Originally posted by Herlock Sholmes
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Same old pattern: you misstate what I wrote, you move the goal-posts, then you congratulate yourself for debunking a position I never took. Let’s tidy up your latest round — and your repeated mid-thread misquotes — in one place.
1) “Words aren’t violence.”
No one said “poems = murders.” I’ve said (repeatedly) that Thompson’s writings supply motive and mindset when read alongside his opportunity and means. He doesn’t just dabble in gothic mood; he fixates on prostitutes as pollution and redemption-by-blade. See Nightmare of the Witch Babies (the “lusty knight” stalking and disembowelling), and his Tancred piece in Merry England (1891): “the girls harlots in the mother’s womb … for better your children were cast from the bridges of London … Here, too, has the Assassin left us a weapon.” He also called vice districts “putrid ulcers” to be lanced. That is not normal piety; it’s surgical moralism. You keep blanking this because it’s devastating to your “gentle poet” image.
2) Fire-setting
I’ve cited a pattern of fire incidents in his circle, not a single boyish mishap. You try to launder three separate episodes into “oopsies,” then accuse me of the label. Call it “fire fascination” if the word arson upsets you; the behavioural relevance (risk, control, thrill) doesn’t change.
3) “Two of your four Smith ‘traits’ are non-matches”
Only by rewriting them.
- Institutional care: You play word-games with “asylum.” Thompson had a documented nervous breakdown while a medical student, then institutional care (private hospital for six weeks at the end of 1888; then the Priory in 1889). You keep pretending that if the front door didn’t literally say “Asylum,” the box can’t be ticked. Victorian usage was loose; the biographical pattern is what matters and it matches.
- Coins: I have never written “Thompson was found with polished farthings.” Smith’s Rupert Street suspect is tied to that trick in Smith’s own account. Separately, Thompson’s coin episode (Walsh) shows an unusual coin lore orbiting him during his homeless period. I’ve been explicit that it’s a convergent theme, not the same anecdote. You keep “correcting” a claim I didn’t make because it’s easier to knock down.
You ask why Rupert Street is relevant, while pretending not to know London. Thompson’s documented base in the West End at this time (Panton Street / Charing Cross postal, i.e., right off the Haymarket) places him inside Smith’s hunting ground and movement corridor. That’s why it’s in the probability model: you have a suspect whose real-world geography sits on the very grid Smith patrolled and described. Calling that “made up” is another example of your selective amnesia.
5) “Within 100 yards of the murder sites”
You’re tilting at a number. My claim has been — and remains — that Thompson spent nights in East End refuges (Providence Row; his own later account of it) during the relevant window and was a habitual night-walker, which places him within minutes of several sites when he was in Whitechapel. If at any point I used “100 metres” as shorthand in a fast exchange, take this as a precision upgrade: walking reach from Providence Row to Dorset Street is trivially close; the factual point stands either way. Your “100 yards or bust” routine is just you trying to create a gotcha out of a radius.
6) The “alibi therefore innocence” crutch
You keep leaning on Smith’s line that his Rupert Street man “proved an alibi.” Two things can be true:
- the man fit Smith’s tight profile;
- he produced an alibi for a specific window that Smith accepted at the time.
You’ve done this throughout the thread:
- Turn “institutional care/breakdown” into “never an asylum; therefore zero match.”
- Turn “coin convergence (Smith) + coin episode (Walsh)” into “Richard says Thompson passed farthings.”
- Turn “Haymarket-Rupert nexus” into “made up.”
- Turn “East End nights / Providence Row proximity” into a fake quote about “100 yards.”
- Thompson’s six years of hands-on anatomy and dissection;
- His own testimony that his poems function as a “poetic diary”;
- His violent, blade-centric moralism toward “fallen women”;
- His night-walking and documented East/West End footprint;
- His scalpel and medical instrument familiarity;
- His post-Kelly collapse into six weeks of care, then removal from London.
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