The Ripper suspect, Francis Thompson is believed to have been living in Providence Row, in Whitechapel. This was a Catholic refuge at 50 Crispin Street, opposite the entrance to Dorset Street, where Mary Kelly was murdered. Kelly is said to have sought shelter at the refuge, not long before her death. Researchers cite this information to point out that she may have been Catholic. There is some evidence to show that Thompson was a friend of Kelly. The English writer Robert Thurston Hopkins (1884-1958), 1935 book, “Life and Death at the Old Bailey,” has a relatively early account of the Ripper murders. It introduced an unknown suspect who was a poet.
It was an Old Bailey officer offered Hopkins information on the case. Although the officer is not named, his knowledge of all the murders was strong being, ‘on duty in the East End throughout the whole run of the murders.’ Hopkins gave a brief, but surprisingly accurate account of the crimes and looked at several suspects. He pressed the idea that the Ripper may have had surgical skill, before introducing a poet as Jack the Ripper. The Catholic poet Francis Thompson, had trained for six years as a surgeon at Owens Medical College Manchester, dissecting hundreds of cadaver. Even 46 years after the murders, Hopkins was not ready to give his suspect an actual name so he made one up, calling him Mr Moring. Funny thing about Thompson, but the volumes of poetry published in his lifetime were all decorated with rings on the front cover. Thompson’s grave has ‘more rings’ with a symbol of two that are carved entwined onto his tombstone.
Hopkins remarked that his poet’s appearance was the same as the man seen by George Hutchinson outside Miller’s Court in Whitechapel’s Dorset Street. Hutchinson was the last person to see Mary Kelly. Both Francis Thompson and Hutchinson’s man carried a parcel with a strap around it, were near the same height, were pale, had very dark hair, had a moustache, wore a dark coat and sported chains.
Here is a section of Hopkins’s chapter on the Ripper detailing the poet and his friendship with Mary Kelly,
‘One of Mary Kelly's friends was a poor devil-driven poet who often haunted the taverns around the East End. I will call him " Mr. Moring," but of course that was not his real name. Moring would often walk about all night and I had many long talks with him as together we paced the gloomy courts and alleys…He had black, lank hair and moustache, and the long, dark face of the typical bard…. Moring, who knew every opium den in the East End, although at that time they were not counted in with the sights of London, often gave himself up to long spells of opium smoking. "Alcohol for fools; opium for poets, was a phrase which recurred constantly in his talk. "To-morrow one dies," was his motto, and he would sometimes add " and who cares-will it stop the traffic on London Bridge?" After reading the above [George Hutchinson’s inquest testimony] statement I looked back on my memories of the wandering poet and curiously enough that description fitted him down to the ground! But I could not connect a man of such extraordinary gentleness committing such a dreadful series of outrages.’
Hopkins poet was probably Thompson, a long time user and addict to opium. A biographer on Thompson, in his 1967 book, tells of Hopkins’ connection to this poet in his “Strange Harp, Strange Symphony the Life of Francis Thompson.” Thompson died in 1907. In 1927 Hopkins visited people and places associated with Thompson. Hopkins for example went to Panton Street, in London’s Haymarket District. While there he spoke with John McMaster a shoemaker, who had briefly taken Thompson off the streets. This was in 1886. McMaster hired Thompson to deliver boots and learn the trade, but later was forced to fire Thompson after he injured a customer. Hopkins recalled McMaster’s description of Thompson when he found him as a vagrant on London’s streets,
‘He was the very personification of ruin, a tumble-down, dilapidated opium-haunted wreck.’
Hopkins included this information in his 1927 book, “This London - Its Taverns, Haunts And Memories.”
It was an Old Bailey officer offered Hopkins information on the case. Although the officer is not named, his knowledge of all the murders was strong being, ‘on duty in the East End throughout the whole run of the murders.’ Hopkins gave a brief, but surprisingly accurate account of the crimes and looked at several suspects. He pressed the idea that the Ripper may have had surgical skill, before introducing a poet as Jack the Ripper. The Catholic poet Francis Thompson, had trained for six years as a surgeon at Owens Medical College Manchester, dissecting hundreds of cadaver. Even 46 years after the murders, Hopkins was not ready to give his suspect an actual name so he made one up, calling him Mr Moring. Funny thing about Thompson, but the volumes of poetry published in his lifetime were all decorated with rings on the front cover. Thompson’s grave has ‘more rings’ with a symbol of two that are carved entwined onto his tombstone.
Hopkins remarked that his poet’s appearance was the same as the man seen by George Hutchinson outside Miller’s Court in Whitechapel’s Dorset Street. Hutchinson was the last person to see Mary Kelly. Both Francis Thompson and Hutchinson’s man carried a parcel with a strap around it, were near the same height, were pale, had very dark hair, had a moustache, wore a dark coat and sported chains.
Here is a section of Hopkins’s chapter on the Ripper detailing the poet and his friendship with Mary Kelly,
‘One of Mary Kelly's friends was a poor devil-driven poet who often haunted the taverns around the East End. I will call him " Mr. Moring," but of course that was not his real name. Moring would often walk about all night and I had many long talks with him as together we paced the gloomy courts and alleys…He had black, lank hair and moustache, and the long, dark face of the typical bard…. Moring, who knew every opium den in the East End, although at that time they were not counted in with the sights of London, often gave himself up to long spells of opium smoking. "Alcohol for fools; opium for poets, was a phrase which recurred constantly in his talk. "To-morrow one dies," was his motto, and he would sometimes add " and who cares-will it stop the traffic on London Bridge?" After reading the above [George Hutchinson’s inquest testimony] statement I looked back on my memories of the wandering poet and curiously enough that description fitted him down to the ground! But I could not connect a man of such extraordinary gentleness committing such a dreadful series of outrages.’
Hopkins poet was probably Thompson, a long time user and addict to opium. A biographer on Thompson, in his 1967 book, tells of Hopkins’ connection to this poet in his “Strange Harp, Strange Symphony the Life of Francis Thompson.” Thompson died in 1907. In 1927 Hopkins visited people and places associated with Thompson. Hopkins for example went to Panton Street, in London’s Haymarket District. While there he spoke with John McMaster a shoemaker, who had briefly taken Thompson off the streets. This was in 1886. McMaster hired Thompson to deliver boots and learn the trade, but later was forced to fire Thompson after he injured a customer. Hopkins recalled McMaster’s description of Thompson when he found him as a vagrant on London’s streets,
‘He was the very personification of ruin, a tumble-down, dilapidated opium-haunted wreck.’
Hopkins included this information in his 1927 book, “This London - Its Taverns, Haunts And Memories.”
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