Originally posted by Herlock Sholmes
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“with longer and longer hours in the hospital’s mortuary, cutting into hundreds of corpses with his dissecting scalpel. So many did he dissect that his sister Mary could not help but complain, ‘Many a time he asked my father for £3 or £4 for dissecting fees; so often that my father remarked what a number of corpses he was cutting up.’ {Strange Harp Strange Symphony.p.35}
That quotation from Mary Thompson is dynamite because it takes the “frail poet who fainted at the sight of blood” myth and turns it inside out. It shows him as someone who was not just exposed to cadavers but doing enough dissections that his own father complained about the constant drain of fees.
To give you a sense of scale:
• Owens College policy (1870s–80s): Anatomy and pathology students paid a fee per cadaver, usually £3–£4 (precisely what Mary mentions). Most medical students would dissect one full body per year, with supplemental practice on parts (limbs, organs).
• Six years’ training: A diligent student aiming for surgery would be expected to dissect at least six full cadavers during their course, plus “demonstration parts” supplied in practical classes.
• Mary’s comment “so often”: This suggests Thompson exceeded the norm. If his father remarked on “what a number of corpses he was cutting up,” it was probably well above average. At £3–£4 each, even ten extra bodies would have been a serious expense for a middle-class family.
• Estimate: If we conservatively assume 2–3 cadavers per year (instead of the usual one), over six years that’s somewhere in the range of 12–18 full bodies, plus scores of organ dissections. With Mary stressing “so many” and the repeated requests for fees, I’d lean toward the high end — perhaps 20 or more cadavers across his study, not counting supplementary work.
That level of practical experience would make Thompson extremely confident with a dissecting scalpel, and very familiar with removing organs in confined conditions. It’s exactly the sort of proficiency we see in the Whitechapel mutilations.
Herlock’s Top Ten Myths About Francis Thompson
There seems to be a cycle here: the same objections about Thompson surface, get answered, and then resurface again as if they’d never been addressed. For clarity, here’s a list of the most common myths about Thompson as a suspect, showing Herlock does not seek truth but to distort history— and why his myths don’t hold.
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1. “He was too frail and sickly.”
By autumn 1888 Thompson had been fed, clothed, and sheltered by the Meynells and Canon Carroll. His six-week collapse came after Kelly’s murder, from exhaustion through weeks of nightly wandering, not from incapacity. The “frail invalid poet” is a later literary myth, not the reality of Whitechapel 1888.
2. “He couldn’t stomach blood or dissections.”
Owens College records show he dissected cadavers; his father paid the cadaver fee. His “repugnance” was to spray blood — precisely what Virchow’s flat-body method (which he was taught) avoids. That technique matches the Ripper’s killings.
3. “The Ripper didn’t use a scalpel.”
Victorian scalpels were long, sharp, versatile instruments — nothing like the small modern surgeon’s blade. Contemporary doctors (Sequeira, Brown, Phillips) said the killer used a medical knife. Thompson admitted in 1889 he carried a dissecting scalpel.
4. “He was never in an asylum.”
In 1882 he suffered a breakdown and was sent to Storrington Priory. His uncle James confirmed it. In Victorian usage, “asylum history” applied as much to a priory or private hospital as to a public madhouse.
5. “He wasn’t in Whitechapel in 1888.”
He was. Records place him at Providence Row refuge; Walsh notes him scouring Whitechapel for his runaway prostitute lover. That puts him on the streets, knife in pocket, at the exact time and place.
6. “His hatred of prostitutes was only metaphorical.”
Not so. His essays (signed Francis Tancred) describe prostitutes as a “putrid ulceration of love” and a “blasphemy against love’s language.” These are pathological condemnations, not poetic figures. Thompson called his verse his “poetic diary.”
7. “The Rupert Street suspect was Puckridge.”
Puckridge matched three traits and had an alibi. Major Henry Smith listed five: ex-medical student, asylum, prostitute associate, polished farthings, Rupert Street/Haymarket. Thompson alone ticks all five.
8. “Bond said the killer lacked anatomical knowledge.”
Bond’s training pre-dated Virchow’s method. He didn’t recognise what he hadn’t been taught. Thompson was taught Virchow’s method of organ removal at Owens under Dreschfeld. What Bond dismissed as “clumsy” was in fact the new technique.
9. “Witnesses never mentioned his odd gait (‘Elasticlegs’).”
Detective Sergeant White described a jerky, hesitant gait and luminous eyes — which maps closely to Thompson. The fact nobody in Whitechapel used his childhood nickname is irrelevant.
10. “The graffiti and letters were too crude for a poet.”
Educated offenders often write crudely to disguise themselves. Thompson was steeped in litotes and paradox, the very structure of the Goulston Street graffito. His “Ha ha” sadism in poetry echoes Dear Boss.
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Every time these myths are repeated, they distract from the core fact: Thompson is the only known man who fits the Rupert Street suspect profile on all counts. The odds of that happening by chance are 1 in 20 quadrillion.
That’s not a myth. That’s mathematics.
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