Thanks for taking the time to do that. I appreciate it. I hadn't considered the issue of weighting the results by including multiple related events.
The reason I'd consider the graffito to be of greater significance than the apron fragment, at least for this purpose, is that the graffito was definitely the result of a conscious decision-making process, and would have taken IMHO at least a minute to have written. If the writer was in fact the murderer, then for the time it took to write that, he stood exposed on a public street engaged in an incriminating activity. Whether or not he ever consciously considered the matter of why the location felt safe or attractive to him, I have to think that his criteria for choosing the general area for the deed would have been the same ones he used for choosing murder locations. I say 'general area', because in the matter of the graffito, a victim didn't need to be present, which was a factor operating in the choice of exact murder locations that wasn't present here. Nonetheless, I think the general areas for murders and graffito would have been chosen similarly.
It's in this matter of risk-taking and deliberate intent that I think the graffito excels the apron fragment as evidence of where the Ripper (if indeed it was he who wrote it) felt safe. The apron fragment could have been casually or surreptitiously tossed aside where it was found. It's the act of a second, and discarding it in that fashion is arguably less risky to the killer than retaining it hidden upon his person. The location where it was jettisoned, by itself, therefore says little about Jack's sense of the place as safe. If he wrote the message, however, then he did so either while in possession of that fragment of apron, or having just thrown it to the ground nearby. That's definitely a risky behaviour, and where he would do that says something about his perceived areas of safety, just as where he committed murders does.
Edit: I was actually wondering if the location of the graffito, considered as a crime scene, would radically distort the results. It doesn't seem to. I certainly accept that the Ripper passed by this way, as shown by the presence of the apron fragment. For the reasons outlined above (and the fact that it could have been dropped accidentally), that doesn't really speak to whether Goulston Street was a 'safe' place to him in the way that the graffito (if his work) does.
The reason I'd consider the graffito to be of greater significance than the apron fragment, at least for this purpose, is that the graffito was definitely the result of a conscious decision-making process, and would have taken IMHO at least a minute to have written. If the writer was in fact the murderer, then for the time it took to write that, he stood exposed on a public street engaged in an incriminating activity. Whether or not he ever consciously considered the matter of why the location felt safe or attractive to him, I have to think that his criteria for choosing the general area for the deed would have been the same ones he used for choosing murder locations. I say 'general area', because in the matter of the graffito, a victim didn't need to be present, which was a factor operating in the choice of exact murder locations that wasn't present here. Nonetheless, I think the general areas for murders and graffito would have been chosen similarly.
It's in this matter of risk-taking and deliberate intent that I think the graffito excels the apron fragment as evidence of where the Ripper (if indeed it was he who wrote it) felt safe. The apron fragment could have been casually or surreptitiously tossed aside where it was found. It's the act of a second, and discarding it in that fashion is arguably less risky to the killer than retaining it hidden upon his person. The location where it was jettisoned, by itself, therefore says little about Jack's sense of the place as safe. If he wrote the message, however, then he did so either while in possession of that fragment of apron, or having just thrown it to the ground nearby. That's definitely a risky behaviour, and where he would do that says something about his perceived areas of safety, just as where he committed murders does.
Edit: I was actually wondering if the location of the graffito, considered as a crime scene, would radically distort the results. It doesn't seem to. I certainly accept that the Ripper passed by this way, as shown by the presence of the apron fragment. For the reasons outlined above (and the fact that it could have been dropped accidentally), that doesn't really speak to whether Goulston Street was a 'safe' place to him in the way that the graffito (if his work) does.
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