Originally posted by rjpalmer
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The author makes the point that in the late 1960's print compositors would be using the latest equipment such as lens arrangements, photo multipliers, cathode ray tubes etc.
She references a short film documentary "Linotype: The Film" (link attached) which shows compositors working with the latest equipment, which included microscopes and chemical baths.
There are two stills at 29.49 and 30.08 which look as if they were taken in the 1950's showing compositors wearing shirts and ties. And there are scenes in the film showing quite technical machines.
I found another interesting site (link attached) where the writer details his early days as a press photographer and in his apprenticeship working across various areas, makes the point that there was a close connection between the print room, photographic development room etc.
I don't know if the author is making a bit of a stretch with this point, but it seems clear that compositors were more than just manual workers.
Aplogies rj, but I'm going to use this post to include something I neglected to put in my previous post reviewing the book.
When the author talks about "Bryers Road" she is referring to Byres Road.
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