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2. Mutilations on Polly and Annie described as skillful; Kate, unskilful.
3. Mutilations on Polly and Annie with lifted dress; Kate with cut clothing.
4. Throat cuts to Polly and Annie deeper than to Kate.
5. Annie, attempt to decapitate; not so Kate.
6. Two neck cuts on Polly and Annie; second neck cut on Kate, "superficial."
7. Extensive mutilations on Annie estimated at 15 minutes; many more mutilations on Kate estimated at 5 minutes.
I shall stop there as 7 is supposed to be lucky. Besides, this should be enough for titillation.
Cheers.
LC
Yes but Lynne -
For these 'contrasts' to be significant it appears that you're supposing that every victim of a serial killer will be dispatched in exactly the same way? Where is your allowance for variables? I imagine it would be very difficult to execute (no pun intended) each and every kill with precisely the same process and effect.
There are easy explanations for all of the above, which seem to me to be fairly minor differences.
Hello Sally. But in looking over the reports, I should have expected major discrepancies between Polly and Annie. I saw none--other than leaving one unfinished (and that, if and only if organ removal were the point).
In and of itself, it is NOT the discrepancies that I find important, but rather the alarming sameness of the first two. Then, and ONLY then, do I find the differences in C2 and C4 striking.
With all this multi-story killing field stuff is how to explain it.
If you have one knife-wielding maniac with a penchant for rummaging around in women's innards, then you have a serial killer.
If you turn him into two or three you can't have that, because the odds of having multiple serial killers with the same desire in the tiny little Whitechapel area within a few short weeks would be too astronomical to take seriously.
If you want a couple of copycats - same problem. Why?
So, you must turn to conspiracy to explain the theory.
But again, however one may say - 'Oh, it was the Fenians', 'Oh, it was Jewish Anarchists', 'Oh, it was Lord Randy Churchill' it doesn't do as an explanation in itself. A conspiracy is not an end in itself.
You still have to explain why. I think to seek an extraordinary explanation for the Whitechapel Murders is quite common and natural. Any conspiracy turns the death of the victims from a random, meaningless, horrific death into something with purpose; and the victims into something more than unfortunate women in very dire straits who were just in the wrong place at the wrong time.
Sadly, the latter is far more plausible.
Unless it really was Van Gogh.
Great post, Sally.
Nobody has yet explained why a conspiracy is even likely, let alone a more plausible reason than someone like a Kurten, Sutcliffe, Napper, West, Ireland or the Ipswich man (forgotten his name for the moment) acting out his murderous fantasies on a particularly vulnerable section of society, resulting in one Spitalfields unfortunate after another meeting a sudden violent death in just a few weeks.
I actually think it does a victim no favours to argue that she gave someone a reason to kill her specifically, and in such a horrific way. While I realise this is an emotional response, it does at least fit with the evidence of a killer who wasn't after a particular woman, but any woman.
Love,
Caz
X
"Comedy is simply a funny way of being serious." Peter Ustinov
Nobody has yet explained why a conspiracy is even likely, let alone a more plausible reason than someone like a Kurten, Sutcliffe, Napper, West, Ireland or the Ipswich man (forgotten his name for the moment) acting out his murderous fantasies on a particularly vulnerable section of society, resulting in one Spitalfields unfortunate after another meeting a sudden violent death in just a few weeks.
I actually think it does a victim no favours to argue that she gave someone a reason to kill her specifically, and in such a horrific way. While I realise this is an emotional response, it does at least fit with the evidence of a killer who wasn't after a particular woman, but any woman.
Love,
Caz
X
Thanks Caz, kind of you to say so.
Yes - what is the raison d'être of the Conspiracy? Too often it appears to require none, being in and of itself an explanation for the unacceptable or the inexpicable. I'd argue that the Ripper represents both.
I don't think it's impossible that the Ripper 'knew' one, or some, or all of his victims to some extent - but that doesn't require conspiracy, only familiarity.
Precisely Jon - sometimes they count, sometimes they don't it seems. Lynn is allowed to note something unfinished about Nichols but won't countenance that assumption re Stride. Slight differences between Chapman and Eddowes are given far greater weight than large differences between Nichols and Chapman. It seems the goalposts are located always just where Lynn wants them...
Hello Jon. Yes. Thanks, I am aware of that. I am saying only that the first cuts were more powerful still--they actually notched the bone itself. Read it again and you'll see what I mean.
And, whilst I am thinking about it, the strangle marks are quite evident on Polly and Annie--not on Kate. And, yes, one can be strangled without any signs, so the last 3 might have been strangled as well. But there is no "might have been" with the first 2.
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