Chris...
Please provide the date that the 1861 serialized ' A Strange Story" came out for everyone...
If it came out in the early part of 1861...hmmmmm.....it would make no sense for D'Onston to say " after the release of the book in the following Spring"....if it came out in Spring or Summer or Fall of 1861.
Go check. Thanks !
Yours
How
By the way, for all you innocent bystanders:
The concern with egoism led to a preoccupation with villainy. In defence of the subject matter of his Newgate novels, Bulwer argued that crime reveals deep truth about human nature. This was another of his seminal ideas. Arbaces the magician in The Last Days of Pompeii (1834), last descendant of the Egyptian royal line, is a gloomy, sensual aristocratic criminal. The theme was more deeply explored in his occult stories. In The Haunted and the Haunters†(1857), he presents a malevolent character who transcends the Byronic to create a fascinating image of daemonic will. In the full version of the story, he is encountered in his contemporary embodiment as Richards, the mysterious long-lived being responsible for the hauntings. Sometimes described as the best ghost story ever written, this is arguably his masterpiece. He cut it short in later editions, because he wanted to develop the theme into a full-length novel. It became A Strange Story (1862), where the same malignant will is personified as Margrave, an evil character who wants to live forever. This desire comes across as a powerful image of life affirmation, though in the form of black magic.
From: http://www.mith.demon.co.uk/Bulwer.htm
1862
Please provide the date that the 1861 serialized ' A Strange Story" came out for everyone...
If it came out in the early part of 1861...hmmmmm.....it would make no sense for D'Onston to say " after the release of the book in the following Spring"....if it came out in Spring or Summer or Fall of 1861.
Go check. Thanks !
Yours
How
By the way, for all you innocent bystanders:
The concern with egoism led to a preoccupation with villainy. In defence of the subject matter of his Newgate novels, Bulwer argued that crime reveals deep truth about human nature. This was another of his seminal ideas. Arbaces the magician in The Last Days of Pompeii (1834), last descendant of the Egyptian royal line, is a gloomy, sensual aristocratic criminal. The theme was more deeply explored in his occult stories. In The Haunted and the Haunters†(1857), he presents a malevolent character who transcends the Byronic to create a fascinating image of daemonic will. In the full version of the story, he is encountered in his contemporary embodiment as Richards, the mysterious long-lived being responsible for the hauntings. Sometimes described as the best ghost story ever written, this is arguably his masterpiece. He cut it short in later editions, because he wanted to develop the theme into a full-length novel. It became A Strange Story (1862), where the same malignant will is personified as Margrave, an evil character who wants to live forever. This desire comes across as a powerful image of life affirmation, though in the form of black magic.
From: http://www.mith.demon.co.uk/Bulwer.htm
1862
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