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Was the Artist Henri de Toulouse Lautrec Implicated in the Killings?

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  • Originally posted by galexander View Post
    The only reason why I raised this topic is because I cover the Stride issue in my book.

    I find the double event an unlikely situation.
    I find the idea of Lautrec and any of his family, friends or associates being the ripper an unlikely situation.

    In terms of embracing new thinking concerning ripper suspects, the point of threads like this is to debate the merits of the new thinking - which is exactly what those making a contribution are doing.

    Comment


    • Dear O dear, don't people check anything. What's the nonsense about Carmin Gaudin being Mary Kelly? She lived until 1920. And posed for The Laundress in 1888.

      MissMarple

      Comment


      • Originally posted by miss marple View Post
        Dear O dear, don't people check anything. What's the nonsense about Carmin Gaudin being Mary Kelly? She lived until 1920. And posed for The Laundress in 1888.

        MissMarple
        Please quote your sources for the date of 1920 for Carmen Gaudin.

        As I have already stated previously although a painting may well be dated as 1888 or 1889 this does not necessarily mean that the painting was actually completed in this year.

        It may be the date when the painting was first catalogued at a public exhibition.

        In the biographies on Lautrec we are told that Lautrec parted company with Gaudin in 1886.

        Comment


        • Originally posted by galexander View Post
          Please quote your sources for the date of 1920 for Carmen Gaudin.

          As I have already stated previously although a painting may well be dated as 1888 or 1889 this does not necessarily mean that the painting was actually completed in this year.

          It may be the date when the painting was first catalogued at a public exhibition.

          In the biographies on Lautrec we are told that Lautrec parted company with Gaudin in 1886.
          Yes, Galexander, but it was you who suggested that Carmen Gaudin could have been Mary Kelly way back on Post 11 of this thread:

          The problem with prostitution is that pseudonyms are almost always used. Mary Kelly was a common name among prostitutes of the East End of the time.

          HTL's favourite model Carmen Gaudin had red hair (dyed) and split with Lautrec around the time Kelly returned from Paris to the East End. Carmen Gaudin itself could have been a pseudonym, the name has a slight ring to it and could have been Lautrec's own creation.
          Have you forgotten this utterly discredited aspect of your own theory, or are you simply disassociating yourself from it at this rather late stage?

          Regards, Bridewell.
          I won't always agree but I'll try not to be disagreeable.

          Comment


          • Originally posted by miss marple View Post
            Dear O dear, don't people check anything. What's the nonsense about Carmin Gaudin being Mary Kelly? She lived until 1920. And posed for The Laundress in 1888.

            MissMarple
            I can only assume you are perhaps quoting from the following:

            http://nga.gov.au/Exhibition/MASTERP...lID=4&ViewID=2

            Where it says:

            Carmen Gaudin (1866?–1920)
            I believe this to be spurious. If you don't know the D.O.B. then how can you know the D.O.D.?

            If you search the online databases for French ancestry you get "No Records" under the name 'Carmen Gaudin'.

            http://www.familylink.com/ppc/?ss=fr...FQ8htAodcky5Xg

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            • Galexander,

              You have come up with the outlandish theory that Lautrec's French model Carmen Gaudin suddenly 'disappeared' in 1B86 and morphed into Irish Mary Kelly in the East End in 1887.
              Of course you have not researched her properly, because her continued existence underminds you theory.

              Lautrec was painting Carmen till about 1889, his style of painting her changed, the later paintings are softer more reflective.There are many documented paintings of Carmen,
              Later on she was painted by Fernand Cormon, who had taught Lautrec.
              She was in Paris in the 1880s. she was a laundress and part time prostitute, Lautrec met her in 1885, she did not exist in a vacuum, but was known to the artistic community [ also painted by Alfred Stevens] and she was FRENCH.
              Lack of birth records mean nothing, she may have been born out of wedlock, Gaudin probably was'nt her real name
              and
              I don't need to' prove' anything about art history, its all there. You have to prove your theory or admit you made a mistake.

              Miss Marple
              Last edited by miss marple; 05-29-2012, 11:11 AM.

              Comment


              • Originally posted by galexander View Post

                I believe this to be spurious. If you don't know the D.O.B. then how can you know the D.O.D.?
                Mary Jane Kelly: Date of Birth: ??/??/???? Died 9th November 1888.

                Regards, Bridewell.
                I won't always agree but I'll try not to be disagreeable.

                Comment


                • Originally posted by miss marple View Post
                  Galexander,

                  You have come up with the outlandish theory that Lautrec's French model Carmen Gaudin suddenly 'disappeared' in 1B86 and morphed into Irish Mary Kelly in the East End in 1887.
                  Of course you have not researched her properly, because her continued existence underminds you theory.

                  Lautrec was painting Carmen till about 1889, his style of painting her changed, the later paintings are softer more reflective.There are many documented paintings of Carmen,
                  Later on she was painted by Fernand Cormon, who had taught Lautrec.
                  She was in Paris in the 1880s. she was a laundress and part time prostitute, Lautrec met her in 1885, she did not exist in a vacuum, but was known to the artistic community [ also painted by Alfred Stevens] and she was FRENCH.
                  Lack of birth records mean nothing, she may have been born out of wedlock, Gaudin probably was'nt her real name
                  and
                  I don't need to' prove' anything about art history, its all there. You have to prove your theory or admit you made a mistake.

                  Miss Marple
                  Fernand Cormon was one of the leading historical painters of his day. He was a traditionalist and not an Impressionist like Lautrec.

                  Presumably Gaudin posed for Cormon in various period costumes..........?!

                  Similarly Alfred Stevens was NOT an Impressionist either. He was famed for painting elegant women in fine attire. Hardly your laundress/part-time prostitute types.

                  Again Miss Marple could you please quote your sources in future.

                  Comment


                  • Originally posted by miss marple View Post
                    ........and she was FRENCH.
                    Lack of birth records mean nothing, she may have been born out of wedlock, Gaudin probably was'nt her real name
                    and
                    I don't need to' prove' anything about art history, its all there. You have to prove your theory or admit you made a mistake.

                    Miss Marple
                    If she was born out of wedlock she would still have been issued with a birth certificate.

                    And what about a marriage certificate and also a death certificate?

                    On the contrary Miss Marple, it's up to you to prove your own case!

                    Comment


                    • Hi Gale,

                      I notice that there hasn't been any witty repartee between you and Dale Larner.

                      Why is that?

                      Regards,

                      Simon
                      Never believe anything until it has been officially denied.

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                      • Because Simon, that would come under the heading of cruel and unusual punishment...

                        Dave

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                        • Hi Dave,

                          Yes, I guess two people engaged in talking major bollocks would be too much for anyone to endure.

                          Regards,

                          Simon
                          Never believe anything until it has been officially denied.

                          Comment


                          • Pray tell, why is it that you continually admonish people for not providing sources and yet you have not given us one source? You have on several occasions alluded to and/or referenced some source(s) but have yet to produce anything tangible. Why is that?

                            It is hard to take your whole premise seriously when the man you purport to have been JTR wasn’t even in the county. Yes, I know, you think he used the clinic as a ruse, which you can’t prove but are nonetheless flouting as the tent pole of your theory. How does that even make sense?

                            I think now would be a good time to reevaluate your theory.

                            Regards,
                            Cheryl

                            Comment


                            • Author Author...

                              Interestingly the only established author I've been able to discover under the nom de plume G Alexander is a writer of childrens books about furry animals.

                              http://www.goodreads.com/book/show/1...9-cute-animals

                              Don't get me wrong...I'm not sure this is you, and in any event, I have nothing against the genre...but is this to be a book about the ripper per se or Diddles?

                              All the best

                              Dave

                              Comment


                              • Silly Dave, the two genre's need not necessarily be exclusive. Maybe, just maybe, the children the world over will be subjected to the very first JTR primer.

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