Signatures again
The differences are fundamental Sam (I can see your images on Casebook but not on forums)
First the letter G is totally different in the 1888 examples to the later samples.
Secondly the ‘utchinsons’.
In all the 1888 samples the ‘u’ is formed as a separate entity. This is because the 1888 ‘H’s are formed by a simple two verticals and a horizontal. The horizontal does not flow into the ‘u’ and therefore the first stroke of the ‘u’ is at the bottom of the letter.
If you look at the 98 an 1911 utchinsons you will see that the way the letter ‘H’ is drawn, with the left vertical drawn first, then the right vertical then back to the mid point, looping over to the left vertical and going straight back to start the letter ‘u’ gives you a start point of the ‘u’ as being the same height as the horizontal in the ‘H’. That is why the first stroke of the ‘u’ is at the top of the letter and not at the bottom.
I have already mentioned that the crossing of the ‘t’ is different. In the 1888 it’s not so much the ‘t’ that is crossed but the ‘h’. In the bottom two it is definitely the ‘t’. The formation of the ‘h’ is also different, with the 1888’s being looped and the 98 and 1911 being straight bars.
I should add that this is important as it shows how the writer holds the pen and uses it. In the 1888 the writer is using the pen in a forward manner which means he forms the front of the vertical loop first and then reverses track to form the back of the loop. In the other two examples the writer is using the pen in backward manner which means he forms the back of the vertical first, from the base line curving up, and then forms the front of the vertical by coming down vertically. It’s not just a matter of loop or not loop it’s the fundamental way the writer uses the pen.
The differences are fundamental Sam (I can see your images on Casebook but not on forums)
First the letter G is totally different in the 1888 examples to the later samples.
Secondly the ‘utchinsons’.
In all the 1888 samples the ‘u’ is formed as a separate entity. This is because the 1888 ‘H’s are formed by a simple two verticals and a horizontal. The horizontal does not flow into the ‘u’ and therefore the first stroke of the ‘u’ is at the bottom of the letter.
If you look at the 98 an 1911 utchinsons you will see that the way the letter ‘H’ is drawn, with the left vertical drawn first, then the right vertical then back to the mid point, looping over to the left vertical and going straight back to start the letter ‘u’ gives you a start point of the ‘u’ as being the same height as the horizontal in the ‘H’. That is why the first stroke of the ‘u’ is at the top of the letter and not at the bottom.
I have already mentioned that the crossing of the ‘t’ is different. In the 1888 it’s not so much the ‘t’ that is crossed but the ‘h’. In the bottom two it is definitely the ‘t’. The formation of the ‘h’ is also different, with the 1888’s being looped and the 98 and 1911 being straight bars.
I should add that this is important as it shows how the writer holds the pen and uses it. In the 1888 the writer is using the pen in a forward manner which means he forms the front of the vertical loop first and then reverses track to form the back of the loop. In the other two examples the writer is using the pen in backward manner which means he forms the back of the vertical first, from the base line curving up, and then forms the front of the vertical by coming down vertically. It’s not just a matter of loop or not loop it’s the fundamental way the writer uses the pen.
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