Originally posted by caz
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"the signs of complexity in the Maybrick scrapbook should at least dispel the myth that the document is necessarily a ‘shabby’ hoax" - page 30
The document has "A consistent narrative and psychopathology" - page 31
"As easy as it is to claim that the story which unfolds reflects a ‘shabby’ hoax, the reality is that it actually required a significant amount of attention to detail and research which – collectively – reflect a complex and intimate analysis of the known facts around Maybrick’s life and the crimes he is supposed to have committed as well as of the typical mind functioning at the time of the crimes" - page 31
Cites Professor David Cantor as saying that if not by James Maybrick himself the only other possibility for authorship of the diary was that "it was written by a shy, but emotionally disturbed genius, who combined the novelist’s art with an intelligent understanding of serial killers, the agreed facts of Jack the Ripper and James Maybrick". page 32
"this otherwise genuinely complex document" - page 32
Cites Harrison saying of Dr David Forshaw that "His principle conclusion was encouraging: he said for a forger to have faked this deceptively simple diary he would have needed to master a profound understanding of criminal psychology and the effects of drug addiction" - page 32
"Three eminent researchers in their fields have gone on the record as supporting the notion that the Victorian scrapbook is psychologically deeply complex." - page 33
Cites Canter as saying that the author of the diary was using "a powerful literary device" which would have turned into self-parody if used by "a less skilful author" - page 36
"The letter from Margaret Baillie puts paid to any assumption that the Victorian scrapbook is a slipshod piece of work. It implies that the document is either extremely well-researched or else it is authentic." - page 36
"deep complexity in the scrapbook" - page 39
"if this was the work of a hoaxer, then it is yet another excellent example of the complexity of the research which consistently underpins his work." - page 47
"If it represents the author’s attention to detail in creating a hoax, it is jaw-droppingly precise and would unequivocally prove the inherent complexity of research required to complete this otherwise apparently superficial fraud." - page 48
"It is a particularly masterly touch of the hoaxer that he has James Maybrick quite clearly laying claim to the sobriquet ‘Jack the Ripper’," - page 49
"Given the truly outstanding research conducted by whoever concocted a Jack the Ripper hoax from the life of James Maybrick, his efforts deserve to be fairer witnessed than they have been to date." - page 54
"it is a crime to have written such a hoax (as money ultimately exchanged hands as a consequence), but it is a far greater crime that the brilliance, the complexity, the audaciousness, and the good fortune of the hoax has not yet been fully appreciated" - page 55
"the reference to ‘society’s pillar’ provides a rather neat play on the final syllable of his name - ‘brick’ – a literary device which the James Maybrick (as portrayed in the Victorian scrapbook) frequently delights in." - page 63
"when the moment requires literary expansion, we get it". - page 108
When viewed as a whole, we are being told by Ike in his essay that, if the diary is a forgery, it is extremely well-researched, if not outstandingly researched, inherently and deeply complex, brilliant, masterly, audacious, with a consistent narrative and psychopathy, written by someone with a profound understanding of criminal psychology and the effects of drug addiction, an intelligent understanding of serial killers, a jaw-droppingly precise attention to detail and an ability to use literary devices and literary expansion. It seems to me that a fair summary of all that would be that Ike is saying that if the diary isn't genuine, it's a literary masterpiece. Perhaps that's the type of thing John was thinking of?
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