Originally posted by rjpalmer
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Oh, that's a shame. For some reason I thought the glass plate was still around (obviously it was not a very good reason).
The fact that nothing is seen in the actual sepia photograph, though, is exactly why proper historical research requires viewing original source material, and why reproductions (like photographs of the original, or scans, etc) are simply not good enough. Too many artefacts get introduced, like the flash you point out. I suppose if the Rumbelow photo does show something, then it becomes a matter of working out why one photo shows something that the other does not? If the sepia is the clearer print, then it obviously is the better material to work from. The variability in terms of seeing the letters in the reproduced images we've seen tends to weigh against the "letters" being there in my opinion.
So if there's nothing to be seen in both of the actual surviving photographs (particularly the higher quality one) then it's all a discussion about will-o-the-wisps. Hmmm, I suppose one could say that the fact the diary refers to these supposed letters, then the author of the diary seems to be basing things upon artefacts found in the reproduced photos and not something that was actually present at the crime scene, as evidenced by the original source material, which points to the diary being a forgery written after the reproduced images were made public (probably after Farson, 1973). That, of course, depends upon one arguing that the forger spotted the "letters" in the reproduced images and worked that into their storyline.
Thanks for all the info.
- Jeff
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