As far as I know, this documentary was specifically made for the general public who know nothing about the case and not for other Ripperologists, which does make a big difference. If it was designed to get laymen interested in the case I think it did a good job.
I actually enjoyed it a lot - and more importantly - my husband, who is a complete novice, but who has been forced to watch every JtR documentary and film ever produced, under duress, said that he thought it was the best one he'd seen. As he represented the target audience, I'd say that it did the job it set out to do. He was pleased that it concentrated, not on gore and sensationalism, but on getting over the general facts of the case in a clear and entertaining way. Like Caz, he did have to put up with me saying 'Oh that's so and so.' all the way through it.

There were a couple of errors, but a lot less than most documentaries I've seen.
What did impress me was that the actors and actresses, for the most part, did look astonishingly like the people they portrayed, even down to PC Neil having a lovely ginger tache. They were all a bit clean, but as someone else pointed out, I think the aim was to show the settings and give the facts rather than concentrating on the squalor. I did like that they showed the victims in a sympathetic way, and I actually got quite choked up a few times.
Alright to be fair, the acting was a bit hammy, and gave me a few chuckles, but in a topic as depressing and unpleasant as serial killings, I actually found it quite welcome. Small details like Liz having teeth certainly wouldn't have been noticed by the general viewer. To be fair, Liz's accent did irritate me a bit, but that really is being picky. I thought generally the actors and actresses did a good job. Pearly Poll creased me up, especially when she pinched the soldier's cheek on the identity parade.
I think that all of the researchers shown did a great job in giving their views on the murders, and all looked surprisingly sober;

Jake's reconstructions were so accurate and well done that he deserves a medal. I am totally in awe of his talent. The work he must have put into those is mind boggling.
Yes okay, they couldn't all have the incredible detail that he put into his Mitre Square project, (which will be coming up on Thursday hopefully, and which will leave everyone with their mouths hanging open) because he would have been 150 before he could possibly have got them all finished. They did show viewers what the murder scenes actually looked like though, rather than the film team just trotting off to some back alley somewhere that looked vaguely pre-war and shot it there. I thought that Buck's Row particularly was wonderful. The lighting was too bright, but unless we wanted to sit there staring at a black screen for a few minutes, there wasn't much else they could do. Some liberties were needed for the sake of clarity.
Just following on from Neil's post. A mate of mine works at The Mill where a lot of the major CGI production is done, and just one of their programmes can cost £15,000 - that's just the cost of one programme, without production costs and wages. The CGI for an episode of Primeval, for instance, can cost a million quid quite easily. For a small budget programme I think they did a phenomenal job.
Overall, I thought it was good stuff and I'm really looking forward to Thursday.
Hugs
Janie
xxxxx
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