederick which is a child that hasn’t been mentioned before, and I also found the middle name of her other son which led me to find the birth records. But I did look at this two years ago and Hallie Rubenhold has gone down the same route and found the same thing as me. I did think at that time that the record can’t be shown that Eddowes was living the lifestyle of a vagrant. She was hawking, moving from place to place and using the casual wards. But the records only exist for one casual ward or a couple of casual wards not Whitechapel, Mile End, or any of those, but for Newington, and because Catherine came from that area and she was living in Whitechapel, it would be normal if she was traveling between those two places to use the Newington casual ward and not being someone who was a vagrant.
JM: Right. In her book Rubenhold just mentions one of her stays, but indicates that there were more. Whereas you’ve actually produced a list of all the places and dates, and how she identified herself as a hawker or whatnot on each time she registered over a number of years(5).
DA: Yes throughout the 1870s and even in 1888, in April, she was using the Newington casual ward at least once.
JM: Whereas in the book we just get a couple of sentences basically covering that decade of being in and out of the workhouse.
DA: Yes she just makes a summary of it. We are more careful with the way we write, we reference everything. We show our research whereas she just summarized it.
JM: And that indicates how this book is aimed more for a general readership as opposed to Ripperologists. We like lists and we don’t mind so much the absence of a lot of context, but the context that she does put into the book, you all have thought it is a pretty positive thing?
PB: Yes that is very important. It is the purpose of the book. Putting the lives of victims into a context to explain the things that they were going through and that is a way of being able to draw conclusions from the information. It used to be said that ‘raw dates without context is meaningless’, it isn’t really, but it can be. You can draw conclusions once you have to context. For right or wrong one might choose to conclude that the Nichols' were thought of being a cut above the rest of the neighborhood and they might have even seen themselves that way. Now that’s a conclusion that we can draw from the context of rigorous vetting procedure that they had to go through to be offered a tenancy in the Peabody buildings. And the rules that had to live under once they were there, and the fact that if you broke those rules you could be ejected. All of that would suggest that Peabody was a little bit above the rest. So context gives you the opportunity to draw conclusions. That’s really good stuff to know. I don’t think anybody can read about the life of Elizabeth Stride when she was in Sweden without thinking that she had a hell of a time. That’s all really down to context. All of the facts of where she was and what she was doing, that has all been known.
JM: You were saying about raw data being so dry and clinical and boring. Debra shared with me the death certificate of Catherine Eddowes’ daughter Harriet, who we mentioned earlier, and who was apparently discovered by Hallie Rubenhold, and died in 1869 of marasmus -which is starvation- at only five weeks old. The death certificate states that Catherine was present at Harriet’s passing. We assume that the author had seen this death certificate, as it’s the only document that describes what happened to Harriet. The way that she describes the child’s death-food having ran out in the home, Kate feeling her daughter's final convulsions, she’s holding Harriet in her arms, to me that is a way of writing a pretty excellent biography(6). When the subject of your biography does not have much else besides these clinical data records about their lives, and these lists… that’s what an author has to do if they choose to go out and write a biography of some of these people. Wouldn’t you agree?
PB: I think that it’s something that biographers do and in this particular instance I think it was basically fiction. Unless there is something to say that that is what happened, the child could’ve died anywhere else. Just because Catherine Eddowes was there, it doesn’t mean that the child died in her arms and that she felt the convulsions of the little body as the last breath was expelled. That’s almost Victorian melodrama.
JM: But I think that it’s almost impossible to write about something like that without injecting it with that fiction because what you want to do is have your readers emotionally connect to your subjects. There really isn’t any other way to go about doing that if you want to get that emotional connection from the reader to Catherine Eddowes, right?
PB: I agree with you entirely it’s literally just a matter of whether or not in that particular instance, the awfulness of a baby dying from starvation, it is awful any have to convey that awfulness and Hallie Rubenhold did that very well. Is it history? I don’t know. We have no idea if that is what is actually happening or not. We just know that the child died. So do you write this in a way that gets that across without introducing fictional elements? You’re perfectly able to write about how awful that must have been, you can speculate about how Catherine Eddowes must’ve felt but we don’t actually know. Therefore it points to this difference between historical facts and the color of fiction making it come alive.
AL: It’s the one strength of the book. The context in the book is its strength and is what will draw readers and is what the readers are bound to love. I found myself getting quite into the story. I enjoyed the stories as they were. If I didn’t know anything about the subject I would’ve really enjoyed it. She can tell a story, and that’s one of the positives about the author, and I thought that she did that part of the book very well.
MR: Can I go back to the death of Catherine Eddowes’ child for just a second? You’ve the death certificate for Harriet? And it says marasmus right? So, I’m on slightly thin ice here because I’m not a expert but my impression is that marasmus is failure to thrive. And the book draws the conclusion, or points us in the direction, that the child’s failure to thrive and death by marasmus was a result of financial hardship in the home. But I’m not sure about that. Starvation when there is no food is not the same as ‘failure to thrive’, by definition, I don’t think. So I don’t know whether you can conclude or infer from that that money was short. Do you know what I mean?
AL: Oh, yes. The baby could’ve had some sort of heart condition or anything like that.
MR: And this is a Victorian England and those types of things happened, sadly, very often. I think that this is an example when the author takes the raw data and makes something rather more of it. I’m not sure whether I agree, leaving the convulsions and that stuff to one side, and clearly it’s an extremely sad case-
DA: Sorry but the convulsions are mentioned on the death certificate…
MR: Okay that’s good. I’m not sure but that bit actually struck me as being slightly jarring when I read that. I’m not convinced by the idea that there was financial hardship at the time although I’m sure they were not well off. I’m not convinced financial hardship lead in any direct or indirect way to the death of the baby. And I don’t feel completely comfortable with turning the raw data into, as Paul described, a sort of Victorian melodrama scene. It does go more towards fiction at that point rather than history, so I have some reservations about that method.
DA: I think that she’s trying to humanize the women and she had to fictionalize it because we don’t know anything about them really. We know the bare bones, like Paul has said already, but that’s it.
MR: No, I agree, and even when I’m saying it I’m thinking about how clinical I sound, but I really can’t shake that feeling to be honest.
DA: But it is fiction really because we don’t know whether marasmus could be as result of neglect, because we know Catherine Eddowes abandoned her children(7) and they were taken into the workhouse when they were found wandering around. I think that happened twice in the workhouse reports.
AL: It’s something that we’ll never know.
MR: But, if we don’t know, should we try to create a scenario around it? Create a scene around it? I know I sound cynical but it makes me feel slightly uncomfortable.
PB: Yes I agree. It is very difficult line to draw between what is historical fact and what is reading into the historical fact things that might not be there. It’s fine to report that what was on the death certificate, it’s fine to possibly speculate about what that means, but if you step over the line to say, or give some impression that ‘this is what happened’ then you’re going into the realms of fiction. So it’s just the way that you handle it. If you have a death certificate, and you have the wording on the death certificate, then you can draw conclusions from that. But you shouldn’t then take that into the realms of fiction, and that is what we are seeing, basically.
MR: I feel like one of the weaknesses of this book is that there is too little negotiation with the reader about how to interpret sources and what weight and relevance to give to them. I think sometimes the author is too tempted to make definitive statements about things. For example, ‘financial hardships lead to the death of the child’. That is a paraphrase, not directly from the book. But there’s a whole negotiation we can have there about whether financial hardship was part of it, or whether, as Deb says, there is an aspect of neglect, or whether, as Amanda said, there is an aspect of a neonatal, congenital illness… we don’t really hear those discussions. We don’t find out in this book why the author came to the conclusions that she came to. She just tells us what the conclusions are without giving us insight into her cognitive process and how she came to that assessment.
JM: One issue that has been debated for some time-decades in fact- that the book takes as its guiding theme is that three of the five women- Nichols, Chapman and Eddowes- had never in their lives had to resort to prostitution in order to survive. She admits that Stride and Kelly had, but states that there is no evidence that any of the canonical five were reduced to selling themselves on the street on the night of their murders. Which eliminates the widespread assumption that their murderer posed as a sex client and in some cases, and by using this ruse, had lured them to the places where they were murdered. A lot of Ripperologists would say that the question about the victims being prostitutes really only matters if the writer, reader, or researcher is interested and examining the MO of the killer, his approach when carrying out the crime. And so a lot of us whose interest in the case isn’t suspect driven haven’t really cared about this question. The book on the other hand, while it attempts to remove Jack the Ripper from these women’s biographies, also seeks to remove any possibility that the women may have been so desperate that they had to, on occasion, resort to selling themselves. To do this, the author completely leaves out or misrepresents several contemporary reports and accounts that do provide some evidence that these women may have been making ends meet by working as prostitutes. So let’s inform her listeners of those sources that the book either doesn’t mention, or distorts in order to convince the reader of this claim that the victims were not prostitutes.
PB: As you say, this is a theme running through the book and it is also taking a prominent role in the publicity surrounding ‘The Five’. And she also argues-and it is a point that I don’t think she substantiates in the book at all-that it was because of sexist police in 1888 that branded all homeless women as prostitutes(8). And also, of course, she argues that the fact that they were prostitutes has been unquestioningly accepted ever since. That’s not strictly true of course. We have questioned whether they were prostitutes, and did so in the Jack the Ripper A-Z about 20 years ago(9). There are numerous times throughout the book where is she writes that the victims were not prostitutes. On page 15 she writes, “Jack the Ripper killed prostitutes, or so it has always been believed, but there is no hard evidence to suggest that three of his five victims were prostitutes at all”. Those victims, as you say, are Nichols, Chapman and Eddowes. On 7 September 1888 a police report(10) written by Inspector Helson of J Division summarized the investigation to date and referred to the evidence of William Nichols and he said, I quote “they separated about nine years since in consequence of her drunken habits. For some time he allowed her five shillings per week, but in 1882, at having come to his knowledge that she was living the life of a prostitute, he discontinued the allowance. In consequence of this she became chargeable to the guardians of the Parish of Lambeth, by whom the husband was summoned to show cause as to why he should not be ordered to contribute towards her support, and these facts being proved, the summons was dismissed.” Here we have Inspector Helson saying that William Nichols had stated that he had stopped paying his wife’s support because he had found that she was a prostitute. I don’t know whether Hallie Rubenhold would classify a statement like that in a MEPO report as being “hard evidence”, but the book makes no mention of Helson’s report, it ignores it completely. And that is extraordinary to me because surely her readers deserve to be told what Helson had written so that they can decide for themselves whether or not this theme that runs throughout her book has legs or not. What is curious to me is that in the bibliography she includes a book called Common Prostitutes and Ordinary Citizens: Commercial Sex in London 1885 – 1960 which was published in 2011 and written by Dr. Julia Laite, a lecturer in modern British and gender history at Birkbeck University in London. Laite referred to William Nichols’ statement to the police and states “she had separated from her husband seven years before and like Tabram’s husband, he had subsequently cut off support payments to her with the court’s consent after he had proved she was earning money through prostitution.” So here is one of Hallie Rubenhold’s academic wrote sources who has read this information as well, and basically seems to agree with it, and again it’s just ignored. So she’s ignoring the sources that she cited, and she’s ignoring a MEPO report… I just find that extraordinary. There is another piece of evidence which she actually messes around with, but we can come back to that. Now, according to an early and widely published newspaper report, a number of women visited the mortuary to view the body but they were unable to identify it. But then a woman who we now know was Emily Holland came to view the body and she identified it as Polly, with whom she shared lodgings at 18 Thrawl Street. The newspaper report, as I said it was widely published but this quote comes from the Pall Mall Gazette on 1 September 1888 the report then reads “Women from that place (18 Thrawl Street) were fetched and they identified the deceased as Polly who had shared a room with three other women in the place on the usual terms of such houses. Likely paying four pence each. Each woman having a separate bed. It was gathered that the deceased had led the life of an unfortunate while lodging in the house, which is only for about three weeks past. Nothing more was known of her by them but that when she presented herself for lodging there Thursday night she was turned away by the deputy.” This statement is by women and it is perfectly consistent with what the police would’ve done at the time. They would have fetched other people from 18 Thrawl Street to confirm the identification by Emily Holland and hope to obtain other information. All they could ascertain from these women is that they knew Nichols as a prostitute. The significance of that report is utterly ignored by Hallie Rubenhold. She does include it in her book but she judiciously edits it to give it a completely different impression. But we can talk about that a bit later on. So, those are evidence that Nichols was a prostitute.
1 The Whitechapel Society 1888’s ‘Victims’ conference held 8 September 2018 at the Hanbury Hall, London. This talk can be heard at http://www.casebook.org/podcast/listen.html?id=218
2 Bell, Neil R.A. Capturing Jack the Ripper: In the Boots of a Bobby in Victorian London. Amberley Publishing, 2014. p137n49
3 In countless press interviews, promotional blurbs, and on the back cover of the book it is claimed that the life histories of the victims has been “prevented from being told”, and that ‘The Five’ “finally sets the record straight”.
4 https://www.jtrforums.com/showthread.php?t=24287
5 https://www.jtrforums.com/showthread.php?t=7604
6 Rubenhold, Hallie. The Five Houghton Mifflin Harcourt 2019 ARC pg.229
7 https://www.jtrforums.com/showthread.php?t=24287
8 On pg. 80, Rubenhold writes “However, before they had even listened to it fully…both the authorities and the press were certain of one thing: Polly Nichols was obviously out soliciting that night, because she-like every other woman, regardless of her age, who moved between the lodging houses, the casual wards, and the bed she made in a dingy corner of an alley-was a prostitute”.
I don’t think Rubenhold supports this accusation that every homeless, destitute woman was branded a prostitute by the authorities- PB
9 Begg, Fido & Skinner The Jack the Ripper A-Z, London: Headline, 1994, pg. 133
10 MEPO 3/140 ff. 235-8
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