I remember several of the speakers at the Docklands- Museum of London,-expressing the same reservations Ap,about any public display of the murder and violence endured by the victims.In this particular case,one author made it very clear that while she very much appreciated the Museum of London"s attempts to explore and exhibit the rich history of the East End and its inhabitants,she was profoundly uncomfortable about Jack the Ripper publicity.
Rachel Lichenstein [ Rodinsky"s room] , made a point of saying how unhappy she was about the Ripper scene"s-Whitechapel Walks ,also the photographs showing the victims injuries etc which several people thought strayed into territory that could cause deep offence.
And this is the problem: the line between providing legitimate visual information about the murder of a horribly violated,stark naked woman in death, which may provide a voyeuristic display of images to any number of mad perverts on a web site who may be surfing the net solely for such imagery, is a fine one.Thats why its so easy to step over the line with these images.
But I trust Chris Scott despite my reservations about his " enhanced" photograph of Catherine Eddowes taken in the mortuary .
To take the last line from his lovely book on Mary Kelly, "Will the Real Mary Kelly.....?":
" All we can say is that the woman known as Mary Jane Kelly now sleeps at Leytonstone Cemetary,more thought on in death than ever she was in life.Rest in peace,young lady,whoever you are......"
Those last lines mean far more to me at any rate,and tell me far more about the author-particularly his sympathetic understanding ,while he takes in the horrific reality to which Mary and her body were exposed, than all the images of her and the other mutilated women posted on the casebook.
Rachel Lichenstein [ Rodinsky"s room] , made a point of saying how unhappy she was about the Ripper scene"s-Whitechapel Walks ,also the photographs showing the victims injuries etc which several people thought strayed into territory that could cause deep offence.
And this is the problem: the line between providing legitimate visual information about the murder of a horribly violated,stark naked woman in death, which may provide a voyeuristic display of images to any number of mad perverts on a web site who may be surfing the net solely for such imagery, is a fine one.Thats why its so easy to step over the line with these images.
But I trust Chris Scott despite my reservations about his " enhanced" photograph of Catherine Eddowes taken in the mortuary .
To take the last line from his lovely book on Mary Kelly, "Will the Real Mary Kelly.....?":
" All we can say is that the woman known as Mary Jane Kelly now sleeps at Leytonstone Cemetary,more thought on in death than ever she was in life.Rest in peace,young lady,whoever you are......"
Those last lines mean far more to me at any rate,and tell me far more about the author-particularly his sympathetic understanding ,while he takes in the horrific reality to which Mary and her body were exposed, than all the images of her and the other mutilated women posted on the casebook.
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