Originally posted by perrymason
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Height of GSG a Clue?
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Writing
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Here's the best online definition of 'dado' I could find:
Dado
Noun 1. dado - panel forming the lower part of an interior wall when it is finished differently from the rest
wainscot
panel - sheet that forms a distinct (usually flat) section or component of something
wall - an architectural partition with a height and length greater than its thickness; used to divide or enclose an area or to support another structure; "the south wall had a small window"; "the walls were covered with pictures"
2. dado - the section of a pedestal between the base and the surbase
footstall, plinth, pedestal - an architectural support or base (as for a column or statue)
segment, section - one of several parts or pieces that fit with others to constitute a whole object; "a section of a fishing rod"; "metal sections were used below ground"; "finished the final segment of the road"
3. dado - a rectangular groove cut into a board so that another piece can fit into it
groove, channel - a long narrow furrow cut either by a natural process (such as erosion) or by a tool (as e.g. a groove in a phonograph record)
Using these definitions, 'dado' must mean, in this instance, a sheet that forms a distinct (usually flat) section or component of something. That would make sense because a flat piece of say... wood, would be easier to write on than brick. Yet, a furrow cut by natural process (erosion of brick) would make sense too. A projection of moulding doesn't work here. Perhaps, the word 'dado' was used incorrectly and was meant to just mean the base of the wall?
Cheers,
Mike
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Originally posted by Wickerman View PostActually, I thought both photo's show the same buildings, one looking down the street, the next looking up the street. The architecture of both buildings tends to suggest this.
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Originally posted by Sam Flynn View PostThe more sharply-defined image (the upper one, with the writing on it) shows Wentworth Model Dwellings, Scott. Taken from Wentworth Street, facing south/south-east.
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Which side(s) of the street are these images showing? I would think that any dado designs on one side of a street would not be copied on the other side. You know, like two women wearing the same dress to a party...
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Originally posted by The Good Michael View Post.....I agree that the height doesn't seem to matter at all, but a dado is an inset in the wall, if I'm not mistaken, so the fact that it's inset may be more important, psychologically than the height.
If I'm not mistaken a dado is a moulded or carved design that looks like it is not part of the general surroundings. Today they can be made of plaster of styrofoam.
Here is some dado work still evident above the tenements in Goulston st. painted white.
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Originally posted by perrymason View PostIf the killer didnt write it, he just endorsed it. IMHO.
Yet, I know your're giving just an "if there's a connection" scenario. I agree that the height doesn't seem to matter at all, but a dado is an inset in the wall, if I'm not mistaken, so the fact that it's inset may be more important, psychologically than the height.
Mike
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Guest repliedHello all,
A note to Stewart first off, do you know if the precise location of the writing is one that would be affected by the rain? It was raining earlier, but I believe it had ended near the time we first see Elizabeth on Berner Street. I dont know if it would be a factor for that dado. I recall that there was some discussion that the writing might be brushed in passing by someone, and that site does get very busy. Could it have been blurred as a result of some accidental brushing?
On the height of the writing, I think its fair to assume that if the man who left the apron piece wrote it, he would do so discreetly...and crouching seems in keeping with the height to me. In other words an adult male, not a child.
If the killer didnt write it, he just endorsed it. IMHO.
Best regards all.
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This thread is about the clue contained in the height of the GSG.....A very interesting concept.
Get your own thread you guys.
JOHN RUFFELS.
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Originally posted by The Good Michael View PostWhy can't social grievance be related to murder? Wasn't the assassination of Archduke Ferdinand about social grievance in a way? How about McKinley? This is the era of social grievance. Don't you think printed and written messages such as what is found in newspapers or in flyers, or on plain old t-shirts can contribute to aggressive behavior? To eliminate possible connections between text, including Der Arbeter Fraynt, newspapers, and the GSG, and the deaths of prostitutes is to unnecessarily, and perhaps, cluelessly eliminate an avenue of solution. Yet, what do I know?
Mike
and that's why, contrary to what Wickerman wrote, more than a few theorists are still giving the matter some thoughts, as did the police in 1888.
Amitiés,
David
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Originally posted by Wickerman View PostThere needs to be something specific, the GSG isn't it!
Why isn't it?, because the wording has nothing to relate it to a murder, and everything to relate it to social grievance.
Mike
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Originally posted by DVV View PostI'm not sure that the Jews are the men that have not be blamed for nothing in September 1888 since the first and infamous Star's article on Leather (piece of) Apron...
There has always been contention between the 'have's' and 'have-nots', the Jews were the 'have's' the east-end poor, mostly gentiles, were the have-nots'. What else do we want to blame them for - murder?
Any other ambiguities we want to add to the list?
"The Jews are the men that will not be blamed for nothing" - evidence of murder, or just gossip?
There's plenty a disgruntled public can choose to blame the Jews for, especially in the east-end.
There needs to be something specific, the GSG isn't it!
Why isn't it?, because the wording has nothing to relate it to a murder, and everything to relate it to social grievance.
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