Since the evidence almost takes us nowhere, I'm (along with a few others I've discovered) convinced conjecture is the more profitable exercise.
If one had to create, as an exercise, the perfect conjectural candidate, then Francis Thompson fits best. Yes, this reiterates what Richard Patterson brilliantly posted almost a decade ago:
1. Detailed (if embittered) medical knowledge and practical experience of dissections.
2. Known obsession with dismemberment (father had to pay for his excessive cadavers, at Owen's College). Childhood arsonist.
3. Years of living on the streets - often close to Whitechapel.
4. Opium addict with near maniacal religious visions.
5. Shabby genteel - almost as a definitive look.
6. Obsession with a prostitute (but may have been ripping off De Quincey's account). Possible links to MJK - highly disputed.
7. Disappeared from street-life about early December 1888, then kept under close attention in retreats/asylums.
8. Evidence his editor Wilfred Meynell censored aspects of his life as a vagrant.
9. Evidence that Meynell's wife Alice forbade him access to their children.
10. Many textual references to evisceration and genital attacks, in his verse.
The stumbling block is a direct link to Whitechapel in the autumn of terror - so no direct locational evidence. This is no different from Druitt, but he has none of the above (though of course, is named plus topped himself).
I find another rejecting argument - his frailty and terrible health - less convincing. He'd survived the rigours of street living for years, prior to 1888. He died from the effects nearly twenty years later.
The other argument (he's too famous) doesn't work. He was unknown in 1888 and remained largely so until the 1920s or 30s. His candidacy cannot be compared with the random accusation against Sickert.
It's true that few first-rank creative geniuses have been homicidal. But then few 'normal' people become serial killers, even fewer of the JtR type.
The only other first XI artist who was a murderer - to my knowledge - was Caravaggio. But one could be more modern and name Phil Spector (wildly different circumstances).
If one had to create, as an exercise, the perfect conjectural candidate, then Francis Thompson fits best. Yes, this reiterates what Richard Patterson brilliantly posted almost a decade ago:
1. Detailed (if embittered) medical knowledge and practical experience of dissections.
2. Known obsession with dismemberment (father had to pay for his excessive cadavers, at Owen's College). Childhood arsonist.
3. Years of living on the streets - often close to Whitechapel.
4. Opium addict with near maniacal religious visions.
5. Shabby genteel - almost as a definitive look.
6. Obsession with a prostitute (but may have been ripping off De Quincey's account). Possible links to MJK - highly disputed.
7. Disappeared from street-life about early December 1888, then kept under close attention in retreats/asylums.
8. Evidence his editor Wilfred Meynell censored aspects of his life as a vagrant.
9. Evidence that Meynell's wife Alice forbade him access to their children.
10. Many textual references to evisceration and genital attacks, in his verse.
The stumbling block is a direct link to Whitechapel in the autumn of terror - so no direct locational evidence. This is no different from Druitt, but he has none of the above (though of course, is named plus topped himself).
I find another rejecting argument - his frailty and terrible health - less convincing. He'd survived the rigours of street living for years, prior to 1888. He died from the effects nearly twenty years later.
The other argument (he's too famous) doesn't work. He was unknown in 1888 and remained largely so until the 1920s or 30s. His candidacy cannot be compared with the random accusation against Sickert.
It's true that few first-rank creative geniuses have been homicidal. But then few 'normal' people become serial killers, even fewer of the JtR type.
The only other first XI artist who was a murderer - to my knowledge - was Caravaggio. But one could be more modern and name Phil Spector (wildly different circumstances).
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