Originally posted by Kattrup
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One of the problems I have always had with the diary is that it seems to me that creating a fake that might fool an expert is a complex thing. I'd have had no idea what tests could be done on paper and ink, or what the tests might reveal, or what I should do to avoid being tripped up. I find the whole challenge of faking something so daunting that if I had given it any thought, I'd never have gone ahead with the idea. On the other hand, I might have thought that the "diary" would get published and make me a bob or two without any tests being done on it at all - hence the reason for not making any effort to find and copy an example of Maybrick's handwriting (and Melvyn Fairclough got a book published partly on the back of some material written by Abberline, and nobody tested that, so my expectation might not be too far off the mark) - but then why worry about faking Victorian ink and paper, or using anachronistic words? I don't know, but having met Mike and talked with him many times, I just wonder whether the whole idea would have seemed too much trouble and the risks of discovery too high. If it had been me, I think I'd have ordered another pint and dreamed about how I'd use my little greenhouse, if ever I got one.
But I was just asking a question.
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