Hi Fish, that was a nice long post. I'm not sure what you were going on about though. I think the original question would be on what grounds SHOULD a writer name a suspect, and on what criteria would he be a viable suspect, versus a Van Gogh kind of thing, which based on the feedback the author has received, is not considered by many Casebookers as being viable.
I personally think Charles Cross is a more viable suspect than Michael Ostrog, but would also have to concede that Michael Ostrog was a near contemporaneous suspect, whereas I've seen no proof that Cross was. I would put Cross about in the same category as Hutchinson. Both were witnesses who are now viewed by suspicion by modern commentators. The difference is, there's a rather wide agreement in the field that Hutchinson was suspicious, to one degree or another, whereas there's an equal amount of agreement that Cross did not in any way behave suspiciously.
As for your contention that a suspect should be linked to specific 'murder spots', then you've once again got Hutch, along with Barnett, Le Grand, and a host of others.
Yours truly,
Tom Wescott
I personally think Charles Cross is a more viable suspect than Michael Ostrog, but would also have to concede that Michael Ostrog was a near contemporaneous suspect, whereas I've seen no proof that Cross was. I would put Cross about in the same category as Hutchinson. Both were witnesses who are now viewed by suspicion by modern commentators. The difference is, there's a rather wide agreement in the field that Hutchinson was suspicious, to one degree or another, whereas there's an equal amount of agreement that Cross did not in any way behave suspiciously.
As for your contention that a suspect should be linked to specific 'murder spots', then you've once again got Hutch, along with Barnett, Le Grand, and a host of others.
Yours truly,
Tom Wescott
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