And please note that I added an unnecessary and utterly wrong apostrophe to my last post, like a small kiss blown in the direction of lowercase caz as she's off to another wonderful weekend.
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Originally posted by rjpalmer View PostAnd please note that I added an unnecessary and utterly wrong apostrophe to my last post, like a small kiss blown in the direction of lowercase caz as she's off to another wonderful weekend.
You're going down my son.
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I'm trying to count the ironies in the statement: "Didn't Melvin at one time state that the diary was written by someone who had been schooled in the 1930s?"
Irony number one is that Melvin Harris is not normally relied upon by this person as an authority for anything. Does she think that the rest of us worship Melvin and regard him, like the Pope, as incapable of error?
Irony number two is that this same person once told me how important it was to use the exact words of someone and not summarize. Perhaps this only applies to me when I am (correctly) summarizing Voller's words but when I consult Feldman, I find (as Director Dave has noted) that Melvin's actual words were supposed to be that the Diary was written by “by someone most likely to have been schooled in the 1930s”. The words "most likely" seem to indicate that there may be some doubt in the matter so that Harris was not, in fact, stating that the Diary was written by someone schooled in the 1930s. And it's not even clear that Feldman has quoted him accurately because later in his book he claims the words used were "schooled in the 1920s or 30s" so who knows what Harris actually said?
Irony number three is that Harris seems to have changed his mind anyway (according to Feldman, again as noted by Director Dave) and died believing that the Diary was (most likely?) written by a man or woman born in the 1950s. Harris is not the only member of this forum to have changed his (or her) mind about the Diary - and, if one looks hard enough in the archives, one will even find evidence of the world's greatest expert changing her mind a number of times, and fiercely defending her right to do so - and it must surely be important to cite someone's most recent opinion, not one that has been superseded.
Irony number five is that there is no irony number four.
Irony number six is that Harris' views on the origins of the Diary are surely irrelevant because, having died in 2004, he was never aware of the key fact of Mike Barrett's search in March 1992 for a Victorian Diary with a minimum of 20 blank pages and, having been told that O&L did not sell a scrapbook of the type identified by Mike during 1990 or 1991, might have been led to draw wrong conclusions about who was involved in the forgery and when that forgery took place.
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So we are told that when Mike spoke to the Daily Post in June 1994, "Anne was furious at this intrusion into her privacy and wrote to Feldy in July 1995, claiming to have told Mike within weeks of leaving him in the January of 1994 that she had every intention of divorcing him."
Well, of course, if Anne said this to Feldman in July 1995 it must be true because everything she told Feldman was true, such as that she first saw the Diary in the 1960s and later kept in her bedroom despite it supposedly being under the floorboards in Battlecrease House during all this time.
The difficulty I have is in seeing how Mike confessing that he forged the Diary to a Daily Post reporter is in any way an invasion of Anne's privacy. It's not clear that even Anne could answer that because, when trying to justify her comments about the Daily Post story, she remarked:
“I said the first thing that came into my head which was something like “I will fight like a tiger to protect my family” I can remember walking up the stairs thinking “What the hell did I say that for?”
What the hell did she say that for, indeed. Shirley Harrison was equally baffled. As she says in her 2003 book (p.266), when quoting Anne as saying in June 1994, "He is trying to get back at me because I have left him":
"I did not understand why forging the Diary would get back at Anne - unless of course Michael was implying that she was involved."
Let's just think about this for a moment. Anne at this time, we are told by Diary Defenders, actually believed that Mike had stolen the Diary. Scotland Yard had already been round asking questions, which must have been unnerving, and there must always have been a worry that Mike would be arrested for "fencing" this stolen item. So his story of having forged it, something which he could obviously never prove in a million years, nor could anyone else, and Anne would have known this more than anyone, was surely an ideal cover story to deflect attention away from the theft (thus protecting himself in an understandable way). Certainly, Anne wasn't mentioned in Mike's story in June 1994. He said he did everything himself and was the world's greatest forger.
Well perhaps Anne thought Mike was getting back at her by destroying the provenance of the Diary so that she wouldn't make any money out of it. But, hold on, Anne wasn't interested in the money, was she?
It's possible that I haven't been speaking English for long enough but I would have thought that when someone says: "I am afraid you left me with no choice after speaking to the newspapers" this means that if the newspapers hadn't been spoken to, there would have been a choice. And does this not in turn mean that if Mike had not spoken to the newspapers, Anne would not have filed for divorce on the day the story was published?
Which, I think, means that the filing for Divorce in June 1994 was, in her own words, a direct result of Mike saying he had forged the Diary. I can't see any other way around it, at least not if English means what I understand it to mean.
Oddly, though, she does not seem to explain to Mike in her letter just what the problem was with him speaking to the Daily Post and saying that he forged the Diary. She seems to assume he will know.
Not that any of this is of any real importance in this thread about the Diary handwriting.
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