I have puzzled over this for a long time, and just thought I'd throw it out there to see what others have come up with.
I can't see him just sitting in a chair next to the bed, he couldn't easily reach the face from a sitting position, or rip up the center of her from the distance of a chair next to the bed. If he were tall I think it would make it worse if he were working leaning over her. The distance would be greater from him to the body.
If he WERE leaning over her, wouldn't he be bloodied? How did he make it out of there that way without being noticed?
I know there were supposedly many butchers who left shops with blood, but this was early morning and he would've not been leaving the shop, but instead going to, and this street had no butcher shops anyway. You'd think with all the hubbub after the murder someone would remember the man with the bloody shirt.
It also seems he would have to put forceful effort into all this, stripping skin from the leg, cutting up the torso. If he knelt on the bed wouldn't there be prints left behind on the linen from smeared blood under the knees as they moved about. Right? But it doesn't look as if there are any smears like that on the linen.
One more thing, her body is very high up on the bed. Nearly hitting the headboard. One doesn't usually position themselves this high on a pillow, and I wondered if it were from his working on her and it moving her on the bed. Or did he kill her off the bed and then deposit her without the usual position one would take?
Also, I remember someone back then went to her place after a while, it was now rented to a couple who pointed out there was blood on the wall next to the bed still.
Why would that be? She was likely dead when he was doing all the cutting so there would be no heart to pump and splatter blood. Of course I suppose he was working furiously and thrashing the knife and blood about? Is there another thought on this?
One more thought. Her face, though very difficult to see what is going on there, has the look of being cut across from side to side in 4 separate slashes, like the lines of latitude on a globe. Lowest being the chin. In order to do that the head would have to be more or less face up, not on the side. Yet the face is sideways. When did this movement take place? Why did it take place? What led up to the change of position?
I can't see him just sitting in a chair next to the bed, he couldn't easily reach the face from a sitting position, or rip up the center of her from the distance of a chair next to the bed. If he were tall I think it would make it worse if he were working leaning over her. The distance would be greater from him to the body.
If he WERE leaning over her, wouldn't he be bloodied? How did he make it out of there that way without being noticed?
I know there were supposedly many butchers who left shops with blood, but this was early morning and he would've not been leaving the shop, but instead going to, and this street had no butcher shops anyway. You'd think with all the hubbub after the murder someone would remember the man with the bloody shirt.
It also seems he would have to put forceful effort into all this, stripping skin from the leg, cutting up the torso. If he knelt on the bed wouldn't there be prints left behind on the linen from smeared blood under the knees as they moved about. Right? But it doesn't look as if there are any smears like that on the linen.
One more thing, her body is very high up on the bed. Nearly hitting the headboard. One doesn't usually position themselves this high on a pillow, and I wondered if it were from his working on her and it moving her on the bed. Or did he kill her off the bed and then deposit her without the usual position one would take?
Also, I remember someone back then went to her place after a while, it was now rented to a couple who pointed out there was blood on the wall next to the bed still.
Why would that be? She was likely dead when he was doing all the cutting so there would be no heart to pump and splatter blood. Of course I suppose he was working furiously and thrashing the knife and blood about? Is there another thought on this?
One more thought. Her face, though very difficult to see what is going on there, has the look of being cut across from side to side in 4 separate slashes, like the lines of latitude on a globe. Lowest being the chin. In order to do that the head would have to be more or less face up, not on the side. Yet the face is sideways. When did this movement take place? Why did it take place? What led up to the change of position?
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