Originally posted by The Rookie Detective
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The reason a killer has, who hides the identity of a victim, is invariably that the victim can be linked to himself. Therefore, it is of vital importance that the identity is hidden - so that no link can be made.
When we deal with sexual serial killers who prey on prostitutes, we get another picture. None of the prostitute killers we have on record have made any attempts to hide their victims identities, at least as far as I can tell. And why would they? There is no risk of having the victim disclose who killed them by way of links existing between killer and victim, and so there is no need to hide the identity of the victim.
In our case - and with that expression I mean the combined two series - we are with great likelihood looking at the exact same thing. The killer cannot be linked to his victims, he is what is referred to as a killer of strangers, and so he has no need to hide any identities. Ergo, he takes no precautions to cut away moles and scars. Ergo, he even wraps body parts in the personal clothing of one victim. Ergo, he does not try to hide what he has done, but instead place parts in public spaces where they WILL be found, and he floats his work on the Thames, where the parts end up on the shores of the power center of the Victorian world. He does not throw them in the river to the East, where they would exit London, but instead to the far West, where they will end up outside the houses of Parliament and all along the power centers of 19th century London.
He is an ambitious killer, looking for recognition, a very common trait among the narcissistic serial killer ranks.
So then, the heads - why were they not found? As per the above, it would have had nothing to do with a desire to hide the identitites, if you ask me. There are numerous possibilities: they were of a much higher density than the rest of the body, and so if thrown in the Thames, they would perhaps have more or less rolled along the bottom with the outgoing tide, towards the sea. Alternatively, he kept them as trophies. Alternatively, he used them as sex toys, the way Ed Kemper did. Alternatively, he placed them in spots where he thought they would have a ”magical” meaning, like for example in the basement ground where somebody he wanted to have an impact on lived.
The options are many, and need in no way, shape or form involve hiding the identities of his victims. If, as I firmly believe, the 1873 torso victim was part of the series, then we have an example of where the killer meticulously cut away the face of his victim in one piece, lips, eyelids and all. I think that he emulated the anatomical venuses from the wax exhibitions when doing this; many of them had faces that could be lifted off to show the underlying structures.
And maybe he did the exact same to all of his torso victims, as a ritualistic thing? And then he threw the skull in the Thames where it sunk to the bottom or was washed away at a level under the surface.
It is in this context interesting to ponder what was said about the face of Mary Kelly after her meeting with the killer: it looked like one of those gruesome anatomical models that were found in medical environments, with the eyes staring lidlessly into eternity. I donīt remember the exact wording, but it is in one of the papers.
The killer had apparently tried to take Kellys head off by way of knife, but failed, and he likely did not have the time to carefully cut the face away. And so he may have settled for the next best thing.
Reasoning that dismembered heads that cannot be found must be about hiding the identity of the victim is a tad headless in itself. That said, since we do not know whether or not there were any links between the originator of the torso murders and his victims, it CAN have been about hiding identities. But if it WAS, then the killer was sloppy in the extreme about other details that could give the identity away, and so I opt for him not being interested in hiding anything at all.
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